Back catalogue: All genres

Review: Miami's Dancefloor Records, founded by British expat Jeffery Collins, looked to the growing club sounds emanating from Chicago and NYC and this series of reissues on Emotional Rescue concentrates on the label's early releases. From 1991 originally, Eighth Ray is said to be a project by a group of musician friends who went on to release under various pseudonyms. 'Axis Of Love' is the zeitgeist of a golden era in Italo house sounds, emotional and uplifting to the max. Over on the flip, the spaced-out and bumpin' NYC house influence on '8th Ray' has a sound that many modern producers try to emulate - massive bassline on this one so be warned!

Review: This is the debut single from Ekowmania's upcoming album Dr. Afrodub. Ekowmania, aka Ekow Alabi Savage, hails from Ghana and is the percussionist for KabuKabu and a longstanding collaborator with Jimi Tenor as well as being a founding member of one of Germany's earliest Afro-reggae bands. Titled 'Kwame Nkrumah,' it is a grand roots and reggae track produced by Jimi Tenor with tight horns, driving drums, and a compelling vocal performance supported by a majestic choir. The B-side presents a DJ Sotofett Mix, focusing on vocals, choir, and horns for a powerful choral rendition.

Review: Cinematic soul legend El Michels Affair has written a superb album Glorious Game which is due for release later in spring. Before that full-length with Roots co-founder and lyricist Black Thought - which is a meditation on the state of the hip-hop scene in the early 2020s - we get this taster single from it. 'Glorious Game' as you would expect as all the lush instrumentation and dark soul sounds you'd expect from this artist by now with the added extra of some superbly thought-provoking mic work. 'Grateful' is another heart-wrenching and alluring sound that more than gets us excited for the full length.

Review: Label boss El Prevost makes a welcome return to No Speakers after something of a break. Thankfully the quality levels remain high here as he kicks off with 'Catastrophizing', a brilliantly bass-heavy cut with broken beats to make you sweat. On the flip, 'Landing' has a more inward sense of reflection with its fizzing synths and deep space atmospheres making an indelible mark. Last of all, the magic of Detroit looms large with a superb remix by Motor City mainstay Kyle Hall. His version of 'Landing' brings some jazzy melodic vibes and one of his trademark deep house and bumping grooves. Another essential 12" from No Speakers.

Review: Death Is Not The End's 333 series reissues the exceptional original cut of the late Hortense Ellis' wonderful 'Hell & Sorrow' here. It was originally produced by Jimmy Radway and released on his Fe Me Time label in the mid-1970s and remains a popular joint on the sound system circuit. Here this most classic track is paired with the iconic DJ counteraction 'Tribulation' by Big Youth, which offers a compelling glimpse into reggae's rich history while also laying down a nice fat rhythm.

Review: It's been a while since we last heard from Kinfolk, but the broad-sweeping label with cosmic chuggery in its bones is back with this powerful dose from Ess O Ess and Saulrichards. "Totem" is an epic track that rolls around in the muck somewhere between shoegaze extravagance, post-rock heaviness and psyched-out electronics. The "Swamp Crawl" version of the track keeps the guitars bedded deep within the mix, but there's space for more expressive synth work. Hardway Brothers take the track on a similarly rockist journey, but take their time building up to a climax. Otologic wrap things up with a deadly dub that will have low tempo trippers rubbing their hands with delight.

Review: The Rx sub-label kicks on with four fresh remixes of an original by the great electro talent, Exzakt. Tipper opens things up with his take on 'Second Wave' which is dense with sonic invention, synth adulation and alien life forms. Uprokk keeps the digital aesthetic with bright sounds, icy hi hats and a rapping bassline that makes you want to jack and EMS's remix is a full-throttle assault with wispy melodies and snapping snares topped with sirens and vocal snippets that make for a high-impact sound. Imatron Voima's remix is a character closer with a wild lead synth that has a life of its own.

Review: Dance, No One's Watching is a vibrant tribute to the joyous act of dancing and a night out from the anticipation of evening to the early morning hours. Written during Ezra Collective's whirlwind 2023 world tour, which saw them become the first jazz act to win the Mercury Prize, the album reflects the global dancefloors they experienced, from London to Chicago, Lagos to Sydney. Dance and rhythm unite us all, a spirit celebrated in these tracks. Recorded at Abbey Road studios, the sessions transformed into a live celebration with friends and family, adding a communal warmth to the music. The album features collaborations with Olivia Dean, M.anifest, Moonchild Sanelly, and Yazmin Lacey, who sings on the lead single 'God Gave Me Feet for Dancing.' This new album follows their acclaimed Where I'm Meant to Be, and continues to showcase Ezra Collective's innovative contributions to contemporary British music.