ROBERTO SANCHEZ Vinilo y CD

Review: Talented singer Keithus Dimits Selassie I has a deep emotion to the tone and message of his music. It is perfect for more spiritual dub sounds and that's the case here. His interpretation here rides nicely on the lazy rhythm below, with acoustic riffs dancing in mid air above puddles of echo. On the flip, Roberto Sanchez stepped up at Lone Ark studios to craft his own slow motion version that is a perfect partner for the a-side. This is a serious piece of 7" wax that packs a punch on many levels.

Review: Some super good roots here to bring some sunshine back into your life despite the freezing temps outdoors. The brilliantly talented female singer on this is Nagai and she hails from Reunion Island. Her vocal on the title tune 'Back to My Roots' is full of yearning and pained soul while the rhythm below is a clean and nimble one with nattty chords all mixed by Roberto Sanchez at A-Lone Ark Music Studio. A melon-mangling dub plus two further versions close out this fine 12".

Review: Well, straight out of the bocks in the early new year, we have already got a huge new tune on our hands. It comes from the acclaimed Ras Tweed in cahoots with Spanish producer Roberto Sanchez who together roll deep on 'Liard N Theef' with its big horns and rubbery low ends. It's a fusion of Afrobeat, soul and funk on a reggae rhythm that has conscious vocals about reconnecting with the earth. Flip it over and you will get a superb trombone-led version for sunnier days.

Review: Spanish dub maestro Roberto Sanchez first met Channel One artist and all right reggae legend Linval Thompson 15 years ago. In the time since, the pair have collaborated on numerous projects, though nothing as ambitious as this. It sees Sanchez provide an authentically dusty, deep and rhythm-focused dub translation of Thompson's 1978 album I Love Marijuana - a set that, despite King Tubby handling production duties - had never been fully re-worked in. Largely working with the original master tapes, Sanchez has delivered a dub re-imagining that sounds like a long-lost King Tubby or Lee 'Scratch' Perry production - all weighty low-end 'riddims', effects aplenty and echoing organ, guitars and vocals.