MIHAI POPOVICIU Vinilo y CD

Review: After two decades entertaining dancers in Santiago, Chile, the Rock Tha House crew have decided to launch their own label. With local legend Camilo Gil and Mexico City-based Mario Flores at the helm, the imprint aims to showcase Chilean talent - though this compilation style debut EP features cuts from artists based all over the world. Nima Gorji sets the tone with 'Get Me Out Of Here', a hypnotic and mind-altering fusion of minimal house sparsity and deliciously psychedelic electronics, before Quenum delivers a typically Chilean blend of oddball house drums, weird noises and Villalobos style effects. Over on side B, Carlo Gambino's 'The Goddess' is a tech-tinged chunk of deep house haziness, while Mihai Popovicu's 'Nimph' is a classical-sounding chunk of ultra-spacey tech-house deepness.

Review: Selected Pieces from Berg Audio is a fantastic EP that features four standout tracks, each offering a distinct flavor of deep house, perfect for the dancefloor. On Side-1, Kolter kicks things off with 'What A Day,' a track that embodies deep house with its soulful build, warm atmosphere, and uplifting vibes. The clever use of a vocal sample adds an extra layer of emotion, making it an instant crowd-pleaser. Traumer follows with 'Don't Stahp,' a classy, more techy cut that still maintains deep house roots. The dubby chords inject extra depth, turning it into a smooth, dancefloor groover. Side-2 opens with Mihai Popoviciu's 'Waitin,' which features rich, soulful chords that envelop the listener, creating a laid-back yet engaging vibe. Moor closes the EP with 'Kashif,' an uptempo track that stands out with its energetic keys and undeniable party feel. Selected Pieces is a versatile EP that offers something for every deep house enthusiast.

Review: DBH welcome Mihai Popoviciu & David Delgado the the Pleasure Zone series with the 'Evolution' EP. Bringing jazzy, sloshy, jerking flavours to the tech house palette, 'Evolution' and 'Shifting' evolve and shift, convoking a delegated moot of propulsive chords and forward-driving janks, conveying the mood of a finely tuned closed clockwork system chugging away like the central engine of a wider contraption. Closer 'Black Light' operates more readily in the lower regions of things, proving unafraid of sounds that lean towards the more peripheral and umbral.