SUEDE Vinilo y CD

Review: Suede's Dog Man Star, reissued in a half-speed mastered edition for its 30th anniversary, stands as a darkly sensual and troubled masterpiece. Initially overlooked due to its experimental nature and internal band conflicts, this album has since been recognized as Suede's pinnacle. Distancing themselves from Brit-pop, Suede crafted a sound blending glam-rock influences with a moodier, cinematic touch. The album features standout tracks like the gothic 'We Are The Pigs' and the epic 'The Asphalt World,' showcasing Bernard Butler's intricate guitar work. Songs like 'The Wild Ones' and 'Still Life' highlight Brett Anderson's lyrical talent, channeling romantic and nihilistic themes reminiscent of Morrissey. The album's dramatic lyricism and unique tone, from the robotic 'Introducing The Band' to the sparse 'The 2 of Us,' reflect Anderson's stream-of-consciousness writing style. Dog Man Star is an ornate and consistent record, celebrated for its grandiose sound and dark beauty. It remains a definitive statement of Suede's artistic vision, capturing their unique blend of drama and sensuality.

Review: Suede's second album Dog Man Star is alleged to have defined an era; it is considered among many of their diehards as their most musically adventurous record; here, sweeping strings appose orchestral ballads; epic widescreen pieces contrast to, yet befit trashy glam rock. It includes the classic hit singles 'We Are The Pigs', 'The Wild Ones', and 'New Generation'; it's also cited as among their last records to feature guitarist and co-songwriter Bernard Butler. The record's assessment by the first-listen music press, specifically Rolling Stone, as "one of the most pretentious albums ever released by a major label" has likely worked in its favour rather than dashing hopes of greatness: the record's leftward face is mostly stylistic, and besides the flamboyant vocal delivery and sveltely polished mixes, amounts to one of the chicest of chic pop records out there.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Autofiction is certainly a triumphant return for the mighty Suede, one of the most iconic of all UK indie bands who helped nurture the Britpop movement out of nappies and into big boy pants, and big boy record deals, during the early-1990s. Whether this is exactly the rebirth into a punk outfit some corners of the press would have you believe is another question.

Ultimately, LP number nine definitely feels like a change of tact, with Brett Anderson's voice taking on a new, grizzlier sound (albeit at times still erupting into the siren-esque tones we fell head over heels for first time round). On the whole, it would be far more accurate simply to label this outing as tougher, rawer and much less affected than the stuff we've had in the past.

Review: Suede's legendary self-titled album arrived in March 1993 and soon became a commercial and critical success. It also won the sometimes ill-fated Mercury Music Prize but that did nothing to hold the band back as the record hit the number one spot on the UK Album Chart. It is packed with classic singles such as 'The Drowners', 'Animal Nitrate', 'So Young', and 'Metal Mickey.' In its first week alone this LP sold some 100,000 odd copies which, at the time, made it the fastest-selling debut album ever in the UK. This special anniversary edition has been remastered Phil Kinrade from the original 1/2" tapes so sounds better than ever.

Review: Autofiction is certainly a triumphant return for the mighty Suede, one of the most iconic of all UK indie bands who helped nurture the Britpop movement out of nappies and into big boy pants, and big boy record deals, during the early-1990s. Whether this is exactly the rebirth into a punk outfit some corners of the press would have you believe is another question.

Ultimately, LP number nine definitely feels like a change of tact, with Brett Anderson's voice taking on a new, grizzlier sound (albeit at times still erupting into the siren-esque tones we fell head over heels for first time round). On the whole, it would be far more accurate simply to label this outing as tougher, rawer and much less affected than the stuff we've had in the past.

Review: In terms of landmark releases, you'd be hard pushed to find anyone that doesn't rank Suede's third as a seminal moment in their career. And that's not to say the departure of guitarist Bernard Butler somehow set them free, more to point out this record saw the band reach the heights of critical and commercial success, while also confirming they had definitely found their sound.

It's an album with smash hit singles and iconic tunes like 'Beautiful Ones', 'Filmstar', and 'Trash', all of which are still etched into the memory of anyone who was listening to any radio station back in 1996. But there's much depth here too, with a playlist that offers you nothing but the highest quality British alternative indie rock 'n' roll - passionate, camp, playful, tough and infinitely catchy. We didn't know how good we

Review: Demon Music's new Suede compilation spans the band's whole career and is presented no fewer than six sales of vinyl. The band's first era ran from 1993 to 2002 and took in five monstrously successful albums including their Mercury music prize-winning self-titled debut. Fans will argue the Dog Man Star follow up in 1994 was even better, and it sure was another commercial success, with the hit-packed Coming Up in 1996 another big one. Tracks from all these and more as well as some favourite b-sides and non album tracks also make the cut.

Review: Demon Music's new Suede compilation spans the band's whole career and is presented no fewer than six sales of vinyl. The band's first era ran from 1993 to 2002 and took in five monstrously successful albums including their Mercury music prize-winning self-titled debut. Fans will argue the Dog Man Star follow up in 1994 was even better, and it sure was another commercial success, with the hit-packed Coming Up in 1996 another big one. Tracks from all these and more as well as some favourite B-sides and non-album tracks also make the cut.