Review: Daisy Chainsaw commanded a unique spell over the English punk and garage rock scenes of the early 90s. Never quite totally placeable, their earliest gigs involved frolicking around onstage in soiled gowns and strewing rag dolls and grapevines across stages. Forming part of their debut EP at the turn of the '90s, 'Love Your Money' became the bands breakout sensation hit, the song being a satirical rip-roarer of snarling punk and rockabilly, with a highly-strung backbeat and lyrics decrying the record industry's avaricious ways; PSA to artists, they just love your money, or the money they think they can make off you!
Review: 'Neat Neat Neat' might have only been the second single released by The Damned, but its timeless longevity as an essential punk staple has seen it appear in episodes of The Simpsons and The Boys while Edgar Wright would give the track yet another lease on life by using it to score the intense opening chase sequence in 2017's Baby Driver. That's before even mentioning the vastly differing artists it has influenced with everyone from My Chemical Romance to Elvis Costello taking a stab. Pressed to artwork complimenting purple wax, this 7" offers a slice of cuts captured during a set in Mulhouse, France in 1994, with the classic single on the A-side, while the flip boasts a dynamic yet bizarre bevvy of covers, from the likes of iconic pop duo The Righteous Brothers ('You've Lost That Lovin' Feelin') to 60's mods The Craig ('I Must Be Mad') to Johnny Cash's 'I Walk The Line'.
Review: Following 'New Rose' as only the second ever single released by The Damned, 'Neat Neat Neat' has gone on to become, not only one of the band's biggest hits, but a timeless punk anthem used in everything from series like The Boys and The Simpsons, to the epic heist/chase sequence in Edgar Wright's Baby Driver, to even being covered by vastly differing acts from Elvis Costello to My Chemical Romance. This vibrantly coloured 7" captures a handful of cuts from a 1994 live performance in Mulhouse, France, boasting the aforementioned single on the A-side with a curious selection of covers on the flip, ranging from Johnny Cash's 'I Walk The Line' to 'You've Lost That Lovin' Feelin' from The Righteous Brothers and even a rendition of 60s mod originals The Craig's 'I Must Be Mad' lobbed in for good measure.
Review: Not to be confused with our own homegrown horror-punk legends, this preceding The Damned were a short-lived Dutch glam rock studio-only project, who's one release of note is this long out of print Morning Bird 7", accompanied by the proto-disco groove of B-side 'Theta'. Available on wax for the first time in 50 years, this slept on neon-tinted holy grail of glam originally came courtesy of iconic producer Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974.
Review: Originally featured on the soundtrack to The Hangover II (of all movies), 'Black Hell' from Misfits mastermind and all round evil Elvis curmudgeon Glenn Danzig finally comes to vinyl for its first time ever in both 12" format and in the form of this limited orange splattered 7" (just in time for spooky season). Featuring 'Thirteen' on the flipside (originally appearing on Danzig 6:66 Satans Child whilst made abundantly more popular by Johnny Cash's cover version), this is a perfect little slice of sultry, macabre wax to get the Halloween ghouls doing their best hoedown.
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