OHM Series Vinilo y CD

Review: OHM is quickly becoming a quality imprint you can count on for techno and dub techno. The ninth addition in the series, it calls for an excellent blend of composers to balance this EP out. Veteran Jamie Anderson collabs with the brilliant Owain K on opener. The 'Aqua Dub' builds a euphoria for late night smiles. Smooth is an understatement on this linear gem. One artist on here that's been making strong appearances on many dub techno labels is the ever-talented Francisco Aguado. 'Balance' is a great tribal transition track for any DJ who can it creatively to build the means to an end. On the second side, Star Dub offers the very addictive and techy 'Forst'. Ending on a high note, the brisk and flighty 'Ever Growing' by Volpe completes the ninth edition in a rapturous mood. If you like deep techno, the OHM series is a must to collect.

Review: 'OHM Series #11' presents a vibrant mix of techno with contributions from four talented producers, adding depth to the ongoing series. On Side-1, Christine Benz's 'Sunset' opens with warm, enveloping chords, creating a serene atmosphere that feels like a sunset on a tropical island. Following that, Brizman's 'As We Should', featuring Linn, shifts the tone with a lighter, dub-infused house sound, perfect for a more relaxed vibe. Side-2 kicks off with Hidden Sequence's 'Dub Cycle', a darker, more ominous track, weaving catchy dub techno rhythms that pull you in. Finally, Martin Jarl's '02_37 AM' brings a smooth, ambient dub feel with a traditional techno edge. This airy composition evokes the timeless sounds and reminds us of Model 500's Starlight. This edition of OHM Series showcases diverse approaches to dub techno, balancing the atmospheric with the rhythmic - and all delivered with precision.

Review: Serious seriality from the OHM Series, an imprint and sole patent owner of the rare, aurally administered chemical known as Omega X. The alphabetic Greek letter ohm determines impedance / resistance in an electrical circuit, and so too do each of the dub techno tracks released on the OHM Series amount to tergiversating transductions, their chillout chord-knocks and hardened beats never quite letting us settle. Though titles like 'Innocence' and 'Downtime' persist here, the tracks perhaps inadvertently prove that flow is impossible without resistance: Separation's track is especially unorthodox in its strange reordering of phaser, pan and saturation effects on the pad-stab, which produces an unusual swirling effect.

Review: Ohm Series #10 continues to be a shining example of the remarkable work being done in the dub techno genre, consistently featuring top-tier producers who excel in their craft. On Side-1, Monomood kicks things off with 'Spring In Space,' a track that boasts deep sub-bass hits and long, blending chords. Its strong kick and clean production make it a powerful example of dub techno at its finest. Following this, Octal Industries delivers 'Rewind Repeat,' a piece that layers epic strings and a soaring melody over an abstract broken beat. Powerful and evocative! Side-2 opens with G-Prod and Taho's'"Light Forest,' an uptempo dub techno track with a techy edge. Its smooth production and dancefloor-ready vibe make it a seamless fusion of technical prowess and groove. Closing out the release is Gradient's 'Track 4,' which offers classic dub techno sounds. Gradient's exceptional craftsmanship is evident in this track, which epitomizes the lush textures and hypnotic rhythms that define the genre. Overall, Ohm Series #10 upholds its reputation by delivering high-quality dub techno that resonates with both purists and new listeners alike. This release is an ideal example to the innovative spirit of the genre.