Review: If you're new to the Alex Giannascoli's world then make yourself comfortable - chances are, like us, you'll be here for a while. There are so many tangents, threads and stylistic shifts of shape it's possible to dive into his back catalogue and spend years never getting bored. It's now far quicker to understand what we're talking about, though, thanks to his latest album. There are multiple personalities at play here than you'd think could be coherent, but coherent this record is. Opener "Walk Away" sounds like an overview of the whole thing - growing from desperate cry into a grandiose, captivating thing of real beauty via reversed-out backing track and looped lyrics. All very Beta Band. From there we're locked-in, through the shimmering melodies of "Taking" to "Sugar"'s deep, tense atmospheric crescendos and vocoders. Ending on the stunning brass-accented blues rock of "SugarHouse (Live)", it's as complete a record as you could ask for.
Review: Most widely known as the front man for '70s rock and roll outfit The Only Ones, Peter Perrett returns once again with Humanworld, his second album since signing to Domino. Perrett successfully resurfaced in 2017 with How The West Was Won, an album that saw him chart in the UK and star on BBC Newsnight. Humanworld, then, does its best again to dissect romance and politics with Perrett's trademark sense of sardonic wit and wry humour. "I'm fully aware there are a lot of people who never even thought I'd get to make another album, let alone two, in such a short time," Perrett has been quoted saying, and with a production credit going to Peter's son Jamie who contributed to "Master Of Destruction", the album rejoices in one's ability to defy the odds. For fans of Dylan, Velvet Underground and Nick Cave for sure.