Review: Ace Records are she-pop experts who have kept a constant stream of high quality offerings from the 1960s coming. Featuring mostly British and American artists the label now widens its net to serve up a pair of high impact tunes from their well-received Ciao Bella! Italian Girl Singers Of The 1960s compilation CD. Brunetta's 'Baluba Shake' has big and cavernous drums, plucked guitar riffs and rollicking great chords next to lung-busting vocals. It's a real dancer. Things get more impassioned on the high speed funk chase that is Rita Pavone's 'Il Geghege.'
Review: Captain Planet is a globe trotting DJ and producer who mixes up worldly roots music with his own fresh take on hip-hop and dancehall. For this one he joined up with Zuzuka Poderosa & Raphael Futura for a brilliant Brazilian disco and funk song that harks back to the 70s and 80s with influences like Tim Maia, Sandra Da Sa & Gilberto Gil. 'Moqueca' though also has some nice dance floor weight to it as well as the richly tropical percussion, steamy horns and seductive chords. On the flip is an instrumental and the good news is this is a taster of a full album to come.
Review: Stand by for the much anticipated follow up to the unreleased Ronn Colbert 7" on this label earlier in the year. "Just One Kiss Away" is an ultra rare soul stepper from 1981. It finds Ronn and Selah Colbert go up against one another, and both serve up super sultry, seductive vocals that tease and please. Add in steamy chords and soaring strings and you have one helluva smoocher. "Tell Me What I Wanna Hear" is another romantic to and fro between the pair, with a little more tension and build in the rhythm edition that adds an extra element of spice. Both are sure to become re-found classics.
Review: This unique 7" features two different artists - Raye Cole and Rachel Maxann - doing their own renditions of the same song, in this instance, 'Find Myself Another Man'. These versions bring a modern twist to a rhythm and blues banger that will transport you back to the good old days, Raye's version adding a bit more of a hop to it while Rachel's version has a garage band and surf rock tinge to it. Both are late night blues without a doubt though andit'sanother case of hats off to Original Gravity records for always keeping things fresh with their ever-changing moods.
Review: DJ Rude One's latest 7" single, 'Murder Paragraphs,' featuring Roc Marciano, sets the stage for his upcoming album, Upper Space. With gritty production and Roc Marciano's smooth delivery, the track exemplifies the underground hip-hop aesthetic that both artists are known for. The original and instrumental versions included on the single provide a complete listening experience, while new artwork by Spectacular Diagnostics adds visual intrigue. Roc Marciano's contribution to the underground hip-hop scene is undeniable, and his collaboration with DJ Rude One on Murder Paragraphs is an example of their creative chemistry. As DJ Rude One prepares to drop his official follow-up album, Upper Space, this single serves as a tantalizing preview of what's to come.
Review: The Demons Singles Club is back with more devilishly good funk here in the form of Doris Duke's version of Marlena Shaw's 'Woman Of The Ghetto.' It first appeared on her 1975 alum Woman and is a searing take with full-bodied vocals full of fire. It's an urgent sound that adds weight to the social commentary of the lyrics and the b-side tune from Rhyze is just as essential. 'Fire' is a massive disco cut with stomping drums, funky bass riffs and plenty of noodling guitar riffs that make it effervesce.
Review: Soul Supreme is a master keyboardist best known for his covers of classic hip-hop songs by the likes of Mos Def, MF Doom and A Tribe Called Quest. Here side-steps his covers duties to handle remix productions for two of his contemporaries in the Netherlands neo-soul scene - Gallowstreet, LYMA, Shamis and Rebiere. The A side lends a wonky future house feel (a-la GoldLink, Crackazat) to '52 North', Gallowstreet's ode to the city of Amsterdam. The B tune strips it back to a lo-fi soul bapper, fleshing out its theme of loneliness in parenting.
Hill District - "You're Scared Of Falling In Love" (3:35)
Richie Merrett - "You'll Always Have Yesterday Standing By" (3:35)
Review: Dave Welding's Soul Junction has another great package here from The Hill District. This was a group of working musicians that was initially assembled by bassist Walter "Sonny" Hughes who was impressed with them after seeing them rehearse one afternoon. They only ever managed to record one 45, however, and it is this one, and it has overmuch remained hard to find over the years. Hill District's 'You're Scared Of Falling In Love' is glorious sunny and carefree soul with gentle rhythms and great vocal work. Richie Merrett then steps up on the flip with 'You'll Always Have Yesterday Standing By' which is much more verily sentimental and pained.
