Back catalogue:

Review: Following on from two previous EPs here in 2019 and 2022, Peter Matson now serves up a wonderful full-length on the storied Bastard Jazz. Hotel PM is a psychedelic exploration of disco and modern electronica from the Brooklyn-based musician and co-leader of Underground System. His signature attention to detail, songwriting and world-class musicianship all shine through next to collaborations with the likes of Pahua, Kendra Morris, Toribio, Phenomenal Handclap Band, Sly5thAve and members of The Rapture, Ibibio Sound Machine and Poolside. Between them, they delve into themes of time, memory and disenchantment with modern technology with a mix of lush strings, tight brass and analogue synth basslines. It's a journey of dance floor delight and more introspective moments with plenty of catchy hooks and retro-future charms.

Review: Colombian producer and singer Ela Minus expands her sound on this new album, which is a bold follow-up to her 2020 debut Acts of Rebellion. While her first long player felt like an intimate late-night club reverie, this sophomore effort is introspective yet vast while revealing more of Ela as both an artist and person. It's an album about becoming and exploring self-discovery, resilience and the path forward after breaking. Across ten terrific tracks that have been mixed by Marta Salogni and mastered by Heba Kadry, Ela blends pop accessibility with experimental finesse while weaving radiant choruses into imaginative, intricate sonics. A great work that shows evolution while not abandoning her signature sounds.

Review: Released in the first year of the pandemic, Ela Minus' first major breakthrough came in 2020, when Domino put out her debut record, Acts of Rebellion. Evidently the label was happy with the results, which saw the young Colombian electronic star carve out a corner of the global scene for herself. Five years on and we're back with the follow up. Reassuringly, everything and nothing has changed. Improvised jazz meets techno meets schoolyard Brat pop, trance, EDM and synth. Citing Kraftwerk as one of her key influences, you can also hear plenty of Daft Punk in here, and a little Charli XCX to boot. All of which might sound a little opportunistic, if she didn't radiate authenticity and already have a decade-long history of putting out futuristic and fun beats.

Review: Brilliantly described as a label outfit specialising in "N/Ambient", A Strangely Isolated Place welcome the very next LP from equally brilliant music production singularity Monoparts. Trip hop, dubstep and ambient collide on the Polish duo's spiffing debut, which suffered a brief period of production hell and remained accursedly unreleased for years. With Olga Wojciechowska (Scanner, Infinite Distances) on vocals and Tomasz Walkiewicz on production, the pair make an earthbound, rustic statement here, likening the record to the process of "becoming one with the earth itself - feeling the rawness of the wood, tasting the earth in your mouth, and sensing the presence of ancient spirits." As of a manic vision, forest eidola and erl-kings do indeed seem to appear as we play back the opener 'Abandoned Woods', with its fantasy birdsong and lullabying bell sounds scored over pinball drums. 'Invisible Body' murkifies the vibe with filtered snares and breathwork vocals, while latter-record treats such as 'My Reality' and 'Scattered Parts' hark back to an organic era in ambient dubstep, where producers like Jan Amit and Asa ruled the roost as foregrounders of foley sounds for use as drums.