Back catalogue: All genres

Review: A Window & A Mirror offers a deep dive into the evolution of Joan of Arc, capturing the band's early phase through Tim Kinsella's personal archives. This 132-page hardbound book, unearthed from Kinsella's grandmother's basement, features his journals, photos, and essays written in real time as the band's albums came together. It also includes the rare "Red Blue Yellow" 7", a significant artifact from a pivotal moment when Joan of Arc emerged from the ashes of Kinsella's previous band, Cap'n'Jazz. The collection provides access to the "Joan of Archive," a digital trove of over 200 demo tapes, live recordings, and musical experiments. This archive meticulously catalogs the band's development, showcasing their dedication to reinvention and collaboration with radical artists from Chicago's underground music scene. A Window & A Mirror reveals the band's journey of shape-shifting creativity, highlighting how each contributor influenced Joan of Arc's direction. It's an essential collection for fans, offering a comprehensive look at the band's intricate and evolving soundscape, ensuring that their legacy of innovative music-making is preserved and celebrated.

Review: Ella Fitzgerald, the First Lady of Song, and legendary jazz guitarist Joe Pass reunited for their second duet album, Fitzgerald & Pass... Again, originally released in 1976. This collaboration has become a jazz classic, with Fitzgerald winning the 1977 Grammy Award for Best Jazz Vocal Album for her performance. Fitzgerald's impeccable musicianship shines through, showcasing her unparalleled ability to convey the essence of a lyric. Pass complements her perfectly, displaying his virtuosity and strength as an accompanist. The album features four Duke Ellington classics, reimagined versions of 'Tis Autumn' and 'Tennessee Waltz,' and mesmerising wordless performances of 'Rain' and ''One Note Samba.' This 180-gram reissue by Analogue Productions, cut from existing metal parts mastered by Doug Sax from the original analog master tape and pressed at Quality Record Pressings, ensures optimal sound quality. The album is housed in a single pocket Stoughton Printing tip-on jacket.

Review: After more than a decade, Phili star Freeway reunites with Seattle super-producer Jake One for their second full-length collaboration. Known for his timeless, versatile beats that always somehow resonate with both underground and mainstream audiences, Jake One's production provides the perfect backdrop for Freeway's gritty lyrics here. Next to those two, the record features an impressive lineup of guest appearances including Black Thought, Jadakiss, Conway the Machine, Sauce Walka, Peedi Crack, Scholito and Symba. Together, they deliver a powerful, cohesive project that highlights the enduring chemistry between Freeway and Jake One with hard-hitting beats and sharp, memorable rhymes.

Review: A reissue on nice double vinyl for the sixth album from 'sophisti-pop' pioneer Jackson, fusing jazz, funk and soul elements with a post-punk spikiness and a very British outlook, pointing the way forward for the likes of the Style Council and a host of other 80s acts. It first surfaced in 1984 and although it's the first digitally recorded album he made, it's typified sonically by Jackson and producer David Kershenbaum's move to reject the sterile, dead acoustics of modern studios in favour of the Manhattan Masonic Hall, previously mainly used for classicx recording. The jazzy solos, sparkly sax and snazzy chorus of 'You Can't Get What You Want (Till You Know What You Want)' - with just a hint of Afrobeat groove to it too - are probably best known here, but all nine songs number among the Staffordshire-born musician's smartest output.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


This 1961 collaboration between vibraphonist Milt Jackson and saxophonist John Coltrane captures a moment of perfect synergy between two jazz giants. The mix of Jackson's melodic vibraphone and Coltrane's improvisational saxophone gives tracks like 'Bags & Trane' and 'Three Little Words' a deep, infectious groove. The interplay between the ensembleifeaturing Hank Jones on piano and Paul Chambers on bassicreates a tight, flowing rhythm that effortlessly swings. 'Blues Legacy' pays homage to the blues tradition while 'The Night We Called It A Day' reveals the group's sensitivity, with each solo capturing a different facet of emotion. This release is a remarkable reflection of their collaborative genius.

