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Notes: ***B-STOCK: Box opened, product in perfect working order***


Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded second-generation version of the high-end DT 1990 features improved sound, increased comfort and top quality sound, all based around the new generation Tesla 45mm driver.

Supplier's Notes:
DT 1990 PRO MKII - the evolution of a studio legend

The DT 1990 PRO MKII open-back studio headphones are the second generation of the popular premium model. They boast improved sound, increased comfort and industry-leading workmanship made in Germany. At the heart is the newly developed TESLA.45 driver technology. Suitable for mixing, mastering and editing, they are the perfect choice for discerning users who want to take their tracks to the next level.

The open-back reference

Thanks to their open-back design, the DT 1990 PRO MKII offers a natural, spatial sound pattern, which makes them ideal for professional mixing, mastering and editing.

The new generation of TESLA technology

TESLA.45

The DT 1990 PRO MKII feature the latest generation of TESLA driver technology TESLA.45. Redesigned from the ground up, the 45mm driver system boasts an excellent resolution, extremely low distortion and outstanding impulse behaviour. The TESLA.45 provides signal fidelity even at high volumes. Beyerdynamic's engineers have managed to combine studio-sound and flexibility thanks to weight-optimized materials. The DT 1990 PRO MKII has an impedance of 30 ohms, which means that the studio headphones can be used with a variety of end devices.

When it comes to sound, the reference headphones boast precise bass response right down to the lowest octaves. The slightly reduced highs compared to the previous model offer a high amount of information and help to avoid wrong decisions when mixing. Thanks to the wide soundstage, instruments and voices can be precisely pinpointed.

The sound transducers are manufactured at the company headquarters in Heilbronn, Germany. Each DT 1990 PRO MKII contains two TESLA.45 sound transducers, which are measured several times during the various production steps.

Maximum comfort

The DT 1990 PRO MKII is designed for several hours of use in the studio and offers outstanding comfort. The robust, flexible spring steel headband design ensures optimum contact pressure. Thanks to the skin-friendly velour ear pads, the headphones are comfortable to wear even during long sessions. The headband, consisting of soft memory foam and durable leatherette, adapts perfectly to the shape of the head. And thanks to the fontanelle recess, potentially pain-sensitive areas on the head are avoided. Both the headband and the ear pads can be replaced if necessary.

Two sound signatures

Designed to maximise flexibility, the DT 1990 PRO MKII is supplied with two different types of ear pads. The 'Producing Velours' fitted as standard deliver a full sound thanks to a slight bass boost. The 'Mixing & Mastering Velours' offer a more analytical sound. Two cables are also included: a 3m straight cable and a 5m coiled cable. Both cables have a lockable 3-pin mini-XLR plug. Everything is safely stored in a high-quality hard case.

Industry-leading workmanship

Thanks to German manufacturing expertise, the DT 1990 PRO MKII sets the benchmark in workmanship and durability. The TESLA.45 driver systems are measured within tight tolerances several times during production. High-quality materials such as anodised metal and hard-wearing plastics make the DT 1990 PRO MKII a long-term investment. In the interest of sustainability, almost every part of the premium headphones can be replaced.

Notes: About as good as closed-back studio headphones get. The Lensys Pros feature 40mm aluminium-magnesium 'M' dome drivers for flat frequency response, exceptional sound isolation and ergonomic memory foam earpads for comfort during long sessions.

Supplier's Notes:
Closed-Back Headphones of Excellence

Experience limitless possibilities with Lensys Professional. Whether you're in the studio or on the move, these headphones provide the comfort and durability you need. Their closed design, meticulous ergonomics, and robust materials make them the ideal choice for any environment. With Focal drivers delivering extremely accurate sound, you can trust these headphones for professional use. Plus, the included case and two cables add further convenience and flexibility to your experience.

Comfort & Insulation

Comfort is essential for headphones used during extended work sessions. The Lensys Professional headphones are designed to be lightweight and feature memory foam ear cushions for a comfortable fit and excellent sound insulation. Additionally, the aerated fabric headband provides a consistent curvature, making it perfect for extended wear.

