Faitiche Germany Vinilo y CD

Review: Before his work became reduced to a fine slither and he shifted into experimental, concept-driven realms, Jan Jelinek dropped some of the finest early doors micro house as Farben. Originally released on Klang Elektronik and now reissued by Jelinek's own Faitiche label, Textstar is a masterpiece of glitchy sample-based electronics with a subtle, implied funk. In some ways the sound has dated - it's very much of the late 90s-early 00s era it was first crafted in. But it's a sound that still engrosses and intrigues, reveling in microscopic detail and subdued moods while retaining a groove that comes through the best on eternally magnificent cut 'Beautone'.

Review: .Rhetorical Islands was originally pieced together from Giuseppe Ielasi's work for l'Audible Festival in Paris. An event dedicated to pushing forward thinking, mind-expanding, experimental and just plain strange sounds, his efforts certainly fit in with all of those terms. Presented here as ten standalone tracks, all without name and many without the usual elements we expect from a 'track', this first vinyl pressing of the work is really an extension of the original idea, rather than a time capsule of it. "Isolated sound worlds" is the phrase Ielasi used to describe what's happening here, and it's certainly true that the individual parts stand alone and can each be heard as autonomous. But together they also make a strange kind of sense, complementing, almost feeding into each other, even at the most stark juxtaposition. Ultimately, then, it's about interpretation, making what we choose from the ingredients.

Review: These days, we're all familiar with Jan Jelinek's trademark brand of dusty, dubbed-out, jazz-sampling downtempo explorations. That wasn't the case when Loop Finding Jazz Records, his acclaimed debut album, first appeared back in 2001. It has since become an in-demand item, making this reissue more than handy. It remains a fine album; a blazed shuffle through a sonic world where dub techno, ambient, minimal house, jazz and downtempo grooves and seductive vinyl crackle merge into one intoxicating hybrid sound. It's not showy and over-the-top, but rather becalmed and subtly seductive. In other words, it's still a brilliant album and if you don't own already own a copy, you should add this to your cart sharpish.

Review: In 2005, Jan Jelinek "pitched" his electronica/kosmische vision to the potent collective fan by way of ten ecosystemically-informed, prepared ambient numbers. Spanning Bibio-esque reversy guitar and sloshing exotica, this one existed for an inordinate period as a digital download, in which much time elapsed until now, its 20th anniversary - at which point we hear it available again, arriving for the first time on vinyl. Modelled on the sonic prototypes of his German rock forbears, this early electronica work from Jelinek amounts to a fearsomely intricate revue, expanding on krautrock's organic textures and unremittingly restless feel.

Review: Jonathan Scherk's new album Toon! explores 12 different and equally complex sound worlds, all with the same brief - that no piece must be more than two minutes long. It makes for an album that moves quickly from one mystery world and eerie mood to the next as the worlds of pluderphonics and sampledelica merge. It is an intriguing listen with smeared synths, lo-fi drones and barely there vocal sounds all coming and going like clouds passing by an airplane window. You'd be hard pushed to hear a more adventurous album than this one this week.