Review: Pete Cunningham's hybrid electronic/acoustic jazz collective Ishmael Ensemble has been right at the forefront of innovation when it comes to those sounds. For his latest project he links up with lyricist and MC Rider Shafique. They first met some six years ago when Cunningham was struck by "his powerful way with words." As such they got in the studio, Cunningham embraced a more bass heavy sound to his style and drew on his love of the likes of dub kings King Tubby and Adrian Sherwood. Coupled with Rider's voice and you have a superb new record.
Review: A veteran dance music producer teams up with a talented singer to be featured over his classic take on disco. As a pioneer who shaped the UK's early house and acid scenes, Julian Jonah brings his expertise to this polished production. Side-1's 'Let's Not Say Goodnight' is a disco anthem in the making, with Robbie Love's commanding vocals delivering a message of endless celebration. On Side-2, 'Just Can't Wait' offers a smoother, feelgood vibe with tight instrumentation and another stellar vocal performance while the band's groove-rich foundation complements the track's uplifting energy. A release that highlights Jonah's ability to bridge eras, blending nostalgia with modern finesse.
R Dean Taylor - "There's A Ghost In My House" (2:27)
Review: This powerhouse 7" pairs two iconic tracks that have left lasting marks on music history. On one side, Gloria Jones' original 1964 version of 'Tainted Love' shines. Written by Ed Cobb and featuring Glen Campbell on lead guitar, this track laid the foundation for what would later become a global sensation with Soft Cell's 1981 synthpop rework. Jones' vocal delivery is fierce, underscored by Cobb's brilliant production and Lincoln Mayorga's sharp arrangement. Flip it over, and you get R. Dean Taylor's 'There's a Ghost in My House,' an infectious Northern soul anthem. Originally recorded in 1966 and written by Motown legends Holland-Dozier-Holland, it gained momentum in British dance clubs before soaring to number three on the UK charts in 1974. Taylor's commanding vocal cuts through the track's driving beat, making it an enduring favourite. These two songs together bring a vibrant blend of soul, grit and history to any collection.
Mariah & The Machine - "All I Want For Xmas Is A Dog"
Run Winston - "Wonderful Christmas In Hollis"
Review: Get ready for the ultimate holiday mash-up here as this fun 7" brings together two festive anthems that will light up your turntables, and the party. First, Mariah and her Machine deliver a cheeky twist on 'All I Want for Christmas is a Dog' by reminding us that owning a canine is a lifelong commitment. On the flip side, Winston puts a fresh spin on Run-D.M.C.'s 'Christmas in Hollis' by giving it a vibrant Queens New York makeover. With ill reindeers and Jam Master Sleigh, this record is sure to deck the halls and add some serious holiday cheer to your collection.
Review: Night Owls are back with a fresh take on Lee Moses' 1970s cut Got That Will, transforming the soul classic into a dancehall-inspired banger. Dan Ubick leads the production, bringing in powerhouse vocalist Gina Murrell and the tight rhythm section of Wilder, Colie, and Rivas to infuse the track with new life. As if that wasn't enough, Kingston's Ranking Joe adds his signature toasting, giving the track an extra layer of authenticity and drive. The B-side, Got That Dub, takes things deeper with Roger Rivas on the mix, dialing up the echo and delay to create a spaced-out, dubbed-up version. With steady radio play on BBC Radio 6 and KCRW, this release is already making waves. DJs and collectors will want to act fastithis record is primed for late-night sound system sets and is sure to fly off the shelves.
For The Wicked (Professor Shorthair extended mix) (5:15)
Review: A unique smashing of worlds between funk and hip-hop, this fantastic, vibrant, red-and-black splatter 7" brings together a host of collaborating greats, all of whom have contributed in major ways to both sounds over the years. With Dan Ubick on guitar (Breakestra, Big Daddy Kane), Julius Augustus on bass (The Sandollars), Dan Hastie on organ (Orgone, Alicia Keys), Steve McCormick on dobro and Professor Shorthair on the cuts and edits - and mastered by Dave Cooley (J Dilla, Madlib) - this is a mournful yet masterful example of live-recorded battle breaks.
