FRED P Vinilo y CD

Review: Here's something guaranteed to ensure a rush of excitement in deep house heads everywhere: a brand new album from much-loved U.S producer Fred P. It's the first under the previously unused F.P-Oner alias, and his first studio outing since 2013's Black Jazz Chronicles set, Codes & Metaphors. Unsurprisingly, the simply titled 5 is as inspired, sumptuous and melodious as you'd expect, with gentle dub house, jazz and - in the case of the wonderful "Infinite Love" - Detroit techno influences. While much of the album is slinky, sensual and ultra-deep (see the fabulous "Visions of You" and "Sleepless in Shibuku"), there are a couple of thrillingly percussive moments to get the pulse racing, including the African-influenced tribal workout "The Realm of Possibility".

Review: Fresh from delivering a fine album of drone and ambient excursions on his own Private Society imprint - the inspired Message To The Universe - Fred Peterkin returns to the dancefloor via a surprise outing on Synchrophone. As usual, what's on offer brilliantly blends deep house rhythms and textures with the kind of more spacey and dubbed-out elements more often heard in Detroit techno and hypnotic tech-house. A-side 'The Sound Exchange' is particularly potent, with Peterkin wrapping a typically tough-but-tactile groove in ghostly chords, hand percussion hits and echoing synth riffs. Over on side B, 'The Sonic Tour' is a brighter and more colourful riff on a similar sonic blueprint - albeit with deeper, heavier sub-bass and sustained synth strings - while 'The Kingdom' pairs a thickset groove with sweeping strings and twinkling pianos.

Review: Fred P continues to be a prolific driving force in deep house, with his own Private Society label carrying a huge amount of his work these days. On this latest single he maintains one of his other close working relationships with Parisian institution Synchrophone, delivering three cuts of his refined, endlessly immersive music. 'Dance Of Rhythms' is a driving, sharply defined cut with a lot of action occurring in the lower register while the higher frequencies have acres of space to stretch out in, all the better to keep your head mellow while the hips sway. 'The Beauty In The Sound' is a more pattering affair and 'Vibe Science' favours a nagging drum pattern which nods towards jazz funk as much as techno. This is quintessential Fred P mastery, through and through.

Review: Hot on the heels of the "Lush Culture" EP with Deetron that landed on Perpetual earlier this summer, more lush licks come from Mr Fred P aka Black Jazz Consortium. Four soul hurricanes that range in weight and emotion, the two poles here can be found slap-bang in the middle of the EP: "Moonlight" is a sultry brushed-drum break for lovers while "Riverside Drive" jacks like a rhino but soothes you with big breeze feels. Elsewhere "Reaching For The Stars" cruises on a skippy break with airy early 90s New York pads and "New Ways" closes on a stunning 88 tip. Have nice dreams y'all.

Review: Some Trans-Atlantic collaborative action here, as New York deep house and techno don Fred P joins forces with London-based French producer Smbd (formerly known as Simbad) for the very first time. Given both producers' undoubted abilities and musical approaches, you'll be unsurprised to discover that 'When The Mantras Return' blends deep, jazzy and intergalactic sounds with beats that variously reference jacking house, broken beat and intergalactic techno. Highlights include the jazzy, deep space house of 'Be Your Self', the acid-fired heaviness of 'Conscious Feedback (Part 1 & 2)', the dubby, spaced-out house excellence of 'Rawness', and the ambient techno meets broken beat wonder that is 'Innerspace'.