Day Dreamer Vinilo y CD

Review: While Jimetta Rose composed the songs on How Good It Is, a collaboration with Los Angeles community gospel choir The Voices of Creation, during a period of personal hardship, even the album's most bittersweet moments feel hopeful and positive. As a result, the set's six tracks feel surprisingly joyous, with inspiring choral, solo and spoken word vocals rising above backing tracks that variously offer nods towards the Staple Singers, Funkadelic and Sly Stone. It's a genuinely timeless, life-affirming collection, with highlights including blindingly good opener 'Let The Sunshine In', the atmospheric, slow-motion shuffle of 'Operation Feed Yourself', the squelchy and suspenseful brilliance of 'Answer The Call' and the sweet release of original gospel compilation 'Ain't Life Grand'.

Review: Jimetta Rose and The Voices of Creation's new album, Things Are Getting Better, via Day Dreamer Recordings, is a soul-stirring devotional that blends house, funk, soul, r&b and hip-hop influences. The album opens with the lead single 'Portals,' an invitation to a new way of thinking. With a shuffling groove and soaring vocals, it breaks traditional gospel molds, introducing soulful r&b runs and syncopated verses. Things Are Getting Better is fantastically crafted studio sound, evolving from their raw debut, How Good It Is. The album is composed of non-professional singers and embodies Jimetta's mission to demystify the ministry and spread faith in music's power for positive change. Featuring instrumentalists Isaiah Collier, Ryan Porter, and V.C.R., and recorded at Sunset Sound studios, it encapsulates Jimetta's vision of "Black spiritual classical music". A prolific collaborator with artists like Anderson .Paak and Angel Bat Dawid, Jimetta leads the choir, delivering new mantras for our times. Things Are Getting Better is an example of the power of music, faith, and community.

Review: Melike Sahin's latest release is a compelling fusion of traditional Anatolian pop and contemporary production. Recorded live in London with producer Martin Terefe, the album features a diverse ensemble, including guitarists Dave Okumu and violinist Raven Bush. Tracks like 'Sag Salim' and 'Ortak' showcase Sahin's powerful vocals and poignant lyrics, resonating with themes of survival and empowerment. The album's orchestral grandeur and dramatic flair reflect Sahin's deep connection to her cultural roots, while the modern production injects urgency and relevance. This release reaffirms Sahin's status as a leading voice in contemporary Turkish music.