Review: Seven strong San Francisco rock band Counting Crows have always walked a fine line between intimate storytelling and grandiose soundscapes. This time - taking the four tracks from their Butter Suite pt 1 Ep and adding five more new tracks - they sound like a band utterly in control of their own narrative. Adam Duritz's lyrics reflect a certain self-assurance as they weave through themes of reinvention and regret. Musically, the band brings a tighter, more focused intensity, merging rock, folk and even hints of alt-country with the ease of a band at their peak. 'Spaceman In Tulsa' takes its time, unfolding languidly, savouring every detail before pushing forward. And in moments like 'Boxcars,' it's clear this is the most cohesive they've sounded in years, with every instrument serving the story rather than competing for attention. They've done the work, and now, it's all paying off.
Review: In 1984, Gary Numan launched Numa Records and started a new phase in his career with the release of Berserker. This album introduced a harder-edged digital sound into his canon while maintaining the analogue textures of his earlier work. It's a testament to the fact that Numan's creative evolution never stopped and blends both personal and fictional narratives into haunting tracks like 'My Dying Machine,' 'This Is New Love' and 'Berserker.' The remastered double vinyl edition includes the original album with bonus tracks that add extra perspective to this pivotal period in his career.
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