Back catalogue: All genres

Review: Blending hi-NRG and Latin cumbia, Combo Chimbita present a brand new single for Wonderwheel Recordings, 'Dimelo'. Described as an internal dialogue - a sonic representation of what it feels and sounds like to choose yourself - the refrain "Cuando por fin yo me elegi" is heard repeatedly throughout the track, as self-selection is maximised, contra the impossibility of saving others before oneself. The band's Carolina Oliveros says of the song, "however much you love someone, you can't force them to love yourself in the same way - that is love you have to give yourself." The Busy Twist remixes the idea, self-caring through salvos of oily guitar and toe-tapping woodblock shot, hitting like a health kick.

Review: Gitkin returns to Wonderwheel with a spirited release, Don't You Want Me Baby,' a playful instrumental Cumbia rendition of The Human League's timeless 80s hit. Driven by guitar in the verses and accented by Simon Moushabeck's accordion in the chorus, Gitkin delivers a faithful interpretation that promises to ignite dancefloors this spring. Released on 7", this fun and upbeat track captures the essence of the original while adding a fresh, lively twist, ensuring its place as a catchy addition to any playlist.

Review: Argentine electro-cumbia innovator Chancha Via Circuito (Pedro Canale) has a truly strong sense of give and take. His debut movements saw to Bienaventuranza (2018), a critically acclaimed album deep-setting his role in a gauzy downtempo reshape of the global music idiom. A full remix EP of the record followed, spewing forth fresh interpretations by echelonic music masters, including Euro-techno titan Nicola Cruz on 'Alegria', and Spanish producer Baiuca. Now, finally, comes the third in a three-step movement of remixes, this time hearing Chancha Via Circuito himself offer his own remixing hand to several of said very same artists, the works of El Buho, Nickodemus, and Lagartijeando also in tow. Deep, earthy tunes, full of natural oud harmonics blended with chanting, understated downbeats.

Review: El Buho's (Robin Perkins') influential 2017 debut album returns with its first repress, aiding our reflections on an album that helped define the digital folklorica and "natural cumbia" movements emergent in electronic music in the latter half of the 2010s. Balance weaves a complex darn of naturalism, Latin American rhythms, and modern synthetic percussion design, smudging the lines cordoning off organics and synthesis. Hailed in the press as "the ultimate fusion of nature and music" and for evidencing Mexico's indigenous roots in sound, El Buho helped bridge organic and digital worlds of cumbia Andina and chicha with electronic textures here, presaging and perhaps causing the clamour over cumbia that has since ensued.

Review: Brooklyn-born, New Orleans-based multi-instrumentalist Gitkin delivers a rich fusion of global sounds on Golden Age, his latest ten-track album. Known for his guitar-driven style, Gitkin blends the rhythms of cumbia, North African, and Middle Eastern music, creating a sonic journey that feels both expansive and deeply rooted. As the frontman of The Pimps of Joytime, a staple in the festival circuit, his influence on the soul-funk scene is undeniable. From Bonnaroo to Electric Forest, Gitkin has built a reputation for electrifying live performances. Beyond his own projects, he's produced for artists like Corey Henry, Bernard Purdie and Cedric Burnside, whose Benton County Relic earned a Grammy nomination for Best Traditional Blues Album. With Golden Age, Gitkin further explores the intersections of global music traditions, weaving his soulful guitar into a captivating tapestry that speaks to his wide-ranging influences.

Review: Lagartijeando is a key figure in the alt-Latin electronic scene alongside the likes of Nicola Cruz and Chancha Via Circuito. He makes an essential return here with 7 Caminos, a fourth career long player with Wonderwheel. Recorded between Cholula, Mexico and Tarapoto in Peru, it transports you in double quick time to the South American jungle and Mexican Altiplano volcanoes. Sunny melodies take flight over shuffling rhythms, dubby basslines unfurl like flowers at dawn and intimate vocal whispers bring a human touch to the rhythms. A gorgeous soundtrack to a perfect afternoon of escapism.

Review: Mati Zundel aka. Lagartijeando has been releasing cumbia-esque, Andean influenced dance music since 2010, though it's only in more recent years that the artist has rerouted his craft to LPs, of which this latest record is the fourth. With "camino" translating from Spanish to mean "path" or "way" - the word often carries a spiritual meaning - Zundel here aims to emphasise the many sprouting, vicissitudinous paths down which life may thrust us, despite the ever-present illusion of choice. After moving to Chula, Mexico, the artist drew inspiration from the landscapes and cultures of the northern tip of Latin America, reflecting local intrigues and mountainous mysteries. Armed with regional instruments, such as Andean winds and charango, Lagartijeando produces such danceable dazzlements as 'Cholula' and 'Que Lindo Sale La Luna', which stand out as the most heated songs here, their stylistic range offering a sense of the many choices that remain open to us.

Review: This is the first pressing of Nickodemus' classic Sun People on translucent yellow vinyl and it comes from Wonderwheel. Originally released in 2009 by Thievery Corporation's Eighteenth Street Lounge label, the album features tracks inspired by Nickodemus' global travels and the people he met on the way. Known for his NYC summer soundtrack with Turntables On The Hudson and 20 years of worldwide tours, Nickodemus crafted songs for sun lovers and optimists here and as such listening toit leaves ou with a warming glow. Collaborators from Guinea, Colombia, Puerto Rico, Brazil, Romania, India, Turkey, the UK and NYC contribute to this vibrant album and make it a truly cultural affair with hits like 'N'dini,' 'Sun Children,' and 'The Love Feeling' all sounding great.