Back catalogue: All genres

Review: Coyote team up with Quinn Luke Lamont for a one off collaboration. Quinns vocals add a distinctly yachty feel to Coyote's chuggy early evening acid groove. Project Sandro tighten up the percussion and strip the vocals back and create a dreamy more contemplative warm weather shuffler.

Review: Here comes the first sampler, all part of Leng Records' 10th Anniversary celebrations. It marks the cultured label's 50th release and precedes a special compilation of overlooked favourites, classics and unreleased material. This one is well worth your attention though, beforehand. Phenomenal Handclap Band founder Quinn Luke with his longtime pal Alexis Georgopoulos combine as Q&A for the first two tracks, with Lex providing the third and fourth, all proving to be seductive, slow motion Balearic groovers for grown up movers. Q&A's 'Pulse' is a future groove, Lex's 'Max Pen' is a cheery number with lush squelchy bass and skyward chords, while the latter's closing offering 'GP Score' brings a little more energy.

Review: Originally tucked away on a 2020 12", Quiroga's 'Snaporaz' EP gets the treatment it always deserved with this expanded, four-track edition from Balearic archivists Archeo. Based in Naples, Quiroga stretches his original into a languid, Rhodes-soaked jazz-house glide on the A1ifull of crackling percussion, soft-focus pads and a bubbling low end that carries the melodic line into increasingly heady territory. A loose hand drum finale seals it with flair. 'Escorpiao' on A2 is subtler but no less vibrant, a slick fusion jam where keytar and cowbell meet over a featherlight grooveibalancing restraint and virtuosity in equal measure. The B-side belongs to Rome's Francesco de Bellis, appearing under his L.U.C.A. alias. Known for his Edizioni Mondo material, he warps 'Snaporaz' into a dreamlike new age dancer, slowing the tempo and steeping it in hazy atmospheres and woozy melodies. His 'Quirky Beat' version strips it further, letting skeletal drum edits carry the mood alone. Bridging Neapolitan warmth and Roman oddball finesse, this is a limited edition reissue that more than earns its second life.

Review: Last year, Quiroga (real name Walter Del Vecchio) returned to Hell Yeah! Recordings with an impressive dose of TB-303-laden dancefloor psychedelia, the superb 'Acid Dropout EP'. 'French Kiss', the title track from his latest EP for the popular Italian imprint, is a more immersive, warm and hazy affair, where sweet female vocal snippets, warming Rhodes riffs and dreamy electronics rise above a shuffling, mid-temp deep house beat and organic-sounding bassline. His trademark acid lines naturally feature on the accompanying 'Baia Club Ambient Version', a shuffling breakbeat affair that takes cues from Italian 'ambient house' (IE dream house) rather than beat-free soundscapes. It is, though, genuinely superb. Turn to the flip for two bonus cuts: the vintage Jazzanova-esque broken house brilliance of 'Ask Coppede' and the deep, Balearic-fired electro shuffle of 'Cala Ventosa'.

Review: Portland, Oregon's Graham Jonson urges our hurries once more with Heard That Noise, an anemological study in ascendant post-rock and psych. Jonson crafts intimate, zigzagging and west windy songs, ploughing the grey, sludgy boundaries of folk, pop, and noise. Following a subtle tangent from SoundCloud renown to 2021's The Long and Short Of It, he now follows that record up through a desultory reflection on breakups, memory, and creative rediscovery; Phil Elverum, Dijon and Nick Drake glance through the sonic cloud cover as ancestral muses, while the record blends warmth and discordance, where sweet ballads unravel into distortion; serene moments jolted by sonic "jump scares."