Accuracy. Anywhere.

The Lensys Professional headphones are designed to offer a neutral tonal balance and high accuracy, making them an excellent choice for mixing. Their versatility and reliability make them a valuable tool in any setting, instilling confidence when working with audio. Additionally, they provide an immersive experience for binaural work.

Focal Expertise

The 40mm aluminium-magnesium 'M' dome drivers provide linear frequency response, low distortion, and improved sound dispersion, resulting in highly accurate sound. Their slightly angled position in the earcups enhances the stereo image, while their acoustic load has been optimized for operation similar to that of a bass-reflex loudspeaker.

Notes: A visit to the Hainbach Studio Complex two years ago, led to a collaboration that would result in what is perhaps Joranalogue's finest design yet. United by a common passion for vintage test gear, the Joranalogue team joined forces with artist and YouTube sensation Hainbach.

Collide 4 builds upon on the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Soon, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of synth voice and audio processor, unlike any other. It's a perfect union of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and profound knowledge of audio design and production.

'Quadrature spectral computer' is how you could describe this new kind of musical generator and processor. The sound? Quite simply: it's smashing!

Specs

Modern, fully analogue re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for use as a frequency shifter.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.

Notes: Based on the iconic Mono/Poly analogue synth of the early 1980s, the Multi/Poly draws on decades of tech innovation to offer something fresh and exciting. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Multi/poly module

Breath-taking analogue-inspired sound with the limitless power of digital technology.

Summary

The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.

Overview

Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.

Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.

Next-level analogue modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres

Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

MIDI 2.0 property exchange and polyphonic aftertouch support

All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.

Rack-mount and desktop compatible

The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio

Specifications

Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.

Notes: A lovely creative approach to generative synthesis. Dual voices with triangle/square wave oscillators, shift register and envelopes can be patched via banana cables to create unique grooves and drones.

Supplier's Notes:
Double Knot v3

The Double Knot v3 is a small generative synthesizer with two voices and corresponding sequencers. This instrument has a simple architecture which is capable of a wide variety of sounds, including rhythms and drum patterns or textural and grating noise sounds. The interface is made up of knobs, switches, and banana plugs for patching. The two voices of this device each consist of a triangle/square wave oscillator, a shift register sequencer, an enveloper, and a voltage controlled amplifier. A clock sets the tempo of the shift registers.

The voices of the Double Knot are pre-wired, in a linear chain of functional blocks. The patch points are available to route modulations, influencing the simple linear voices. The game of this device is to investigate the relationships between the elements of the synth using the knobs, switches and patch-points.

FAQ

How many banana cables do I need? and what length?

8 or 10 cables around 12" long is a great start.

Can I patch this with my other synth?

Only what is safe for this synth. The banana ports of this device can handle max +/- 8V at all inputs and outputs assuming at least a 1k output impedance in the other device. The response range of the voltage inputs is ~1.2v - 8V (range of a TL07x powered by 9V).

Is this synth good by itself, or does it rely on other devices to be useful?

Some good sounds can be had using this device and a handful of banana cables.

Notes: The Morphagene music synthesizer module is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Features
New revision Morphagene firmware MG204 adds great functionality.
Voltage control over all sound manipulation parameters
Stereo I/O with Input Gain Selection, works with line- or modular-level signals
Recording Reel can be up to 2 minutes 54 seconds long
Record/ create up to 99 Splices per Reel
SD Card stores multiple Reels
Sound On Sound allows for layering sounds
Playback and Recording independent, like having two machines
Vari-Speed range 12 semitones up and 26 down, over 3 octaves
24-bit codec, creates 48k 32bit WAV files
Back up Reels on computer with SD Card
Share and download Reels at freesound.org! [see how]
includes blank SD Card

Specifications
Width: 20hp
Max Depth
(incl. power cable): 45mm
Power:
165mA @ +12V
20mA @ -12V

Notes: Based on technology from the award-winning LVX and MercuryX pedals, the Enzo X is a superbly powerful six-voice modular synth, with polyphonic pitch detection and no special pickup needed on your guitar.

