You Are The Sunshine Of My Life (single mix) (2:50)
Superstition (4:05)
Higher Ground (single edit) (3:10)
Living For The City (7:26)
You Haven't Done Nothin' (3:19)
Boogie On Reggae Woman (single mix) (4:09)
I Wish (4:05)
Sir Duke (3:54)
Master Blaster (Jammin') (4:39)
That Girl (5:08)
Do I Do (single edit) (4:58)
I Just Called To Say I Love You (single edit) (4:16)
Overjoyed (3:37)
Part-Time Lover (single edit) (3:38)
Review: Stevie Wonder's The Definitive Collection, now reissued on double vinyl, offers a broad overview of his remarkable career, initially compiled in 2002. . The collection highlights Wonder's versatilityipop, funk, soul, and jazz influences are all represented, with timeless tracks like 'Signed, Sealed, Delivered I'm Yours' and 'Sir Duke' standing out. While selections like 'Hey Love' and 'Overjoyed' may seem like odd inclusions when Stevie has had so many hits, the compilation still spans his career highlights, including smash hits like 'I Just Called to Say I Love You' and 'Part-Time Lover'. There are so many legendary songs, it's almost overwhelming - a great introduction to the breadth of Wonder's musical legacy.
Love Having You Around/Signed Sealed Delivered/Papa Was A Rolling Stone (7:28)
Superstition/Maybe Your Baby (12:01)
Uptight Jam (4:12)
Review: In 1972, musical one-off Stevie Wonder boldly embraced a more experimental and personal style and showcased some innovative use of synths. Backed by his new band Wonderlove, he toured extensively with the Rolling Stones and solidified his status as a trailblazer. This electrifying performance from that year was broadcast on Soul TV WNET 13 in New York City and captures Wonder at his peak and delivering fiery renditions of tracks from his iconic Music of My Mind and Talking Book albums, among others. Presented here with insightful background notes and rare images, this recording is a vivid testament to a pivotal era in Wonder's legendary career.
Review: Stevie Wonder's enduring genius shines across this translucent orange vinyl collection, charting his most transformative years from 1966 to 1980. Early hits like 'Uptight,' 'Signed, Sealed, Delivered,' and 'My Cherie Amour' radiate youthful energy and soul, while later tracks such as 'Superstition,' 'Living for the City,' and 'Higher Ground' embody his era-defining blend of funk and social consciousness. With its mix of exuberant anthems and introspective masterpieces, this release encapsulates the vibrant artistry that secured Stevie Wonder's place as one of music's greatest innovators.
Review: This record was thought to have been lost until recently re-discovered. Recorded in the 1970s and has been loving remasters from the original tapes here and pressed onto heavyweight wax. This collection features some heavily sampled tunes such as 'Funkanova' which has been pillaged by the likes of Black Science Orchestra, DJ Sneak and The Bucketheads. It also has a famous rendition of the Ronnie Laws jewel 'Always There'. Wood, Brass & Steel members include the likes of Doug Winbush who went on to play with the Sugarhill Gang and Grandmaster Flash.
Review: Often touted as a "masterpiece of jazz-funk live albums," The Wooden Glass's 1972 live recording proves it's more than just hype. Featuring vibraphonist Billy Wooten who previously played with Grant Green, this record was recorded at Indianapolis' The 19th Hole club and captures the essence of fusion driven by soulful 60s influences. Wooten's gentle melodies contrast with the gritty, distorted sound of Harold Cardwell's powerful drumming and Emmanuel Riggins' Hammond organ while the energetic performance from the band, including guitarist William Roach, creates a tapestry of intensity and dreamlike vibes. It's raw, electrifying, high-energy jazz.
Review: French label PBT is absolutely on fire right now with a series of massive reissues of long-time boogie, funk and soul grails that will have collectors in a spin. Next up is this hidden gem from Florida's boogie funk archives, Pixie Dust by Wreckin' Crew, which was originally released in 1983 and was once a US-only rarity. It's a bass-heavy, synth-laced prized find for collectors and DJs featuring Robert Rans (who was the co-writer of Freeze's classic 'AEIOU') and veteran producer Kent Washburn. It's brimming with tight grooves and crisp drum programming while smooth vocal harmonies flow throughout. Every track radiates pure 80s boogie energy, all crafted with precision and ready to dominate dancefloors.
Review: Original psychedelic soul gemmery from Milton Wright, as reissued by Wagram. This by-the-book repress follows up a 2015 reissue from Athens Of The North, which was specially noted for its presenting of an 'alternate version' of the album, made up of completely different earlier recordings of each track. Wagram's version, by contrast, pays homage to the 'final' electro-dicso inflected directors' cut - i.e. the first iteration of the album, released in 1975. Slick, high-endy and masterful, tracks like 'Brothers And Sisters' are everything we want and expect from Wright.
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