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Review: This second instalment in the Spring Revisited seriesia collaboration between Acid Jazz and Ace Recordsioffers two expertly handled edits from across the Atlantic rooted in the fertile legacy of 70s New York soul. London's modern disco institution Dave Lee reinvents The Joneses' 'Love Contest' with his trademark finesse, giving the track a full-bodied groove-up without losing its bittersweet heart. The strings soar, the rhythm section locks tight, and Lee's decades-deep knowledge of disco and boogie shines through in every detail. On the flip, New York-based Coleen 'Cosmo' Murphy brings lush new life to Street People's 'I Wanna Get Over'. With sun-drenched keys, crisp hand percussion and subtle delays, she transforms heartache into late-night liberation. Both sides feel like love letters from DJ to danceflooriclassic soul refracted through contemporary ears, pressed on wax that looks and feels like it just time-travelled from 1979.

Review: Nkrumah Jah Thomas's label The Midnight Rock was a cornerstone of exceptional productions in early Jamaican music. As a savvy producer, Thomas maximised his rhythms and created numerous records for a variety of artists. He emerged at the perfect time and recorded breakthrough tracks in top studios like Channel One, often with the Roots Radics. While many of his sessions were released, some remained unreleased, trapped on multi-track tape. One such session featured Sugar Minott, known for his hit 'Good Thing Going.' Thomas has crafted fresh mixes from these sessions with this single addressing gun violence and featuring a vibrant Radics rhythm and a new dub on the flip side.