Supplier's Notes:
Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals.

In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types.

To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX.

Notes: A fresh new take on synthesis from the legendary Moog. The Labyrinth combines two generative sequencers with parallel analogue signal paths to create evolving sounds and patterns.

Supplier's Notes:
Labyrinth, a semi-modular instrument and idea machine, discovers patterns, layers, and textures both familiar and unheard. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analogue signal paths, this unique instrument shines when adding colour to the static backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding depth to your existing rack, it's equally at home in a live set or at the centre of a humble bedroom studio. Labyrinth is the lightning in a bottle that drives a studio session deeper into undiscovered creative caverns.

The beating heart of Labyrinth is a robust dual sequencer, which uses chance operations to construct two unique eight-step paths which twist and curve around each other, forming a mesmerizing path of sound. With a comprehensive patch bay, Labyrinth can be synced via analogue clock or MIDI while processing, directing, and being influenced by other kit.

Tune your instruments together and let Labyrinth improvise alongside in key while you play Matriarch. Patch Labyrinth and Spectravox together for animated spectral movement. Combine Labyrinth with Mavis in a 104HP rack for expanded modularity.

These are just a handful of many playful setups where Labyrinth fits. Whichever path you choose, have Labyrinth guide you.

Dual generative sequencers create intertwining melodies that mutate over time. It's a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.

A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analogue synthetic drums.

State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.

A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio.

In the box

Labyrinth Semi-Modular Parallel Generative Analog Synthesizer

Power Supply
Patch Sheet Overlays
Patch Cables (5x 12")
Registration Card
Quickstart Guide
Cheat Codes
Safety & Warranty Manual

Weights & dimensions

Product only:

Weight: 3.1lbs/1.5kg
Dimensions: 12.84" W 5.64" D 4.2" H/32.61cm W 14.33cm D 10.67cm H

Product in box:

Weight : 5.29 lbs / 2.4 kg
Dimensions: 14.16" W 8.16" D 6.6" H / 35.97cm W 20.73cm D 16.76cm H

Analogue synthesis engine:

Sources: VCO, MOD VCO, RING MOD, NOISE Generator SIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1x Voltage-Controlled State-Variable Filter, 2x Voltage-Controlled Amplifiers MODULATORS: 2x Decay-only envelope generators

Dual generative sequencer

2x 8-step Generative Digital Sequencers

Patch bay

Jacks: 32 x 3.5mm
Inputs: 20 Input Jacks
Outputs: 12 Output Jacks

Rear panel

Audio: 1/4" TRS Headphone or 1/4" TS Instrument
Power: Power Supply connection SECURITY: Kensington Lock slot

Power supply (included)

Style: Wall adapter; barrel connection; centre-pin positive INPUT: 100 - 240VAC; 50 Hz - 60 Hz OUTPUT: +12VDC; 1200mA

Power consumption
Typical: 4.0 W

Notes: *** Firmware update (April 2025)- Engine DJ 4.3 ***

Support for Apple Music

Enjoy standalone access to 100 million Apple Music songs and over 30,000 expertly curated playlists. An Apple Music subscription is required
Enabling the Sync Library option in the Apple Music app on your computer enhances your music experience by giving you seamless access to your purchased, uploaded, and personal playlists.
Apple Music will be supported on the following hardware:
Numark Mixstream Pro +
Numark Mixstream Pro Go
Denon DJ SC LIVE 2
Denon DJ SC LIVE 4
Denon DJ PRIME 4+
Denon DJ PRIME GO+

All Engine DJ hardware will receive various other enhancements and improvements with this update.

ENGINE DJ DESKTOP

Various stability enhancements and improvements Engine DJ 4.3 will be available for download on enginedj.com or via Wi-Fi on compatible Engine DJ hardware. Apple Music can be unlocked directly on supported devices.


Powered by the Engine DJ OS, this updated take on Numark's Mixstream Pro features built-in Wi-Fi and speakers plus large 7-inch touchscreen and full integration with Amazon Music Unlimited streaming.

