Review: Popularly known to fans as "Ice" - a rare case of hypocorism in colloquial fan band nicknaming - Strut Recordings document a rare record from the vaults of the luminary Lafayette Afro-Rock Band, one that is arguably the closest in their catalogue to the signature sound defining their earlier work. Marked by an especially complex funk rhythmology, this record was pressed contemporaneously with the infamous Soul Makossa and Malik sessions; but compared to their earlier works, Afro Agban pushes deeper into jazz-rock territory. 'Ozan Koukle' has espceially become a known but coveted missing link for turntable taxonomists, who'll thank their lucky stars for the fact that it is now available in full.
Review: Ice's early work captures a pivotal moment in funk's evolution, weaving together taut grooves and vibrant African-inspired rhythms. Recorded during the band's formative years, the music brims with raw energy and creative ambition. Polished basslines drive the tracks, while percussion bursts with a vitality that speaks to their Parisian influences at the time. Horn stabs and tightly wound guitar lines add layers of complexity, and the occasional vocal inflection injects a sense of urgency. With each listen, the production reveals new texturesismall details that elevate the record beyond its era.
Review: First things first - the cover art for this one is exceptional if you ask us and gets you very excited about what the album will hold once you drop the needle on the record. Good news - it's just as good, as Idris Ackamoor & The Pyramids return to form with a first new album in three years. This one is as epic they come, exploring all manner of jazz and Afro-future sounds with core Pyramids members Ackamoor on sax, keytar and organ joined by flutist Margaux Simmons, Sandra Poindexter on violin and Bobby Cobb on guitar. Tracks take in hard-hitting socio-political commentaries and laments for lost loved ones as well as some nice and hazy cosmic trips.
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