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Review: Three years on from the release of their acclaimed debut album, "Yr Body is Nothing", Augustus Miller and Jae Matthews are finally ready to release the second Boy Harsher full-length. It's a hugely atmospheric affair, with the lauded pair sashaying between moody creepiness (the slowly shifting musical dystopia of opener "Keep Driving"), guitar-flecked new wave ("Face The Fire"), arpeggio-driven alternative synth-pop ("Fate"), Pet Shop Boys-esque Italo-disco influenced throb-jobs ("LA"), EBM-driven dancefloor funk ("Come Closer", "Tears"), icy electronic soundscapes ("Crush") and immersive, wide-eyed ambient ("Careful"). It does sound like it could have been made around 1985, but that's precisely the point: Boy Harsher can certainly deliver well observed retro-futurism better than most.

Review: Boy Harsher's second album delves into the shadowy realms of minimal wave, weaving stark synths and propulsive rhythms into a haunting tapestry. Tracks like 'Face the Fire' and 'Fate' showcase the duo's ability to craft dancefloor-ready beats infused with a brooding intensity. The lo-fi production evokes a sense of icy detachment, yet there's an underlying warmth in Jae Matthews' vocals that adds depth to the coldwave aesthetic. While some ambient interludes may feel less impactful, the album's cohesive atmosphere and emotive undercurrents make it a compelling listen for those drawn to the darker side of electronic music.

Review: If you've been paying attention then Augustus Muller will be familiar thanks to the wonders of Boy Harsher. Here casting off the expectations that live act create to focus instead on a debut solo feature film score, those who really have been studying will also know this is actually his third soundtrack following music created for two experimental porn movies a little earlier. Focusing on My Animal, the flick itself is a genre (and mind-)bending romantic horror about a woman tormented by a family curse. Sonically, this translates as tracks which at once play out like an homage to the glory days of atmospheric synth sounds made for movies, from Phantasm to Assault On Precinct 13, while also feeling genuinely fresh and innovative. Suspense by the background refrain and curious key-load, you can listen to it with or without the visuals and still feel immersed.