Supplier's Notes:
Millions of tracks at your fingertips

The Mixstream Pro + integrates with Amazon Music Unlimited and other popular streaming services, giving you instant access to over 100 million CD quality (aka "lossless") songs across all musical genres. The built-in Wi-Fi and lightning- fast onboard song analysis lets you practice and perform for hours on end without owning or preparing any music ahead of time. Tracks are analyzed for bpm and key as they are loaded and buffered into the internal memory, ensuring uninterrupted playback at every party, gig, or livestream.

Immersive built-in speakers

The Mixstream Pro + features high-quality built-in speaker monitors with dedicated volume control. These custom-tuned drivers produce rich, full sound and are the perfect sound solution for casual listening, cookouts, and parties with family and friends. For professional DJs, the built-in speakers are the ultimate, convenient solution for practicing, livestreaming, video content creation, and personal monitoring when connected to a larger sound system.

Set your smart home to party mode

The Mixstream Pro + connects wirelessly to Phillips Hue and Nanoleaf smart home lighting, making it easy to add dynamic visuals to your next party or livestream. Using the built-in Engine Lighting embedded control, connecting to a Philips Hue lighting hub or Nanoleaf system only takes a few taps. Once connected, the smart lighting will instantly and automatically change color and brightness perfectly on-time with whatever song is playing. The impressive on-screen lighting controls provide hands-on control over custom color selection, strobing, and more! The lights even respond to the movements of the crossfader, volume controls, and scratching for an amazing, immersive audio/visual experience!

Advanced lighting integration and control

For advanced lighting options and features, professional DJs can pre-analyze their music library with SoundSwitch desktop software, export their library to a USB drive, SD card, or to their Dropbox cloud, and have full control of DMX lighting using the touchscreen of the Mixstream Pro +. This functionality makes it simple to provide a professional lighting experience at events and gigs without the need to bring along a laptop or DMX controller.

Enjoy the freedom of laptop-free performances

The Mixstream Pro + features 2 USB inputs and 1 SD card slot for external media drives for optimum versatility when it comes to music selection and library curation. Quickly prep playlists from Serato, rekordbox, and iTunes using the Engine DJ desktop software, export to a USB drive or SD card, insert the drive in the Mixstream Pro +, and then perform your entire show without the need for a laptop or computer.

Multiple DJ performance options

In addition to being able to DJ in Standalone Mode with Engine DJ OS, the Mixstream Pro +'s Computer Mode allows you to use the device as a DJ software controller for Serato DJ and Virtual DJ (Serato DJ Lite is supported for free, a paid license is required for Serato DJ Pro and Virtual DJ). When in Computer Mode, the Mixstream Pro +'s touch screen offers hands- on control over library navigation, song selection, FX control, and more. This incredible flexibility gives you the option to choose exactly how you'd like to perform at your next show.

Ultimate control for musical creativity

The intuitive layout and 7" high-definition touchscreen lets you browse, load and play with your music like never before. The 4 built-in effects (Echo, Flanger, Delay, and Phaser) are perfectly timed to the beat when they are triggered with the fun, interactive toggle switches. The large Filter knobs and 3-band EQ add even more excitement by providing hands-on control over the low, mid, and high frequencies to create dramatic mixes, blends, and transitions.

Scratching with the large, 6" touch-sensitive platters is easy thanks to the Smart Scratch feature, which ensures that the music always stays on beat after a scratch is added to the mix. The 8 dual-layer Performance Pads feature 4 pad modes (Cue, Saved Loop, Auto Loop, Roll,) providing limitless possibilities for live mixing and ultimate creative musical freedom. Plus, since the Mixstream Pro + harnesses the power of the Engine DJ ecosystem, DJs have direct access to an ever-expanding set of advanced, professional-grade performance features.

The Mixstream Pro + offers a new level of music access, performance capability and connectivity in a DJ controller. All in an easy to use, intuitive package that makes it simple and fun for DJs to connect, stream and play!

