Review: Berlin's master beat specialist, electronic dub pioneer, African music enthusiast, Basic Channel and Rhythm & Sound member, and Hardwax co-founder, Mark Ernestus, is back with a new Ndagga bullet - and yes, that list was exhaustive on purpose. The myth of a man has turned his attentions from techno to African beat music over the last few years, and the releases have been amongst our favourites within the 'outernational' scene. "Lamb Ji" is as electric and magnetic as you'd expect, full of life and mystique thanks to its complex percussive patterns, hazy production, and lamenting tribal vocals - a super charger on the system. "Lamb Rhythm" is basically a version of the original; more dubby, more stripped-back and with no vocals. Powerful stuff, as always.
Review: Last year, Kiko Navarro unveiled a regularly updated Spotify playlist, entitled TwentyFour, which he uses to showcase his favourote productions, reworks of other artists, an d remixes if his work. That playlist has now spawned the first of what we believe will be an ongoing series of EPs. The long-serving Spanish artist (and Afroterraneo Music founder) begins by showcasing his fine, pleasingly rolling re-edit of Blaze's hybrid soulful house/Earth Wind & Fire style disco classic, 'Breathe', before treating us to a superb, sample-heavy and piano-rich Tucillo remix of his own 'The First Time'. Over on side B, he serves up some bouncy disco-house action ('Jammin' All Night Long', with its female spoken word vocals, jazzy pianos and killer groove) and an authentic-sounding Afrobeat re-make of 'Isao' by DJ Fudge.
Review: New Digital Fidelity has been making sweet moves recently with a debut on the lauded Moods & Grovers label out of Detroit followed up by a single on his own Scopic Records. Now he brings his class to Crush On The Beachside and again shows off his love of Detroit house vibes. Opener 'Crush On The Beachside' is raw and intense with humid chords and jacked-up drums, then 'Shattered' brings more loose and jumbled beatdown grooves and 'Crush On The Beachside' (K15 remix) is then bubbly, jazzy and cuddly. 'Cracking' rounds out with more rich chord work and bristling drum funk.
Love Take Over In Deep Dark Space (vocal mix) (11:22)
Love Take Over In Deep Dark Space (instrumental dub mix) (11:23)
Review: Former Dope Jams record store legend and deep house devotee Anthony Nicholson has linked up with Swaylo for this new outing on the Bak Muzik label out of the US of A. It features two versions of the same tune, 'Love Take Over In Deep Dark Space,' starting with a vocal. It's a track that locks you into a deep mental state with its spiritual pads and open word musings, wispy chords and deft, airy drums. The instrumental dub mix is even more focused on the lushness of the rhythms and melodies. Sublime.
Antonis Antonio - "Yiorti" (feat Efthymia Alphas) (5:42)
Balkan Bump - "Cocek Amerika" (4:13)
Lagartijeando - "Cumbia De La Muerte" (4:33)
Review: Last year, Wonderwheel Recordings founder returned to Turntables on the Hudson with The Remix Machine, a vast digital compilation (and eight-track vinyl sampler) featuring some of the countless reworks he's completed since the 1990s. This second 12" expands on that set, serving up six more of the New York-based producer's favourite re-rubs. There's plenty to set the pulse racing throughout, from the rolling Cuban house business of his Megablast tweak ('La Isla'), and a low-slung, d&b-influenced Latin breaks take on OVEOUS & QVLN, to a suspenseful slab of psych-funk-goes house (the New Yorker's tweak of 'Yiorti' by Antois Antonio), and even some bouncy, low-tempo Balkan beats (Balkan Bump's 'Codek America'). Hot global fusion business!
Review: Movement and Soul Records is the new label founded by proud Northern multi-instrumentalist and promoter, Nonna Fab. The imprint focuses on deep, meditative rhythms that fold in spiritual jazz, broken beat and deep house across many more musical influences. The inaugural Nature is Enlightenment EP opens with the title track, which features flute, keys, bass, drums and saxophone by Benjamin Ten-Bruggencate. 'Tropic' showcases Sheffield vocalist Kali in a jazzy Chicago house style, while 'Float' leans into broken beat with cosmic poetry by Kali and bass by Tom French.
Review: Two years on from his last vinyl outing, the Feelings Worldwide released Rough Culture EP, Apricot Ballroom co-founder Nonna Fab pops up on I Travel To You, a Norwich-based imprint previously known for its on-point re-edits. 'We Still Out Here' is an original production, albeit one that seemingly makes extensive use of some rather tasty samples. Underpinned by a cowbell-heavy, Latin-tinged disco-meets-house beat, the track is funky as hell (thanks in part to the Sheffield producer's use of crunchy Clavinet licks and rubbery disco bass) and comes complete with some deliciously jazzy keys solos. It comes backed by two similarly superb remixes: a more loose-limbed, disco-focused revision by Bristol scene stalwart Admin and a stomping, synth bass-propelled revision by I Travel To You founder Comb.
Review: Considering this track originally surfaced back in 1993, it's staggering how up to the minute it still sounds, not to mention setting the tone for the swathes of downtempo and broken beat that would flood out from the 90s and beyond into the 21st century. You simply can't measure the influence of "The Nervous Track" with its horn blasts and limber drum roll, and it proves that MAW were never just about tough New York house bump. Take your pick from any of the mixes, they're all classics in their own individual ways, and they'll set any listener adrift on a summery haze of soulful tones and magical drum patterns.
Review: Nicola Conte and Nico Lahs, both Bari-born producers pushing the boundaries of underground Afro-Latin and jazzdance, hear the warmest of intros through their friends over at Schema Italy, their sound pivoting a careful Newtonian balance between presence and nostalgia. The roomy but distant highs of 'Macumba De Oxala' contrast strongly yet subtly to the hifi plinks and percs of 'La Danse De L'Esprit', on the latter of which we hear visiting production fellow Oaklandian Lalin St Juste add an ancestral vocal magic. This first EP is only a start, with a second 12" and a resultant double LP planned.
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