Back catalogue: Jazz

Review: The fourth edition in Original Gravity's Down In The Basement series, which gathers instrumental soul and swing cuts onto worthy 7" slabs, resounding the fervent 1960s decadal gap in which mod reigned supreme. With juleps flowing and kneecaps knocking, Abramo & Nestor bring newfangled electric pianistic swing with 'Dig It!', while a twinned "hit it!" injunction is heard from Floyd James & The GTs on the reissued 'Work That Thang'; James' voice is tubed and speed-delayed to terrific effect, achieving a sprung intonation. Curtis Baker brassifies the bonanza with the lively 'Fried Fish 'n' Collard Greens', while The Native Yinzer's exiting excitation 'The Hip Strip' quilts our ears with a mnemic, down-feathery Hammond-breaks bit.

Review: Finnish jazz standout Timo Lassy returns with Live in Helsinki, a smashing new live album on We Jazz Records that again spotlights his dynamic trio. It comprises Lassy on tenor sax, Ville Herrala on double bass and Jaska Lukkarinen on drums and was recorded at G Livelab in 2023. The album breathes fresh life into tracks from Lassy's celebrated catalogue and mixes up raw, immediate cuts that are full of energy. The trio's chemistry is clear to hear and is driven by deep friendship and real musical trust. Compared to studio work, this live set captures a freer, edgier side of the group but it is still heartfelt, hard-swinging jazz that proves why Lassy packs hometown shows with ease.

Review: Espen Berg's Maetrix captures the pianist and composer at a bold creative high, as he upscales his craft, this time working with the celebrated Trondheim Jazz Orchestra. Originally premiered to a full ovation at the 2017 Molde International Jazz Festival, this six-part suite finally sees release, recorded between Oslo's Rainbow Studio and Ora Studio in Trondheim. Berg furthers his rep for rhythmic complexity and emotive depth to a 14-piece ensemble featuring standout artists Daniel Herskedal, Rob Waring, and Hayden Powell, while vocalists Kirsti Huke and Sissel Vera Pettersen ensure a graceful vocal topline. Echoes of Pat Metheny and Kenneth Dahl Knudsen waft through the compositions, but Maetrix stands firmly in Berg's own voice, radiating the sense of a collaborative effort years in the making.

Review: The fantastic Tumblack was an overlooked group project made up of prolific French-Beninois everything-composer Wally Badarou and Tele Music library star Sauveur Mallia. Described as a "truly special disco-not-disco LP" by Be With, Tumblack saw to recreating the overtop pressures of hi-NRG disco without indulging the genre's otherwise glitzy sonic excesses. Instead, the likes of 'Invocation' and 'Parlement' remain rooted in deep percussed drum sounds, taking many cues from the zouk-informed musical traditions of the neighbouring Caribbean isles of Martinique and Guadeloupe. Only perhaps 'Caraiba' picks up a true boogie steam, with clavinet and bass enshrouding the crescendo in a true state of ecstasy. With original copies by and large nonexistent by now, this is a due (or possibly even overdue) repress indeed.

Review: This unique album is a bold reimagining of the iconic sweet-soul group, spearheaded by Delfonics' lead vocalist William Hart and infused with Adrian Younge's unique, hip-hop-informed perspective. While the album features elements familiar to Delfonics fans, such as the electric sitar, french horn and lush string arrangements, Younge's approach departs from traditional production, offering a more experimental and idiosyncratic take on the genre. Drawing influence from the eccentric strains of soul and r&b adored by crate diggers, Younge's arrangementsiincorporating harpsichord, glockenspiel and electric sitariimbue the album with a sense of campy psychedelia, yet manage to avoid veering into kitsch. Hart's crystal-clear falsetto remains a cornerstone of the album, with his voice serving as a bridge between the past and Younge's modern vision. Though much of the album sees Hart performing solo, a departure from the layered harmonies of classic Delfonics, it feels organic and fitting for the material. The pairing of Hart's legendary voice with Younge's analog-driven production creates a sound that feels both nostalgic and fresh. Tracks like 'True Love' and 'Stand Up' show how much care has been given to allow the original beauty to the focal point. A genius blend of old-school soul and modern sensibilities.