Technical Specifications

Connections

Audio Outputs

(1) XLR output pair (main left/right, balanced)
(1) RCA output pair (main left/right, unbalanced)
(1) 1 1/4" (6.35 mm) stereo output (headphones)
(1) 1/8" (3.5 mm) stereo output (headphones)

Audio Inputs

(1) 1 1/4" (6.35 mm) microphone input Other
(2) USB port (for USB drives)
(1) USB port (to computer
(1) SD card slot
(1) power adapter input

Audio

Main Outputs

Frequency Response: 20 Hz - 20 kHz +/- 1 dB
Dynamic Range: > 114 dB (A-weighted)
Signal-to-Noise Ratio: > 94 dB (A-weighted)

Headroom

Mic: > 16 dB
Outputs: > 16 dB

Channel Separation: < -110 dB (1 kHz, unity)

T.H.D

Line: < 0.01% (1 kHz, unity)
Microphone: < 0.05% (1 kHz, unity)


Speakers

Frequency Response: 20 Hz - 20 kHz +/- 1 dB

Analogue Input

Microphone: -40 dBu (unity) / -60 dBu (minimum)

Analogue Output

Master, Balanced: +20 dBu (maximum) / +4 dBu (unity
)Master, Unbalanced: +16 dBu (maximum) / 0 dBu (unity)
Headphone Output: < 30 mW

Power

Connection: DC, Center Positive
Voltage: 12.0 V 3.0 A

Dimensions (width x depth x height)

Width x Depth x Height: 22.3" x 11.2" x 2.9" / 566 x 284 x 74 mm
Weight: 8.11 lbs.3.68 kg

Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.

Notes: Billing yourself as the most inspiring and versatile sequencer ever made is a bold claim. OXI might just have managed it with this peach of a device, packed full of creative ways to program and perform.

Supplier's Notes:
Oxi One, the new wave of sequencing

A new and inspiring way to create musical ideas and control all your studio gearThis instrument has been created with the principles of ease, power, expressiveness and robustness in mind. Our aim is to get rid of most drawbacks that are present on many today's sequencers. Consequently, all the features of OXI ONE are easily accessible in a blink of an eye.

Unleash your creativity with all the included performing features, randomization options, and sequence editing capabilities.

All in (Oxi) one

4 fully configurable sequencers - performative keyboard layouts
8 LFOs - 4 loopers - 4 arpeggiators - 8 fully routable CVs - 32 CC's recording
Tonnes of randomization options - euclidean & pattern generator - arranger mode
4 modes available per sequencer

Multi

8 tracks with totally independent parameters: start-end steps, length, division, etc. Configurable MIDI outputs and scale note filtering.
Did you miss having more tracks?, Now you can unlock up to 32 tracks in the OXI ONE.

Chord

Innovative chord function generator for easy creation of chord progressions.
Amazing palette of chords types and voicings which perfectly matches to each other. It comes with a handful of dedicated chord menus.

Poly

Total freedom with up to 7 voices, 4 CC's and plenty of parameters per step.
Forget your DAW piano roll for a moment and enjoy this new creative editing experience.

Mono

Full control of a monophonic track with complete visualization of the melody. Never get lost again in a pattern!

Oxi One gives you plenty of tools

From the creation of musical ideas to live sequencing and performing
Full connectivity & battery powered
Use it as composition tool with your favourite DAW
Take control of your Modular rig: 8 CVs and 8 Gates fully configurable, 1 modulation CV input
Bluetooth to unlock wireless power. Control awesome apps in your tablet, smartphone or any other BLE MIDI device like wearables.
MIDI routing from/to USB, TRS, BLE and CVs.
5 Sync modes and dedicated Clock I/O
Play big and easy
Store up to 15 projects with up to 16 patterns for all the sequencers
Live arranger with song view let's you arrange and chain patterns visually
Performing keyboard with arpeggiator and chord triggering
UNDO function to the rescue
128 steps per sequencer
Solid and compact build
Compact dimensions: 36 x 14 cm
Only 1.5 cm thick
Premium anodized aluminium case and knobs
Bright OLED display
USB C port
Intelligent pattern randomizer
Get instant musical results with a fully controllable randomizer.

