LuckyMe Vinilo y CD

Review: Eli Keszler hears the New York percussionist and composer of the same name lord his soundworld over as yet unhaunted terrains. Rooted in dust residues of American abstraction, jazz noir, ancient melodic memory and crumbling industrial forms, the record unfolds as a footworking meditation on beauty and erosion, gawping at the anguishes and awes of the present moment. Keszler's metamorphic practice spans releases on PAN, Empty Editions, and ESP Disk, as well as collaborations with Oneohtrix Point Never, Rashad Becker and Laurel Halo. Icons emerges as a natural continuation of his previous, equally as unsettling LP Stadium from 2018, and this one emerges as its natural progression. The release coincides with a conversation between Keszler and filmmaker Adam Curtis, framing the album within a wider dialogue on sound, history and collapse.

Review: KU?KA's second album for LUCKYME, Can You Hear Me Dreaming?, showcases over a decade of studio expertise across 12 majestic tracks. Known for her laser-cut electronic production and irresistible pop songwriting, she transcends autobiographical themes to explore a 'Cartoon Brain'. Inspired by surreal creatures, rainy cityscapes, tattoos, and 'cute-ugly' pottery, KU?KA's sonic journey is a personal moodboard. Originating from Western Australia and now based in Los Angeles with roots in Northwest England, Laura Jane Lowther drives KU?KA as a self-sufficient producer, songwriter, and vocalist. Her electrifying debut EP in 2012 paved the way for collaborations with Flume, SOPHIE, Kendrick Lamar, A$AP Rocky, Mount Kimbie, and Vince Staples and this long awaited follow up comes on nice clear wax.

Review: Nathan Micay's new album comes across several formats, with this being the black wax version. To The God Named Dream also comes with artwork that doubles up as an original multi-player board game that it is, according to the artists behind it, a hybrid of Jumanji and Hellraiser. "I listened to a lot of pop through the pandemic from Taylor Swift, Caroline Polachek and "Rain"-era Madonna and wanted to synthesise these references with my score work and downtempo and club music." He's made a good job of it too on what is his first album since 2020's The World I'm Going To Hell For. Live banjo and live breakbeats sit with 808 bass hits, big trance synths and plenty of melodramatic grooves.

Review: Los Angeles-born and raised Jason W. Chung aka Nosaj Thing is back on Lucky Me with a new album, more than 15 years into his career. Continua is his fifth album overall and this one finds him working with a top crew of collaborators including Toro y Moi, Sam Gendel, Pink Siifu, Panda Bear and Eyedress. Renowned for his ability to craft soundscapes that draw on his life in music from early punk and DIY shows to his sets at the famed Low End Theory, here he again cooks up an all-pervading mood of absorbing synth goodness. As well as this black wax version, there is also a limited edition clear vinyl drop available.

Review: Tyson's debut album is a captivating exploration of deep, soulful r&b infused with diverse sonic influences. Produced and co-written with Oscar Scheller, the album spans ten tracks that delve into homegrown bass cultureibreakbeats, street soul and trip-hopiwhile incorporating icy 80s synthpop and expansive 00s r&b. The result is a unique, boundary-pushing sound. Highlights include 'Jumpstart', a smooth, atmospheric piece that blends dub, drum & bass and trap into a mesmerising groove. 'Alien Romance' introduces futuristic elements with inventive soundscapes that merge r&b and hip-hop, creating an otherworldly yet accessible vibe. Meanwhile, 'Angel Dust' wraps listeners in a magical, ambient euphoria, showcasing Tyson's ability to craft deeply immersive tracks. Tyson's raw, emotive vocals and innovative production make this a seamless fusion of nostalgia and modernity that redefines contemporary urban music. Fans of experimental yet deeply soulful music will find plenty to love in this remarkable debut.