Groove Culture Italy Vinilo y CD

Review: There is an immediately loveable vibe to the carefree and breezy house music that the Italian label Groove Culture deals in. This is the 15th such offering - a third volume of its Jam series - and again the good times flow from the off. 'Devoted' is a four-way collab between Micky More, Andy Tee, Reverendos Of Soul and Anduze that layers up the soulful drums and disco percussion with buttery smooth soul vocals. Serge Funk's 'Can't Get Enough' is all swirling strings and sunny trumpet motifs over funk house beats and then Micky More & Andy Tee appear to remix 'All I Want' into another future Body & Soul classic. The duo's own 'Philly Sensation" is a disco-tinged, string-heavy house dream to close.

Review: Groove Culture's ongoing 'Jams' series continues to deliver disco-house excellence with its fourth edition. This high-quality compilation features standout tracks from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk, and Right To Life. Highlights include: Reverendos Of Soul - 'Love Will Set You Free'(Micky More & Andy Tee mix): An all-night disco spirit track verging on Hi-NRG style, bringing big energy and a lively atmosphere to any dance floor. Another great one is Soulista's 'Love & Life" (feat. Karmina Dai - Micky More & Andy Tee mix): A perfect blend of piano disco and house, featuring a heavy beat and great horn sounds that create an infectious groove. Closing things out on a classic leeven is Serge Funk's heater 'Disco Hustle'. This fantastic edit of the classic disco track is a filtered gem that is sure to knock the roof off the discotech. Groove Culture once again proves its reliability as a source of top-tier disco-house with this stellar collection.

Review: Serge Funk lies on the intersection of ironic future funk and straight-up clean disco edits, having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the bait heads, 'You & I' and 'Yeah Yeah' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.