Review: DJ Soopasoul's last mash-up was an inspired affair that saw him perfectly fuse tracks by Philadelphia Soul legends MFSB and the Beastie Boys. Here he takes a similar approach, placing the rap vocals from the 1995 hip hop classic "How High" atop a suitably funky, lolloping beat crafted from Clavinet-heavy sections from Stevie party-starting floor-heater "Superstitioun". It works remarkably well on the A-side vocal mix, and those who'd not heard either track would be convinced that there was no mash-up antics going on. Over on side B you'll find an instrumental mix that showcases Soopasoul's editing skills; minus the Hip Hop vocals, is a fine re-edit of the Wonderful jam.
Review: Athens Of The North will always be one of our favourite labels no matter what they're serving up. The Edinburgh-based deep diggers this time look to Race 'N Rhythm, which was once upon a time a 12-member jazz group based in Oakland. Jazz-master Rudolph Peters managed the multi-racial band and though they were admired on the vocal live circuit they only ever released one single before later doing an album. 'Space Saver' was recorded in California in 1982 and is a sultry and romantic soul sound with leads and coy rhythms. 'Candybar Superstar' on the backside is a pure fire dancefloor heater with high-energy claps, horns and vocals.
Review: Acid jazz star Rad has worked on tracks featuring top-tier talent including the Tower of Power Horns, David Garibaldi, Roger Troutman, Ray Obiedo, Bobby Vega and Michael Spiro. Originating from the San Francisco Bay Area, which is of course home to musical legends like Herbie Hancock, Tower of Power, and Sly & The Family Stone, she now delivers on her Oakland funk roots with a pair of killer cuts on this new 7". Her second album, Gotta Be from 1994 captured funk's essence with sharp breaks, hooky melodies, and her captivating voice and these newly remastered songs, from it ensure their timeless groove remains ever-present.
Review: Rahaan, one of Chicago's finest exports, delivers another stellar collection of dancefloor-focused edits. This four track EP traverses a spectrum of sounds, from disco to house, showcasing Rahaan's signature blend of infectious grooves and soulful energy. 'Project Funk' sets the tone with its undeniable funk flavour, its driving bassline and infectious horns guaranteed to get bodies moving. 'Shangri La' takes a more ethereal approach, its dreamy melodies and hypnotic rhythms transporting listeners to a blissful paradise. On the flip, 'Tribe Dance' injects a tribal-infused energy, its pulsating rhythms and percussive elements creating a primal atmosphere. 'Deeper' closes out the EP with a deep house excursion, its hypnotic groove and soulful chords inviting listeners to lose themselves in the music. With its impeccable selection and expertly crafted edits, this release is a must-have for any discerning DJ or lover of quality dance music.
Review: Rahaan is one of Chicagos finest exports - he can do it all from edits to disco, dusty house to soul packed delights. He shows that again here by kicking off a new label, Gospel One, with a double 12" of cuts that all draw on gospel. The opener is a raucous and funky cut with belting vocals and noodling basslines, while elsewhere there is fleet footed groove and live sounding drums to 'Message In Our Muzik' that are topped with a superb female vocal. 'Don't You Worry' ramps up the tension with more fast and funky beats and 'He Can' gets down and dirty with some sleazy basslines and call and response vocals. A passionate package for sure.
Review: Aussie soul man Jordan Rake has a voice as smooth as silky. He first made waves with deeply emotive and romantic r&b laced slow jams on labels like Rhythm Section and has since put out several albums that grow ever more accomplished and adventurous. 'Flowers' however is a new standout 7" single on Decca with a signed insert that marks his own new deal with the legendary label. It finds the Grammy nominated multi-instrumentalist, vocalist, producer and songwriter offer up more of his inner most emotions all wrapped in his signature production.
Love Is The Message (feat Nipsey Hussle, Planet Asia, Louis King & Snoop Dogg) (5:04)
Review: Hip-hop icon Rakim is son to return with a new album G.O.D.'S NETWORK (REB7RTH), but before that come some teaser singles and this one of them. 'Be Ill' perfectly sets the tone with Rakim's raw rhymes and head-nodding production complemented by standout features from Kurupt and Masta Killa. On 'Love Is The Message', the American great slows it down with soulful vibes and enlists the late Nipsey Hussle plus Planet Asia, Snoop Dogg and more for a heartfelt anthem. This single and the ensuing LP celebrates Rakim's enduring hunger as an emcee and producer and proves that many years after he made his mark, he still has the skills to pay the bills.
