Back catalogue:

Review: Corsican label Isula Science drop a fresh brooder of previously unknown electro knowns, this time from label founder Flash FM alongside HDV, Sweely and Man/ipulate. Spanning vertiginous dark acid, then moving on through to dreamatic neon breakbeat and expedient Italo - 'Vol de nuit' especially makes signature use of a classic slap bass synth - they've got us entirely covered here. Enticing bumps in the night from the exquisitors.

Review: For the latest must-check missive on their self-titled label, London twosome Make-a-Dance have decided to pay tribute to the formative 'garage-house' sounds made for, and played at, New York clubs in the mid 1980s. Rising star Magari steps up first with 'Mars Bar', a Larry Levan-friendly affair where soulful, reggae style vocal samples ride a Boyd Jarvis-esque bassline and warm synths. It's very authentic to the sound being paid tribute to, as is Mark Seven's accompanying (and lightly freestyle influenced) 'Parkway Power' rework. Over on the reverse, Ilija Rudman takes over with 'Danceteria', a proto-garage house affair whose title offers a nod to the infamous NYC venue of the same name. Manuel Durquart remixes, retaining the nostalgic vibe while adding extra trippy layers of sound, a sturdier early NYC house groove and mazy synth solos.

Review: Medellin producer Marck D (Charlie Escobar) is a new Planet Rhythm poster child, though his digital releasing repertoire is nonetheless colossal even without them, his many affairs including Illegal Alien, Phobiq and IAMT. Shocker it is, then, that 'Dune' is Escobar's first ever 12"; the record brings ultraphonic chord slurries ('Behind The Chord') and federated, intergalactic-dynastic codes of techno honour ('Atreides'), riding the sand-wormed thematics of the Frank Herbert sci-fi classic.

Review: The Martian's 'The Long Winter Of Mars' marks a triumphant return, celebrating 30 years since Red Planet 5's original release. This reissue spotlights two iconic tracks, each occupying a side of the EP, and serves as a potent reminder of Detroit's techno legacy. Side-1 features 'Skypainter,' a track that transports the listener to uncharted sonic territories. It's beautifully layered, with an emotional depth that keeps the energy constant from start to finish - Detroit techno at its most expressive. On Side-2, 'Season Of The Solar Wind' delivers a powerful punch. This track is a prime example of dynamic Detroit-style techno, with a rhythm that captures the raw energy and innovation that defined the genre. This reissue from Red Planet, Underground Resistance's legendary sublabel, is an essential piece for anyone who reveres the Detroit sound.

Review: The Martian's Ghostdancer, reissued by the iconic Red Planet label, is a true gem in the world of Detroit techno. This record radiates a warm, soulful funk, blending vintage Detroit sounds with a unique twist. Side-1 kicks off with 'Medicine Man,' a track steeped in classic Detroit vibes, followed by 'The Vanishing Race,' both tracks reflecting The Martian's mastery in crafting timeless techno. Side-2 brings an intriguing contrast. 'Windwalker' is an uplifting, jazzy piece that exudes happiness, while 'The Talking Rocks Of Mars' ventures into darker, rougher territory, offering a captivating divergence from the other tracks. This contrast on Side-2 highlights The Martian's exceptional production skills, showcasing both depth and versatility. As Red Planet begins reissuing its catalogue for the first time, Ghostdancer is set to be in high demand. For any Detroit techno enthusiast, this release is essential, a standout from one of the genre's most influential artists.

Review: Generously filtered, aerated and pressuristic, Alton Miller's latest, and third overall, record for Rawax is a rare breed of sci-fi sonority. 'Feels So Good' starts on an unassuming note before slowly evidencing a dark-horse talent for harmony and piano playing, with 'Next 1' bringing a fusion of French house frisson and sound-designed sunstroke synths; it's only by the undulant depths of 'Can't Master' that we chance upon piquant piano flourishes and standout retrosynth swells. Echoes of 70s dub converge on two versions of the B-side's 'Feel So Good', across which a beckon-calling MC maunders astep an effortless 4x4 flow.

Review: Fresh from the release of her collaborative album with UK house and disco legend Dave Lee, one of Motor City vocalist Maurissa Rose's back catalogue classics - an Alton Miller production first released on Theo Parrish's Sound Signature label in 2017 - is given a string of fresh new revisions. Miller handles side A, delivering vocal and instrumental takes that wrap a punchy and perfectly programmed groove in undulating synth bass, colourful chords, twinkling piano motifs and lilting solos. San Fran man CoFlo handles side B, offering up vocal and instrumental takes rooted in the intersection between deep, soulful house and sun-splashed nu-jazz.

Review: In signature cinematic melodic techno style, Mind Against and Cay bring 'Cant U Hear Me / Trust', laying thick a hi-tech fusion of soulful house and synthetically squeezed sound-energy. The thrumming heartbeat of UK club culture is heart sifted through a harsh cyborg grate, reducing things to a metallurgic, pulmonary pulp. Crystalline percussion, cascading synths... 'Trust' makes particularly pristine use of untainted pluck design, with peaking plucks wriggling in the mid-high layer like buds on a mecha-euphoric flower (just look at that front cover).

Review: Funk editor Mister Mushi finalises the latest fleet-dispatch by the eponymous factory known as Mushi 45. All housed on a distinctive yellow, large-innered 7" record (you know, the you need the metal spindle adapter for), every release on this label is a charm. Here the dotted line marks out a well-defined classic by Rob Base & DJ E-Z Rock from 1998, 'It Takes Two', which in turn samples Lynn Collins' 'Think', after which this reissue is named and from which the now rather saturated vocal sample originates. James Brown's original production and backing "c'mon!" admonitions shine brightly, while Mushi's extra phattenings also serve to emphasise the mix without peaking it.

