Back catalogue: All genres

Review: The Tele Music catalogue follows a long tradition of library music mores; stock patterned album art and themed series included. Originally from 1973, Rhythmiques functions as one of the label's most iconic releases. Written entirely in collaboration between French composer and percussionist Pierre Dahan and synthesist Mat Camison, it features tense funk, blunted jazz and heavy breaks all the way. It is considered the rightful sequel to Continental Pop Sound, and despite the origin as library music intended for TV and film, has endured as a vital album for producers and DJs.

Review: Steve Moore's Cursed Objects is a thrilling return to the library music realm, presenting a masterful blend of prog-synth-wave with chamber and symphonic elements. Released on the limited-edition Fold label, this album is a feast for fans of epic electronic explorations as Moore, known for his work with Zombi, Miracle, and Titan, delivers a captivating solo effort under his own name. The LP opens with 'The Uninvited One,' where serene arpeggiated synths intertwine with sweeping strings and plucked harp, creating a mystical atmosphere. The title track escalates into dark, brooding territory with a blend of synths, piano, and strings. 'Evolutionary Steps' showcases epic synthwave with expansive strings and driving rhythms, while 'The Icarus Feather' and 'Daily Affirmations' offer cinematic and meditative textures, respectively. Side-2 begins with 'Mesmer's Bauble,' a track imbued with introspective dread, followed by 'Quiet Springs,' which builds to a hopeful and panoramic scope. 'Festival Of Samhain' delivers a slow, desolate piano melody layered with dark synths, and 'The Icarus Feather (Revisited)' revisits epic synthwave themes. The album concludes with 'Shard Of Medusa,' combining a dark piano melody with harp and strings for a suspenseful finale. Featuring Steve's signature Prophet 6, Moog Minitaur, and Korg Polysix, and with a cover by Chris Stevenson, Cursed Objects is a standout in the library music genre, meticulously mastered and pressed for optimal enjoyment.

Review: Be With are busy reissuing a number of Nucleus albums and Alleycat sure is one of their best. It is packed with stone cold rhythms as well as having a red hot sleeve. The band put it out in 197 and it was their last for the Vertigo label, all meticulously produced by Jon Hiseman. It's as good as any of their work with its funk fusions of prog, jazz and rock all ageing brilliantly well. There are big riff-laden tunes, cop-funk chases and more lush and laidback pieces that will have you deep in the groove. It has all been remastered from original tapes so sounds as good as ever.

Review: Headed up by the revered trumpeter and visionary composer Ian Carr, Nucleus have penned many a seminal album and Elastic Rock certainly is one of them. It was a real milestone for the jazz-rock fusion scene and marked a stunning debut in 1970 that has been hard to find ever since. Saxophonist Brian Smith, guitarist Chris Spedding - who wouold later go on to produce the Sex Pistols' first recordings - drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins all brought energy and invention in equal measure on this one with cuts like the title track offer lovely electric blues, '1916' featuring heavy drums and melancholic horns and 'Striation' being more serene. Be With have remastered this reissue from the original tapes.

Review: Not to be confused with the US electro outfit of the same name, Nucleus was - as many readers will know - a pioneering British jazz-rock outfit helmed by Ian Carr, whose releases frequently drew on a wide palette of influences (think funk, soul, pyschedelic and progressive rock). They made a lot of great albums during the 1970s, though few are quite as inspired as 'We'll Talk About It Later', a wonderfully laidback and atmospheric 1971 set that has now been given the reissue treatment by the consistently impressive Be With Records. The many highlights include - but are in no way limited to - the bluesy, slow-motion shuffle of 'We'll Talk About It Later', the wah-wah guitar sporting summer bliss of 'Sun Child', the gently unfurling brilliance of 'Oasis' and the pleasingly heavy jazz-rock pulse of 'Ballad of Joe Pimp'.