Humanization

Variation control
Density control
Scale and root randomization

Random perform

On the go global track randomization:

Velocity randomization
Octave randomization
Triggering probability
Retriggering (ratchets) randomization

Tools

Handy tools you always missed at your disposal:

Instant loop function

Extend, zoom, duplicate and move your patterns in all directions
Two LFO per sequencer with assignable destination
Up to 32 CC's recording automation (per step)
Configure all LFO and CVs parameters and options from their respective menus

Deep & instant control of your modular rack

With 8 CX, 8 gates, clock out and clock/VC in and all of them highly configurable
With 8 configurable and assignable CV outputs and 8 gates, including VCA ready dynamic envelopes, glide, vibrato, LFOs and modulation outputs, you have plenty of possibilities for your Modular system.
The grid adds another layer of performance: turn on/off and change cv sources in real time.
With "trig envelopes" MIDI and CV goes hand in hand. Triggered envelopes are AD envelopes with velocity as amplitude and gate as decay time, the attack can be modulated by any of the modulation lanes. They can be used as dynamic modulation source for VCA/LPGs.
MIDI (trs, usb, bluetooth) to cv and vice versa.
LFO and MOD has offset and inversion controls.
With MOD on, you can record the movement of the encoders to create looping modulation.

Sequencer: Select which sequencer affects the corresponding output and easily turn on/off the output.

Modulation:
- Select the source of modulation and voice for any output.
- Select the voice (1-8) on Poly, Chord and Multitrack.

Music theory at your fingertips

New at music theory or looking for expanding your harmonic palette?

The innovative Chord Mode allows you to easily create chord progressions with plenty of chord types, voicing, spread and bass options. All of which are housed within intuitive chord menus. The chords can be easily arpeggiated with the built in chord arpeggiator. With 150+ chord variations!

With Harmonic Mode you can sequence other instruments to harmonically play with your chord progressions.

Oxi could make an entire product only around these features but you can enjoy them integrated with other awesome tools.

Specifications

Up to 128 steps per Sequencer
4 deeply configurable and independent Sequencers active at the same time (up to 32 tracks)
4 modes to choose from per Sequencer: Monophonic, Polyphonic, Chord, Multitrack (up to 8 independent tracks) more to come
Load Patterns and Projects instantly, no load time
CVs and Gate outputs are user assignable with a dedicated grid layout that allows changes in real time
CV outs support for ADs envelopes, Polyphony, Modulation and LFOs
Arranger mode with 4 pattern playback lanes, count down visualization and Program Changes
One LFO per Sequencer with assignable destination. CV In can act as an assignable modulator.
Live MIDI looper with Rec activation by MIDI in and Rec Extend options
USB MIDI, TRS MIDI, BLUETOOTH (BLE) MIDI routable to the CVs and gates outputs
Clock out and clock/cv in (which serves as parameter modulation by pulse frequency)
Intelligent and musical pattern Randomizer (with humanization and controllable randomization)
Innovative chord function, with hotkeys for voicing, inversion and spread
Euclidean generator
Playback and perform randomizer (velocity, octave, trigger, ratcheting and skipping independently)
Keyboard mode per Sequencer with arpeggiators independent of the sequence (10 modes, octavation, gate, rate and hold functions) and chord triggering
Internal clock or external sync (USB MIDI, TRS MIDI, BLUETOOTH MIDI and clock IN)
Preview function
Per step parameters: pitch, velocity, octave, gate, 4x modulation lanes, glide (for cvs outs in mono mode), ratches, micro time offset, probability; strum, voicing and chord type (Chord Mode)
Plenty available scales and user selectable root note
Open Source app (MacOS, Linux, Windows, iOS and Android) for further configuration and Project backup (under development)
1/32th to 1bar resolution per step
Extend function
Loop function
Selectable Init and End steps (Independent for each track and Sequencer)
Selectable MIDI output channels (Independent for each track and Sequencer)
Swing per Sequencer
Playback directions: forward, backward, alternate, random.
Multiple pattern edition features like duplicate, moving patterns in all directions (rotate and transpose)
Copy, paste, clear features for patterns, parts, sequences, steps and presets
Several Undo steps
Up to 15 Projects which include Project configuration and up to 64 Patterns per Project and 16 songs. Pattern exporting possible via the companion app