Review: Founded by Roy Ayers in Cincinnati in 1976 as a vehicle for his songs and productions - though, interestingly, he was never a member of the band RAMP recorded and released one album, 1977's sun-soaked jazz-funk opus, Come Into Knowledge. This fantastic 45 from South Street Records' new South Street Soul offshoot showcases two of the set's most admired and in-demand cuts. Edwin Birdsong and William Allen share production credits with Ayers on 'Daylight', a shuffling, dewy-eyed, afternoon-ready delight whose slow groove, meandering synth solos and blissful female vocals recall another Ayers' classic 'Everybody Loves The Sunshine'. Fittingly, RAMP's fine, soft-focus take on that tune can be found on side B.
Review: Michigan-via-Ohio gospel group Rance Allen have been going for decades, and thanks to Expansion Records, two of their best known tunes now have a chance at relistenership. 'I Feel Like Going' on barely saw a resurfacing on YouTube, but just one listen and we're sure... this is a shockingly important slice of wax, with slapping electronic disco-soul production embedding sax, viola and castanets in what ought to be considered a criminally undersought pair of dance opals. A modern soul masterclass.
Review: Barbara Randolph's 'I Got A Feeling,' originally released on September 14, 1967, is a stellar example of classic soul, now available in a new reissue on 7" vinyl. Barbara Randolph, born May 5, 1942, in Detroit was a notable singer and actress. A former member of The Platters in 1964, she later recorded for Motown during the mid to late 60s. Her standout 'I Got A Feeling,' features uplifting lyrics and a fantastic backing band, reminiscent of The Supremes' sound. The wonderful horns add a vibrant touch. On Side-2, 'You Got Me Hurtin' All Over' bursts with catchy, blistering energy, giving you the magic of 1960s soul. This reissue preserves the original tracklist, offering a delightful experience for funk and soul enthusiasts.
Review: First released way back in 1999, Raphael Saadiq's Q-Tip-sporting "Get Involved" is a warm and woozy, retro-futurist chunk of soul/hip-hop fusion that harked back to an earlier musical age. It remains an arguably underappreciated dancefloor bomb and here gets the reissue treatment courtesy of the freshly lauched 45 Jams imprint. It comes backed by another stone cold classic from Q-Tip, "Vivrant Thing" - a cut first featured on the flipside of the Tribe Called Quest member's much more celebrated "Breathe Don't Stop" single. It's a little more stripped back than the A-side, with Q-Tip delivering his distinctive flows over a crunchy and fuzzy, Jay Dee produced backing track crafted from samples from an old funk record.
Monsieur Van Pratt Le Groove - "El Rap Clap O" (Regroove) (4:40)
Bully Boy - "Fear'n'Loathing In Funk Vegas" (4:34)
Ben Jamin - "Old Time Feeling" (4:50)
Review: French funk lovers Acts of Sedition roll out another tasty double 7" here that features some massive joints from around the world. First up is the Latin heat of Rare Cuts's 'Amigo Bracno' with its big, bright leads, string lushness and percolating, percussive groove goodness all finished with a great Portuguese vocal. Monsieur Van Pratt Le Groove's 'El Rap Clap O' (Regroove) hits a little harder but with similar funk playfulness and some great chord work and Bully Boy then offers the raw and strident funk of 'Fear'n'Loathing In Funk Vegas.' Ben Jamin slows it right down with the sun-kissed late night bliss of 'Old Time Feeling.'
Review: While an independent disco classic in its own right, Rare Pleasure's 1976 gem 'Let Me Down Easy' is probably best-known for providing David Morales with the famous piano riff that was such a big part of his 1998 dancefloor smash 'Needin' You'. Here the sensational disco classic gets the reissue treatment courtesy of South Street Disco. Pressed to a rather eye-catching dinked, red-vinyl "45", you get two takes: the near three-minute seven-inch version, and the superior 'Long Version' - a five-minute exercise in Philadelphia style disco perfection rich in swooping strings, loved-up female vocals, classic disco instrumentation and the infamous piano riff. If 'Let Me Down Easy' isn't already in your disco collection, grab one of these while they're still available!
