Arnold Layne (Recorded live At The Barbican Centre, London At The Syd Barrett Tribute Concert) (3:47)
Review: Here's a Record Store Day 2020 special that all Pink Floyd fans will want to take a look at: an etched, single-sided seven-inch single featuring a previously unreleased version of Piper at the Gates of Dawn-era favourite 'Arnold Lane'. It was recorded at The Madcaps Last Laugh concert in 2007, a tribute to band co-founder Syd Barrett. It features three Floyd members - David Gilmour, Nick Mason and Rick Wright - alongside vocalist Jon Carin, whose singing is very similar to that of Barrett, and bassist Andy Bell. It's a fairly faithful rendition all told, and one with added weight given the travails of Barrett after he left Pink Floyd in the late 1960s.
Review: Project Gemini led by Paul Osborne presented its latest album Colours & Light recently and it again made an impact with its folk rock, psych soundtracks and cinematic funk sounds showing a more confident and layered sound compared to his debut. This is a limited 7" taken from the upcoming Deluxe Edition of the album with a distortion-laden, progressive rock remix by Jack Sharp of Wolf People/Large Plants, along with an unreleased original track from the album's recording sessions.
Review: Alan Parsons' The Time Machine stands as a remarkable achievement in his discography, set to be released on clear green 180-gram vinyl in a striking gatefold package with a four-page booklet. This album showcases Parsons at his creative zenith, featuring a blend of stellar tracks that highlight his evolving sound. The album flourishes with emotional ballads such as 'Ignorance Is Bliss' and the poignant 'The Very Last Time', enhanced by a standout female vocalist. The ethereal 'The Call of the Wild' and the intriguing mix of electronic and classical elements in 'Far Ago and Long Away' reflect Parsons' willingness to explore new musical landscapes. Featuring guest performances from renowned artists like Tony Hadley and Colin Blunstone, alongside contributions from Ian Bairnson and Stuart Elliott - who are no strangers to Parsons' work - it perfectly encapsulates his musical journey making it a valuable find for those who appreciate his legacy.
Review: Brighton outfit Phoria have rightfully received plenty of critical acclaim over the course of their previous two albums - and it isn't likely to abate now they drop their third. River Oblivion builds on previous works in that it blends all the electronic intricacies of their debut with the newly added orchestral manoeuvres of their second. This fresh, supersonic journey takes us through the mind of writer Trewin Howard as it was during the many different highs and lows of those dark pandemic days. A real rollercoaster that will keep you coming back for more.
Review: For this outing, the mighty Dusty Donuts crew return to Queensbridge where they cross paths with a 'Lost Girl' which featured on a legendary mixtape by one of QB's finest. The bouncy, choppy Marc Hype & Jim Dunloop Late Night Remix is guaranteed to energise any crowd with its well-programmed beats. On the flipside, the vibe shifts from Queensbridge to Staten Island and brings a unique sound that woos in a different fashion. This heavy soul classic arrives in true Shaolin style with dark, choppy soul chords and classic hip-hop beats. Both of these tracks command attention with powerful drums while the synths connect with both mind and soul.
Review: In the pantheon of prog rock landmarks, none come bigger than The Dark Side Of The Moon. Pink Floyd's magnum opus struck the perfect balance between grandiose vision and universal appeal, carrying relatable themes alongside innovative production and providing the fuel for any psychedelically-minded listener to trip out on a precision crafted trip. As the album celebrates its 50th birthday, this stellar recording of a full live performance of Dark Side... from Wembley in 1974 is seeing its first pressing on vinyl. It's faithful to the album in Floyd's exacting way, but it's also a revelation to hear such a wide scope of sound recreated on stage, not least the likes of 'On The Run'. A fascinating insight into the legacy of a towering, seminal work in the history of modern music.
Review: The Dark Side of the Moon Tour by Pink Floyd, which is one of the most famous in all of rock, started on January 20, 1972, at the Brighton Dome in the UK and ended almost two years later in November 1973 at London's Rainbow Theatre. The tour spanned the UK, US, Europe, and Japan, with two separate legs promoting the album and in all, it involved 128 shows. By late 1971, Pink Floyd had developed a basic structure for Dark Side of the Moon, performing it at nearly every show and to recreate the album live they added saxophonist Dick Parry, female backing singers, enhanced visual effects, and improved quadraphonic sound. The tour first reached the USA in April 1972 for a month, with a second stint in September, and one of those dates is presented here having been recorded and broadcast by WNEW FM.
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