Notes: A real powerhouse of a sequencer, featuring eight tracks each with six different modes. MIDI and CV/gate outputs allow you to control pretty much any instrument, including modular gear.

Supplier's Notes:
Portable hybrid multiengine

A new inspiring way to create musical ideas and control all your studio gear

6 modes available per sequencer

Multitrack

8 tracks with totally independent parameters: start-end points, length, speed, etc. Configurable MIDI outputs and scale note filtering. Did you miss having more tracks? Now you can unlock up to 32 tracks in the OXI ONE.

Chord
Innovative chord function generator for easy creation of chord progressions.
Inspiring palette of chords with plenty of types and voicings that perfectly matches to each other. It comes with a handful of dedicated chord menus.

Poly
Total freedom with up to 7 voices, 4 CC's and plenty of parameters per step.
Forget your DAW piano roll for a moment and enjoy this new creative editing experience with unique features like per note chance or logic conditions.

Mono
Full control of a monophonic track with complete visualization of the melody.

Stochastic
Create the perfect recipe for an endless generative idea or melody.

Matriceal (new)
Forget everything you know about sequencing. A step further in generative improvisation.

All this in a compact and premium package

Take full control of your studio gear

USB Host

Connect and Power USB MIDI keyboards and controllers

BLE Central and Peripheral
Battery powered (Up to 8 hours)
BLE to CV, BLE to MIDI, BLE to MIDI USB and vice versa

Deep & instant command of your modular rack

With 8 cv, 8 gates, clock out and clock/cv in and all of them highly configurable

OXI ONE includes VCA ready dynamic envelopes, glide, vibrato, LFOs and
modulation outputs, you have plenty of possibilities for your Modular system.

The grid adds another layer of performance: turn on/off and change cv sources in real time
With "trig envelopes" MIDI and CV goes hand in hand
Triggered envelopes are AD envelopes with velocity as amplitude and
gate as decay time, the attack can be modulated by any of the modulation lanes (new)
Envelopes can be used as dynamic modulation source for VCA/LPGs
MIDI (TRS, USB, Bluetooth) to cv and vice versa
With MOD on, you can record the movement of the encoders to create looping modulation or draw automations directly in the grid
Sequencer: Select which sequencer affects the corresponding output and easily turn on/off the output
Modulation: assign any cv to output any internal modulation

Plenty of tools
From the creation of musical ideas to live sequencing and performing
OXI ONE gives you all the power
Full connectivity & battery powered
Use it as composition tool with your favourite DAW.

Bluetooth to unlock wireless power. Control awesome apps in your tablet, smartphone or any other BLE MIDI device.

Power and connect USB MIDI devices thanks to the USB Host capabilities.

MIDI routing from/to USB, TRS, BLE and CVs.

Up to 8 hours of battery life.

Play big & easy
Store up to 15 projects with up to 64 patterns for all the sequencers.

Live arranger with song view let's you arrange and chain patterns visually.

Performing keyboard with arpeggiator and advanced chord triggering.

UNDO function to the rescue.

128 steps per sequencer.

Solid & compact build
Compact dimensions: 36 x 14 cm.

Only 1.5 cm thick.

Premium anodized aluminium case and knobs.

Bright OLED display.

USB C port.