Review: 'When Will The Day Come' and 'Within The Sound' both captivate with their ethereal nu-soul essence. The first track envelops listeners in a dreamy atmosphere, where each note feels weightless and every lyric resonates deeply. With a gentle sway, it explores the intricacies of life and the yearnings of the heart, inviting introspection and reflection. The title track offers soothing melodies that cascade effortlessly, creating a sense of calm and serenity. RASA's vocals effortlessly weave through the music, delivering poignant lyrics with a tender sincerity that touches the soul. 'Within The Sound' serves as a comforting embrace, guiding listeners through the complexities of existence with grace and poise. From its airy instrumentation to its heartfelt lyrics, this track is a testament to RASA's artistry and ability to craft music that speaks directly to the soul. It's a captivating journey through sound and emotion, leaving a lasting impression long after the music fades.
Top Of The World (feat Barrington Levy & K-oS - FNJ 7" edit) (5:00)
Gunfinga (feat Kardinal Offishall) (5:01)
Review: FlipNJay Records is in a fine run of form right now and here it keeps that going with the first-ever 7" vinyl release of the Rascalz's timeless anthem 'Top of the World' featuring Barrington Levy and K-os. This Canadian hip-hop classic from the late '90s is paired with 'Gunfinga' featuring Kardinal Offishall on the B-side. Both tracks, produced by DJ Kemo, highlight the golden era of Canadian hip-hop and come housed in original artwork by Dedos that reflects the vibrant spirit of the time. This tune takes you to the heart of Rascalz, Kardinal, K-os and '90s Vancouver and Toronto hip-hop.
Review: The so-far superb Boom Bap Classics label kicks on with a sixth fantastic slab of old school gold. This time once more they offer up underground 90s rap gems in the form of a brilliant neck-snapper from West Coast lyrical don Rasco. His 'Unassisted' is a widely respected cut that finds favour with heads and backpackers and turntablists alike thanks to its hard bars and chord-laced bumping beats. On the flip, 'Take It Back Home' features fellow Californian vocalist Planet Asia who continues in the same vibe and keeps you moving.
Review: Following the excellent excavation of the Miami band's unreleased album Best Kept Secret, AOTN's Fryer treats us to his two favourite cuts on a 500-only never-to-be-repressed 45. Seeped in powerful vocal harmonies, "Let Go" is rare groove gold with smooth sax and a dynamic that keeps on surprising while "Will You Be There" is an end of night soul shakedown with a tenderness that's tangible in every element. Don't sleep on this... Or the album. One of AOTN's most exciting releases this year.
Review: Izipho Soul is exactly the sort of label you need in your life when the temps go up. It is a gold standard outlet for sunny soul with real musicianship and heart. And that's just what we have here from The Ray Alexander Technique. 'Taking The Long Way Home' is warm and classic soul with driving rhythm section and lush chords under the lead vocal. 'I Am In Love With You' then slows right down, with dusty drum work and elegant strings sounds before 'I Wonder Why (feat Chris Bartley)' ends on a feel-good note with buttery vocals.
Review: Next time your kid is going through the "why" phase, give them this record. 'Step Inside My World' by The Reason Why - an incredibly obscure band releasing with Polydor originally in 1977 - is an excellent modern soul mid-tempo dancer, having remained in hot demand for many years thanks to its sensitive recording and lyrical matter. With original issue copies having reportedly sold for roughly L700, we can only affirm that the two songs on the record amount to no less than sonic blessings, spanning keen emotivity and string-laden passion.
Review: Flip N Jay is back here with new beats from Redlife which arrive on 7" vinyl for the first time. Emerging from Toronto's thriving underground, Redlife delivers streetwise lyrics that draw on the raw essence of the city's various neighbourhoods. Their hard-hitting sound and authentic storytelling have earned them a strong reputation within Toronto's hip-hop scene and here they collaborate with local legends including Saukrates on the iconic 'Yagga Yaw Yaw'. A must-have for hip-hop enthusiasts, this release cemented Redlife's status as one of T-Dot's finest and this 45 preserves the spirit of Toronto's streets and Redlife's undeniable legacy.
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