Review: This 1961 collaboration between vibraphonist Milt Jackson and saxophonist John Coltrane captures a moment of perfect synergy between two jazz giants. The mix of Jackson's melodic vibraphone and Coltrane's improvisational saxophone gives tracks like 'Bags & Trane' and 'Three Little Words' a deep, infectious groove. The interplay between the ensembleifeaturing Hank Jones on piano and Paul Chambers on bassicreates a tight, flowing rhythm that effortlessly swings. 'Blues Legacy' pays homage to the blues tradition while 'The Night We Called It A Day' reveals the group's sensitivity, with each solo capturing a different facet of emotion. This release is a remarkable reflection of their collaborative genius.

Review: This album marks the first time an Eel River show has made it to vinyl. Co-produced by Bill Graham Presents and the Hog Farm, this unique performance offered a refreshing departure from Jerry Garcia's typical urban venues. The show featured Garcia's quintessential band-Gloria Jones, John Kahn, David Kemper, Jacklyn LaBranch and Melvin Seals-and captured the essence of their signature sound. Fans from all over the country gathered in the heart of the Emerald Triangle for this historic performance which became an iconic moment in the Jerry Garcia Band's legacy. A must-have for collectors, then.

Review: Released in 2000, Poison is the third studio album by Swedish singer-songwriter Jay-Jay Johanson, having earned his place as a stalwart figure thanks to his melancholic vocals set to perspirant trip hop. From 'Believe in Us' to 'Colder,' not to mention the toxicologist's favourite 'Poison,' we're met again with Johanson's signature downtempos and experientially charged lyrics. Sophisticated atmospherics abound, bridging the all-to-intimate gap between sexuality and the unknown.

Review: Initially available solely on tape cassette in 1975, this album has undergone meticulous remastering and is now offered for the first time as a download and on a limited edition double album. This release marks John Taylor's third venture as a bandleader, succeeding his debut, 'Pause, And Think Again,' issued by Turtle Records in 1971. The sextet lineup features Stan Sulzmann, Kenny Wheeler, Chris Pyne, Chris Laurence, and Tony Levin, with Norma Winstone contributing her vocals on the debut.

Review: Juice WRLD's posthumous album is a powerful continuation of the late rapper's unique style in that it mixes up introspective lyrics with emotive melodies and raw tap beats. The Party Never Ends delivers a mix of emo rap and melodic hooks that are all aden with the American star's signature vulnerability. Tracks like 'Misfit' and 'Party By Myself' dive into themes of love, loss and mental health, all of which resonate deeply with fans. The production is atmospheric and immersive with smooth transitions between songs and though the album captures Juice's raw energy and emotional depth, it also serves as a poignant reminder of the talent lost too soon.

Review: Vick Lavander is a name that has always been a byword for deep house quality. His sound is couched in a classic template but comes with subtle tweaks and plenty of its own musical character. BEYOND is a bumper collection of beats which proves just that. There are silky and cosmically minded sounds like 'Time & Time Again' next to subtly jazzy dancers like 'Sunset BLVD' and dubby, elegant grooves like the life-affirming 'Grace'. The pace picks up with joints like 'Knights' but never at the expense of atmosphere and slows right down with swab-tinged downbeat delights like 'Good Timing'. A magnificently rich work.

Review: Old school RuneScape players will love these nostalgic remixes by London producer Pizza Hotline who has a fine rep' for crafting video game-inspired drum & bass and jungle riddims. Here, beloved RuneScape tracks get reimagined to blend classic vibes with modern twists and the first up 'Garden' embraces a traditional style, while the iconic 'Sea Shanty 2' transforms into a minimal d&b banger. 'Autumn Voyage' slows things down with a breakbeat remix, and 'Shine' takes on an atmospheric edge while seemingly drawing inspiration from Aphex Twin. Made using hardware like a Roland JV-1080 and reverb effects inspired by the PS1, Pizza Hotline stays true to the golden age here.

Review: Thelonious in Action, recorded live at the Five Spot Cafe in 1958, captures jazz king Thelonious Monk at his improvisational best. Featuring Johnny Griffin on tenor sax, Ahmed Abdul-Malik on bass and Roy Haynes on drums, the album showcases the quartet's dynamic interplay and Monk's unique, percussive piano style. Highlights include the lively 'Blue Monk' and the intricate 'Rhythm-A-Ning.' Griffin's robust sax lines complement Monk's eccentric rhythms throughout to create a vibrant, engaging atmosphere. The album's live setting adds an intimate, spontaneous feel, making this newly reissued classic a must listen for jazz enthusiasts and a brilliant example of Monk's enduring genius.