Back catalogue: Funk

Juno's full catalogue of Funk

Format: All Vinyl CD DJ Equipment Studio Equipment

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Singles

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Emilio SANTIAGO / OSMAR MILITO

Bananeira (7")

Cultures Of Soul US

Cat: COS 1107. Rel: 25 Jan 16

Emilio Santiago - "Bananeira" (2:52)

Osmar Milito E Quarteto Forma - "America Latina" (2:47)

Review: Taken from their impeccable compendium last year - The Brasileiro Treasure Box Of Funk & Soul - Cultures Of Soul unleash two of the album's sunniest cuts for a limited 45". Emilio Santiago's "Bananeira" is a rare groove anthem with a slinky, laid back arrangement and classic Brazilian use of language as a percussive tool. Osmar Milito's "America Latina" takes more western influence of the era as we're treated to a soft focus, hazy Bobby Caldwell-style delivery over a slippery jazz groove. Beautiful.

out of stock $10.19

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SHADOW

Let's Get Together (12")

Cultures Of Soul US

Cat: COS 50212. Rel: 21 Jan 14

Let's Get Together (Whiskey Baron rework)

Let's Get Together (dub)

Keep On Wailing

Intérprete: Joe's Bakery, Craig Charles Funk And Soul, Ionik (Traveller Records, KGS), Shawn Ryan (Universal Cave), Haules Baules, Faze Action, Superbreak, Bosq, Juno Recommends Disco, Afro Beat Foundation, I Love Disco!, Marc Hype, Gumshoe, CHEZZ, Cuttlefish & Asparagus, Alan Mooney's Edits, Cultures Of Soul US

out of stock $13.50

Things Cannot Stop Forever (Al Kent remix)

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STANTON DAVIS GHETTO MYSTICISM

Things Cannot Stop Forever (Al Kent remix) (limited 12")

Cultures Of Soul US

Cat: COS 50112. Rel: 03 Sep 13

Things Can Not Stop Forever (Al Kent remix)

High Jazz (Al Kent remix)

Review: When it comes to edits, Al Kent is definitely up there with the best. A selector in every sense of the word, he doesn't just highlight the best of the past, but also the best elements of those originals. Here we find him revisiting Stanton Davis's 1977 jazz funk fusion album Bright Days. Taking the first and last tracks from the set, both cuts have been reshaped to fit today's dancefloors. "Things Can Not Stop Forever" is more loop-based with an added pounding stomp. The percussion from the original's intro has been applied over the guitar lick to give the edit a real insistency and groove. "High Jazz" has undergone a similar facelift. The original's far-out intentions and unpredictability are still found in the edit, but Al's managed to tether it together by way of a solid 4/4 and more emphasis on the keys than the original's emphatic vocals.