Back catalogue:

Review: London's seasoned producer ADMNTi with four tracks that distil years of immersion in tech-house, jungle and grime into sharp, percussive club tools with distinct UK flair. 'Second Hand Sushi' drives the point home with its snapping drums, snarling basslines and wiry synth stabsibig-room energy and definitely no excess fat. 'Lost Fruits' stays steppy, leaning into sub pressure and pirate radio textures, soundbites crackling like a tape pack rewind. On the flip, 'Diptych' shifts tone without dropping paceichopped strings and warped vocals glide over crunchy drum work, locking into a more introspective groove. Closer 'Shrublands' dips further into dubwise atmospherics, pairing wobbly low-end with hazy flute lines and ghosted sax, while snippets of graffiti lore from both London and New York float through the mist. Early support from Ben UFO, Enzo Siragusa and Tristan da Cunha points to the range and functionality of these cutsiwhether heads-down or heads-up, they pull threads from the capital's soundsystem heritage into something that works across times and tempos. A strong first outing for Forms World and a clear step forward from ADMNTi.

Review: Superfriends is a new label project from German tech house duo Andhim. They take care of the first release and export outside the usual realms on opener 'Tosch (feat Piper Davis).' It has an air of DJ Koze's hazy nostalgia to it with gentle tumbling drums, broad bass notes and plenty of lo-fi texture. 'German Winter' is not as harsh and cold as the season it is named after, instead layering up subtly hopeful, sustained chords over a groove that's not too heavy, not too airy. 'Mond' brings smeared and smudged melodies, flutes and pianos together over a dubby, delightfully deep house low end. 'Horse Society' closes with the distant sound or bird tweets, a hooky percussive lead and plodding kicks for day-time open-air dancing.

Review: To celebrate the 25th anniversary of Dutch titan Armin van Buuren's legendary trance anthem 'Eternity,' Music on Vinyl has hooked up with his Armada Music label to release all four versions of the track on vinyl for the first time ever. Armin has remained a dedicated servant to trance even while it fell out of favour but it is now very much back in vogue so this one is sure to get back into heavy rotation again. Originally released in 2000, 'Eternity' is a joyous and uplifting sound with lashings of Ibiza sunshine, bright melodies and rushes of euphoria all making it irresistible.

Review:  London-based DJ and composer/producer Phil Mison revisits his Ambala project with a fresh collection of immersive, sun-drenched soundscapes, weaving together breezy rhythms and luminous synth work. A defining force in Balearic music, Mison has long explored the genre in various guises, including Reverso 68 and Cantoma, the latter earning a place in chillout's informal "most revered albums" section. On this second Ambala release, he refines his approach, balancing crisp electronic foundations with warmer organics. A cast of collaborators from the Music For Dreams label join, including guitarist Santino Surfers (Jonas Krag), whose fluid solos range from sultry noir to Mediterranean reverie, composer Troels Hammer, and ambient producer The Swan And The Lake. The result is a dreamlike blend of melody and plunge-texture, perfect for late night reflection or hazy afternoons by the sea.

Review: Hailing from Atlanta, Andre 3000 continues to redefine the contours of musical experimentation with his latest sonic offerings. On 'Moving Day', a piece first showcased in last year's short film documenting his recent work, the OutKast veteran trades in his usual genre-defying flow for the smooth, ambient tones of a cosmic flute. The track unfolds like a slow-motion dream, where the melodies drift in and out of focus, capturing the disorienting yet soothing experience of moving through transitions. Then comes the reversed version, 'Day Moving', which inverts the gentle flow of the original, adding an unsettling, almost ghostly quality as the music warps and loops. The third track, 'Tunnels of Egypt', brings in an unexpectedly grounded yet still vast atmosphere, with its deep, resonant percussion and sparse instrumentation evoking a journey through both time and space. Andre's recent forays into the abstract have seen him abandon his commercial past in favour of an introspective exploration that challenges both him and his audience. Across these three tracks, he once again demonstrates his ability to balance complexity with restraint, creating something both otherworldly and deeply personal.

Review: Tim Bergling's music as Avicii was loved enough in his lifetime, but it doubly shook the world after his untimely death in 2018. This career-spanning compilation brings together 19 key tracks by the Swedish DJ and producer, zooming back in mainly on the key works by Berg under the Avicii name, on top of another unreleased tune, 'Let's Ride Away' with Elle King. Avicii's instinct for brain-lodging hooks is on full display here, from the anthemic and unforgettable 'Wake Me Up' to the introspective of 'Heart Upon My Sleeve'. Also included are fan favourites like 'The Nights', 'Without You' feat Sandro Cavazza, and 'Lonely Together' feat Rita Ora, tracing his evolution from bedroom producer to international headliner.