Review: The majestic Monsieur Van Pratt is back with more of his thrilling studio work, and once again he reinvents classic disco tracks with modern flair. The third instalment in this series is characterised by a distinctly underground energy that defines the "Illegal Disco" vibe. The opener 'Volar Como El Viento' is a soaring rework filled with airy synths that evoke freedom and lightness. 'Al Anochecer' re-energises a disco classic with an upbeat twist, while 'Mi Amor' is all about intimacy and passion through sultry, Spanish-inspired tones. Once again colliding nostalgia and innovation as he always does, Monsieur Van Pratt delivers a masterclass in modern disco reinterpretation that will also bring together all sorts of dancers.

Review: Under the Linkwood alias, Nick Moore has released a wealth of fine material since debuting in the late 2000s - including a string of sublime albums and EPs. Last year he popped his re-edit cherry alongside The Mighty Zaf via a two-tracker paying tribute to the late, great Phil Asher. Here he takes the next step, delivering a first solo scalpel missive via the reliable and long-running Moton imprint. On side A, the Edinburgh producer attempts to 'Make It Better' via a razor-and-tape style edit of a slap-bass-sporting, synth-wielding slice of early 80s disco-boogie perfection. We have no idea of the source material, but the lightly extended track is as infectious as it is intriguing. Over on side B, 'No Easy' is a sweet, string-laden slab of mid-tempo disco-soul sweetness, while 'Brekkers' is a squelchy, up-tempo electrofunk workout tailor-made for break-dancers.

Review: TLM celebrates its 50th vinyl-only release with an exceptional offering of jazz-lounge house intonations. Legendary Canadian Mike Perras knocks down the first domino with 'Life Goes On', a jazzy house cut driven by a captive Rhodes groove. Craig Bratley follows with a deep houser featuring Tim Hutton on trumpet, while Mark Turner honours the legacy of Blaze on the A. The AA, meanwhile, introduces DFRA Experience Jazz Band from Argentina with 'Isolation', a smoothened pure jazz cut composed by Diego Ruiz and featuring Pablo Raposso on piano, Hernan Cassibba on double bass, Gonzalo Rodriguez De Vicente on sax, Joaquin Muro on trumpet, and Bruno Varela on drums. 'Sober' by Markus Enochson closes things out on a double bass boomer 'Sober', effecting a truly loose bonhomie.

Review: While he's not put out many re-edits of late, Luke Una has serious scalpel-job pedigree. Back in the 2000s, he and then DJ partner Justin Crawford released a series of largely disco-focused edit EPs on the hush-hush Electrik Souls series. Here he returns to the format with the first in a series of reworks focused on his popular, dusty-fingered E Soul Cultura project. He begins by teasing out and lightly toughening up a killer Caribbean cut from the 1990s, Ella Andall's 'My Spirit Is Music' - an insanely rare and hard to find number that the Sheffield-born DJ has naturally tweaked sensitively. Elsewhere, he emphasises the 'proto-house dub' feel of Slick Mission's early UK house number 'Time's Up', before going even dubbed-out and more percussive on Manu Dibango's lesser-known cover of Latin disco classic 'Jingo'.

Review: Marc Moulin's long career, establishing him as a pioneering figure in Belgium's music scene, continues its journey on this release, with tracks that weave together his signature blend of smooth jazz and downtempo rhythms. Beginning with the jazz-rock group Placebo in the 70s, Moulin later formed the electro-pop act Telex, which represented Belgium at Eurovision in 1980. As a solo artist, he merged jazz with electronic and downtempo sounds, collaborating with artists like Sparks and Lio. His production, marked by complex instrumentation and atmospheric depth, solidified his reputation as a key figure in both jazz and electronic music. Whether drawing from the cool jazz of the 60s or the laid-back grooves of 90s chillout, Moulin's music transcends genre boundaries. On this album, the music explores a subtle interplay of muted trumpets, congas, and guitars, blending sensual, smoky vocals with a deeply rhythmic pulse. There's an unmistakable touch of classic jazz, reminiscent of legends like Wes Montgomery and George Benson, while the rhythms pull you into a more contemporary space, aligning with the downtempo beats that were popular in the 90s. Tracks like 'Into The Dark' and 'What?' unfold with a breezy yet intricate sense of rhythm, offering both chilled vibes and moments of tension. 'Organ' offers a groove-heavy track, with its jazz roots merging seamlessly with a funk-infused, hypnotic backdrop. The bonus remixes serve as a fresh take on these original compositions. From the midnight mood of 'Organ (Cosmos Midnight Express Remix)' to the deeper house flavour of 'Into The Dark (Karma Fever Reminiscent Step Remix)', these remixes take the core of Moulin's vision and deepen it, offering something for both the jazz enthusiast and the dancefloor. This release crystalises a rich moment in Moulin's career as he updates the familiar jazz and downtempo idioms with the intricate, soulful grooves of funk and electronic experimentation, keeping his sound vital and relevant.

Review: After 2024's 'The Stranger', a new, impressionistic techno-electronica record from Oscar Mulero betrays in the Madrid artist an honest naivete, as titular techno cosmic impressions contrast a homespun, motion-blurred front cover. Can we hear the wood for the trees? 'New Horizons' and 'Invisible Star' would certainly seem to suggest not. We're always in the thick of it, even as intergalactic wow-signal comms traverse repetitive aeons, light-year, and as we travel further and further 'Outside The Time Zone', further and 'Further Away'. A cool, armrest-clenching continuation from the Spanish fave.