trip Vinilo y CD

Review: Vladimir Dubyshkin has released all of his music on Nina Kraviz's trip. There has been just five EPs over five years but in that time he has honed in on a fine signature sound and plenty of them have become underground hits. Now he serve su a fulsome scone statement in the form of this debut album. It is a fine and surreal journey through sound with his deft synth craft front and centre. There is plenty to love here from the Theism the Tank Engine them tune on acid that is 'The Rothschild Party' to the warped dub techno pop of 'Adrenochrome Breakfast' via the thrilling jungle closer 'We're Not In The Wonderland Anymore, Alice'.

Review: Nina Kraviz's trip label is one of the most unique in techno. It's a hotbed for the more experimental producers out there and often drops punchy sounds that draw on trance, IDM, rave, electro and plenty more. Nocow is next up with a double album that unfurls at a high speed and is packed with freshness. 'Eno Ne To' is marbled with trippy melodies and spoken words, 'Hyperloop' is as the name suggests warp speed and hypnotic and 'Redaktor' is another soft and grey blend of supple drums, bass and day-glo synth lines.

Review: We didn't see this coming but we're very much delighted it has: the peerless dub techno don Steve O'Sullivan with a full length of past triumphs and unreleased gems on Nina Kraviz's always adventurous Trip label is always going to be worth hearing. The Brit stretches his legs and pulls out all the stops here to cover plenty of ground while reaming true to his signature sound design excellence: bouncy, minimal but strobe-lit cuts like 'Kesk', twisted 90s techno sounds like 'Grun', barely-there IDM-adjacent sounds like 'Groente' and ice cold dub cuts like 'Botala'. A real masterclass.

Review: Finnish producer Aleksi Perala brings his brand of melodic, high-concept techno to Nina Kraviz's Trip label for the first time. As usual, the ten tracks here were created using Perala's now infamous "Colundi Sequence" - a micro-tuning method that's now almost better known than the former Rephlex man's music. There's naturally much to admire throughout, from restless club tracks blessed with rainbow-rich waves of melody, to strange, acid-fired wig-outs, low-slung, bass-heavy jack-tracks and glistening fusions of club-ready IDM and ultra-violet ambient. As a producer, Perala possesses a rare skill: the ability to create melodious, experimentally minded electronic music that works on club dancefloors. It's this that makes Paradox such an impressive release.

Review: Mind-bogglingly prolific and eternally on the mark, Aleksi Perala has travelled a long way from his roots as Ovuca and Astrobotnia since embarking on his Colundi quest. Here we are with another wonderful set, this time presented on Trip which might well break his stellar sound to an even wider audience. There are theories behind Colundi which you would need to investigate yourself, but it might be simplest to just plunge into this immaculate techno creation and test the effects for yourself. Spine-tingling harmonic interplay, impeccably balanced sequences and a direct rhythmic approach make this so easy to latch on to, but there's something mystical bubbling away under the surface which elevates this beyond your average techno record.

Review: De Niro Is Concerned is the latest compilation to surface on Nina Kraviz's trip imprint - the Siberian artist's label gaining new momentum in 2015 and diversifying thanks to a selection of fresh artists - and it's an exquisite blend of house, techno and straight-up jack-funk. Among others, you have Iceland's Bjarki with the raw and sparse "Revolution", Millsian Detroit sounds from Deniro on Dumans, and Kraviz herself with Exos on the wavey and hypnotic "No Criminals". All in all, a wildly comprehensive bundle of house-techno hybrids for that 3am slot. Raw and diverse, wild and seductive.