Algorithmic pattern generator
Get instant musical results with a fully controllable generator

Euclidean rhythms

Drum pattern generator based on MI Grids (new)

Random perform
On the go non destructive randomizer:
Velocity, Octave, Trigger, Retrigger (ratchets), Time division and more

Handy tools you always missed at your disposal:

Two LFOs per sequencer with assignable internal and external destinations (new)
Up to 32 Modulation Lanes
independent length and speed (new)
routable to external and internal parameters (new)
routable to any CV output
Routing to all possible internal parameters, CC's and other MIDI messages.
Loop function
Extend, zoom, duplicate and move your patterns in all directions

Specifications

5V DC 1.7A (USB type C supply)
Li-Po Battery 2200mAh
Radio equipment:
Bluetooth 5.0, 2.4GHz, Tx Max: 4 dBm
Mechanical specifications:
Aluminum chassis & Silicone buttons
Dimensions: 36 x 13 x 3 cm
Weight: 890 gr.
Operating temperature:
10 OC to 36 OC

Inputs and outputs

USB C for 5V power supply and MIDI USB. It also charges the internal Li battery
MIDI TRS input and output (Din adapter included). MIDI Out is 5V, MIDI IN accepts both 5V and 3.3V
MIDI Bluetooth BLE 5.0 bidirectional, peripheral and central roles.
CVS (1 t 8) outputs: from -3V to 8V
GATE (1 to 8) outputs: 5V or 10V configurable
Clock Out and Clock/CV In (can be independent with a splitter)

Accessories

Included in the package
USB C to A cable
MIDI DIN to TRS adapter (Black color) Type A

Not included

TRS to DIN5 Clock adaptor (Grey color):
Exposes One's Clock and Start-Stop IN and OUT to other gear's DIN SYNC ports
TRS to TR-TR stereo splitter (Pink color or Black and Red):
Splits the Clock and Reset outputs of the OXI One in two mono outputs.
Splits the Clock/Gate IN and Reset/CV IN inputs in two mono inputs.
OXI Split: increases the number of MIDI Outputs available.
OXI Pipe: Eurorack module to break out the CV/Gate outputs.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: A super impressive offering from Xaoc, the Samarkanda is a quad delay module designed for hands-on, real-time performance. Dial in everything from loops to stereo delays, resonators, modulation effects and much more.

Supplier's Notes:
Xaoc Devices Samarkanda is a digital quad delay module with extensive patching capabilities and a lot of flexibility for signal mangling. It can be used as four entirely independent delays, a dual stereo delay, a complex/multi-tap or multi-channel delay, a quad/polyphonic resonator, dual chorus, dual flanger, reverb, looper (with sound on sound!), and granulator, or any combination of those. You can reverse the delayed signal, hold it, squeeze and stretch it beyond all recognition and still go back to the original piece of audio captured in the buffer! The internal lossless normalization (the signal doesn't leave the digital domain) combined with top-notch components (including 24-bit AKM converters and 32-bit internal processing) are responsible for high sound quality. Samarkanda has been conceived in the truly modular spirit. Not only can you control almost all its features remotely with CV/gates, but the external feedback path gives you the opportunity to process the delayed signal with other modules.

Samarkanda offers a wide range of delay times beginning at a mere 0.5ms and reaching up to 15 seconds per channel. That means that, by stacking its four channels, you can achieve up to one minute delay! There are two operating modes switchable individually for each channel. Analogue delivers pitch changes that resemble classic analogue tape and BBD delays. When you combine it with the looping Hold function, you can play Samarkanda with any 1V/octave CV source. By using the Sync function you can even loop single wave cycles. The Digital mode gives you a granular buffer-scrubbing effect (no pitch change) across the whole delay time range. You can seamlessly switch back and forth between modes without losing any information. You can use Samarkanda for multiple tasks at the same time - from four independent delay lines through any combination of channels processing the same signal up to a quad behemoth. You can also use the linking feature for ease of operation (the first channel in the chain acts as the main control source for the others).

As most settings operate on a per-channel basis, you can freely combine different features (such as analog/digital behaviour, delay time range, reverse and hold functions, etc.) in a configuration of your choosing. You can synchronize each of its channels separately to a different source, either via the Sync input, or by using the tap-tempo functionality (with multiplication and division galore). Should you ever get lost, the Purge button comes in handy when/if things start to spiral out of control!