Back catalogue:

Review: Two British pop legends unite for Who Believes in Angels?, a new record spot-checking our faith in divinity. Having connected through a mutual admiration and shared love of music, Elton initially became a fan of Carlile through her effusions of folk, rock and country, which matched the former's megastar's sometimes pained, moving songwriting. Their friendship deepened over the years, with Carlile performing at Elton's annual AIDS Foundation events and joining him on stage for special collaborations. Now blending Elton-led and Brandi-led tracks, the album contains lyrics from longtime collaborator Bernie Taupin alongside Carlile's own contributions, with production by Andrew Watt. This marks Elton's 33rd studio album and Brandi's eighth.

Review: A long-lost gem from drum legend Edison Machado finally sees the light of day: Edison Machado & Boa Nova, recorded in New York in 1978 but never released, reflects the work of the master muso-mountaineer at his peak, fusing North and South American jazz rhythmic traditions with groundbreaking samba innovations. Machado, a pioneer of "samba no prato" (samba on cymbals), redefined Brazilian jazz alongside Jobim and Gilberto. Forced into exile under Brazil's dictatorship, he later found new creative energy in NYC, leading an ensemble of top-tier musicians. The result? A daring, dynamic, and electrifying session, controlled but untamed. Alongside original contributions from Dom Salvador, Guilherme Vergueiro and Aloisio Aguiar, this 80-minute lost masterpiece singes our ears with its carpal flair.

Review: A second joining of forces from two celebrated Chicago acts, blending deep, organic rhythms with a minimalistic electronic pulse. With the novel but logical addition of Jason Stein on bass clarinet, the collaboration stretches even further, pulling together the spiritual fluidity of Natural Information Society and the electronic minimalism of Bitchin Bajas. The first single, 'Clock no Clock,' is a deep dive into hypnotic rhythms, with guimbri grooves intertwining seamlessly with electronic bursts, flutes and organs. The other three tracks are equally compelling, the music unfolding like a living organism, constantly shifting but always grounded. Expansive, intricately woven sonic delights.

Notes: Murray Bowles photographed Bay Area punk for four decades, capturing its infectious energy, wild creativity, and ragged tenderness everywhere he found it.

From San Francisco's Mabuhay Gardens to Berkeley's 924 Gilman- and the countless basements, backyards, and warehouses in between- Murray was there, camera in hand, the scene's beloved documentarian.

Collected here for the first time, Murray's classic images chronicle a uniquely dynamic and enduring music community in all its chaos and glory.

Featuring hundreds of images of bands such as Green Day, Operation Ivy, Neurosis, Crimpshrine, the Dead Kennedys, MDC, Special Forces, Social Unrest, Spit Boy, Melvins, Gwar, Soundgarden, NOFX, The Offspring and many, many more.

This collection of photographs documents and celebrates the punk music scene from the early 1980s through the mid-1990s.

Hail Murray
The Bay Area Punk Photography of Murray Bowles, 1982-1995
By Murray Bowles
Edited by Anna Brown
Introduction by Aaron Cometbus

Hardcover, 270 pages, 12 x 9 landscape