Ghost Box Vinilo y CD

Review: The Advisory Circle's Mind How You Go is a haunting and evocative album that transports listeners back to the eerie world of 1960s and 1970s public information films. Inspired by the chilling soundscapes of these films, the album captures a sense of nostalgia and unease that is both poignant and unsettling. The album's music is both catchy and unsettling, with its eerie melodies and haunting vocals creating a sense of unease. The lyrics, which often focus on themes of danger and caution, add to the album's unsettling atmosphere. Mind How You Go is a masterpiece of nostalgic electronica. It is a record that is both haunting and beautiful.

Review: Beautify Junkyards and Ghost Box label co-head Jim Jupp is Belbury Poly here as he serves up a cover of The Incredible String Band song 'Painting Box.' It was original by written by Mike Heron and is a beautiful piece of acoustic guitar work with tender vocals and sweeping string sounds that come over like an adult lullaby, all soothing sounds and enchanting moods. The flipside is an original by Beautify Junkyards, 'Ritual in Transfigured Time,' which was produced by Joao Branco Kyron and is another perfectly lilting groove for lazy days.

Review: Spectral musical favourites Ghost Box return with the beautiful third album by Beautify Junkyards. Extending the idea that junkyards aren't already beautiful in their own scrappy sort of way, Nova is an exquisite selection of junk-larked tropicalia "finds", visually (album-cover-ally) building on the news cut-up assemblages of Dada and committing them to the beatific atmospheric siblings that are trip hop, psychedelia and what we'd trepidatiously deign to call cosmic lounge. With special guests Paul Weller, Dorothy Moskowitz (of United States of America) and Jesse Chandler (of Pneumatic Tubes & Midlake), this is a thoroughly far-flung metal detecting foray indeed, but it's not the inclusion of the canonic names of 60s psychedelic rock that makes this one special, more than it is its bright, refined, verging on impeccable recordings; despite much guitar echo and analogue anaphora, nothing gets lost in mire, despite this being a nominal junkyard. Best of among the shiny things has to be 'Sonora', the star prize in this magpie's nest. These acid folk have well and truly done it again.

Review: Ghost Box present the CD edition of their latest record by freakish scene-dazzlers Beautify Junkyards, Nova. Despite the record's immediate imagism bringing together news clipping collage, and connotations of scrapheaps and salvaging indicated by the band's name, the sound of the record is anything but adjacent to these themes. The six-piece psychedelia/acid folk band command a wide foundry of instruments, smoothening any rough edge into a shared, sonically doughy dream, beautifying a well-sifted haul of believably, formerly scrapped instruments into a pristine assemblage. Though it builds on motifs heard in 60s and 70s film soundtracks, echoing spaghetti Westerns and early sci-fi, the record's best moments are its seemingly impossible electronica syntheses, such as the unassailed critical mass of trickling drum machine, spring reverb, tonal murmur and near-atonal noise reached on 'Raridade De Contrastes'.

Review: Vintage synthesiser fetishists Belbury Poly were last on record with author Justin Hopper and folk musician Sharron Kraus back in 2019 for the superb Chanctonbury Rings album. Here we're treated to a reissue of their very first EP Farmer's Angle from 2004, all magical electro-folk and left of centre new sound worlds that combine both new and old.

Review: Ghost Box founder Jim Jupp returns with a new album from his flagship project, Belbury Poly, and this time around he's doing things a bit differently. Compared to the usual winsome minimal synth soliloquies, he's recruited a full band to round out his sound on The Path. As a result, this isn't like any other Belbury Poly record to date, even if past collaborator Christopher Budd returns on bass and guitar. Elsewhere, Midlake's Jesse Chandler lends some flute, clarinet and key tones, Max Saidi holds down the drums and Justin Hopper offers his narration to the record. Striking on a slinky, library-meets-lounge style without losing that hauntological charm, it's a bold new direction for Belbury Poly.

Review: Back in 2005 we might not have predicted what a phenomenon Ghost Box would become. In the years since, the label has become a beacon for the hauntological exploration of Britain's inherent oddness creeping just below the surface. Julian House's graphic design is a huge part of the label's artistic merit, and it figures his music as The Focus Group follows a similarly aesthetically rigorous direction. There's a pastoral collage quality to Hey Let Loose Your Love which takes you right back to the 70s, with beautiful musical passages offset by surrealist samples and unexpected diversions into the recent history of these wyrd isles.

Review: Large Plants made quite a splash with their debut album on Ghost Box last year. Primarily the project of Jack Sharp, it was a noticeable swerve for the synth-heavy label towards classic 70s hard rock, but somehow it all fits together. That sense of destiny continues wholeheartedly with the swiftly delivered follow-up The Thorn, which features a shift in approach towards a more psychedelic, folk-inclined and prog-tickled sound. There's still plenty of heft in the rhythm section, but Sharp sounds much more pastoral in his tone, and the songwriting on this outstanding sophomore album follows suit.

Review: Pye Corner Audio is one of the fundamental projects on Ghost Box, as Martin Jenkins indulges his hauntological synth fantasies on an increasingly fertile seam of investigation where drone, wave and death disco can all intersect. Jenkins has never been trapped by retro-fetishism with his analogue sound, and on The Endless Echo he's all the more inspired as he meditates on themes of science fiction and the illusory nature of time. Throbbing, chugging beatdowns sit comfortably alongside spatial, beatless investigations, all sculpted with the masterful touch that comes from considerable experience and a generous assortment of vintage boxes.