Satamile US Vinilo y CD

Review: The roots of their music is a blend of 70's funk and early 80's hip-hop with synthesizer technology. Their long awaited LP is complete, blazing a path into the future with floor-burning electro tunes.

Review: Bolz Bolz originally dropped this EP back in 2001. The German artist has long been a key underground player and has put out plenty of seminal releases. Few capture the magic of this one though which arrives now via Satamile. 'Transatlantic Treasure' is a quickened techno cut with mysterious pads and dubby low ends. 'The Ultimate' (remix) is lithe machine funk with a minimal vibe but heady impact and last of all 'Universal Language' is cyborg funk that is tightly programmed and in a rush to get you moving. Don't sleep because this one will be gone again in no time.

Review: We've been digging in our warehouse and found some classic electro from the prolific Boris Divider on the superb Satamile Records. This EP was released almost 20 years ago but you couldn't tell - the electro contained within it is as sharp as a knife and relevant as a selfie. 'Clone Factory' kicks off with lashings of metallic snares and jagged rhythms, 'Robot Skin' brings some high-speed cyborg funk and 'Digital Mind' then cruises through the cosmos on coruscated low ends. 'New Race' closes out with a fourth and final electro workout of the highest order.

Review: Freezie Freekie is back with another stylish electro exploration and here he returns to Satamile Records with more of his refined concoctions. He kicks off with the dense, textural sounds of 'Promise Of Technology' complete with jacked-up drums, moody synth sequences and plenty of dramatic bass. 'Feezie's Gonna Funk You' then rides on bumping drums with a hint of ghetto sleaze and blasts of textural synth. 'Nanabotix' is a more minimal but not less funky sound with snappy low ends and searching leads that survey the cosmos as you fly through the galaxies on a serene groove.

Review: Having been dormant for over three years, New York label Satamile returns to continue spreading the gospel of proper electro music with a six-track EP from The Ghost That Walks. Drexciya enthusiasts will be all over this record; the rubbery melody of "The Angriest Angel" recalls the Detroit duo at their most playful but with a simmering undercurrent of tension that is very much the producer's own signature style. Similarly great are the searing analogue synth buzz of "Seven Deadly Sons", the tribal 303 stomp of "Urban Jungle" and the 808 rattle and Belgian rave tones of "Resident Evil". Those who were lost without the label's presence should rest easy - Angry Angels is easily among their extensive catalogue's best releases.

Review: Lowfish originally released his 'Burn The Lights Out' LP in 2007 on the US label Satamile but we have found some copies of it in the warehouse. Synth-pop meets breakbeats in an electrifying fusion of emotive melodies and bass-heavy beats across all four sides of the long player with ten then-new tracks and two classics from his Sat.31 EP. They all show that his music, complex yet accessible, evokes images of Blade Runner, Wave Noir, or William Gibson. It is post-modern in approach as it skilfully blends past and present styles to create a sound uniquely his own, seamlessly bridging the gap between eras while pushing the boundaries in his own way.

Review: Lowfish originally released his 'Burn The Lights Out' LP in 2007 on the US label Satamile but we have found some copies of it in the warehouse. Synth-pop meets breakbeats in an electrifying fusion of emotive melodies and bass-heavy beats across all four sides of the long player with ten then-new tracks and two classics from his Sat.31 EP. They all show that his music, complex yet accessible, evokes images of Blade Runner, Wave Noir, or William Gibson. It is post-modern in approach as it skilfully blends past and present styles to create a sound uniquely his own, seamlessly bridging the gap between eras while pushing the boundaries in his own way.

Review: Bass Junkie and Jim Kneen are Middle Men and heads-down electro-funk is their vibe. Here they serve it up on the Satamile imprint and do so by twisting metal, laying down filthy bass and filtering vocals into dancing robot cries. The opener 'Synchrotron' is relentless and raw, while 'Voices From the Void' layers in melodic synths to more bouncy drums. Last of all is the most stark and eery of the lot as 'What On Earth?' pairs devastating rhythms with innovative synth craft. It's pure body music with plenty of cinematic sound designs to make it pop.