Review: Publicity-shy re-editor Guest has been responsible for some fine re-edits on the Cuts imprint, including this two-track drop of 'mini edits'. What's on offer is summery, sun-splashed and light-touch, edit wise, with the shadowy producer merely rearranging the two cuts to emphasise certain sections and omit others. The results are impressive, particularly A-side 'Breezy Lady', a slap bass-propelled, spiritually enriching rework of an old Japanese jazz-funk gem smothered in luscious orchestration and loose-limbed drumming. On 'Central Timing', Guest turns their attention to a superb slab of electro-not-electro (think Alan Parsons Project mixed with Cat Stevens' 'Was Dog A Doughnut') from 1982, turning the track into a cosmic, break-sporting dancefloor classic-in-waiting.
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