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Review: Dub Syndicate's classic 1991 album was recorded in Jamaica and London and remains one of their most iconic releases. Featuring rock-solid rhythms from band leader Style Scott, it includes contributions from Skip McDonald on guitar, Lee "Scratch" Perry vocals and Akabu, Prince Far I samples. This album gained popularity with both acid house fans and dub enthusiasts as it was a post-rave favourite for back-to-yours smoking sessions. The title track is a mix of reggae, electronica, The Doors and Motown that remains unique and after being out of print for years, this reissue has been re-cut by Frank Merritt.

Review: Originally released in 1993 and out of print for many years, this classic Dub Syndicate album is now reissued on the vital On-U. Drummer "Style" Scott and bassist "Flabba" Holt anchor the massive reggae riddims here while Adrian Sherwood delivers his signature production at the controls, twisting and contouring sound to melon melting effect. The album features standout guest appearances, including Lee "Scratch" Perry on 'Dubbing Psycho Thriller' and 'Dubaddisababa' as well as Michael Franti on 'No No.' The reissue brings this influential dub album back into the spotlight and is all the evidence that you need that Dub Syndicate are masters of their craft.

Review: Strike the Balance is another standout Dub Syndicate set featuring vocal contributions from reggae legend Bim Sherman on a cover of Lloyd & Devon's 'Cuss Cuss' and Shara Nelson, whose work with Massive Attack on Blue Lines was soon to make her a household name, but here offers her rendition of Serge Gainsbourg's 'Je T'aime.' Released in 1989, this album marked a significant moment in the evolution of Dub Syndicate and coincided with the group's emergence as a touring unit. The album blends reggae, dub and experimental sounds into a distinctive, genre-defying style. A welcome reissue.