Review: Melodiesinfonie, Bluestaeb and S. Fidelity join forces to form a powerful trio, unveiling a rich nonnet of tracks destined for the universal chillout space. Taking shape in a picturesque studio in the South of France - and then completed in centres from Zurich to Berlin - the likes of '365 P', 'Summertime In '92' and 'Just Give Me The Aux' carry on the sparse and material-sonic tradition that has in recent decades inflected the neo-soul and jazz-electronica worlds. Every track here sounds to have been made with what sounds to the most apparently humble means available; rimshot clicks, wooden hits, impassioned hums and coos, Rhodes chords here and there. Loyal to one rule and one rule only - "we need to stay in the room together to make this a record that feels exciting to us" - the result is an evenhanded five-track flirtation with soul-bearing passion, toeing the hobline of cool and hot.
Brenda Boykin - "All The Time In The World" (4:05)
Step Three - "A Dream" (feat B More - instrumental) (5:51)
Review: This split release offers two laid-back tracks from the depths of Brazil. On the A-side, Brenda Boykin (a jazz vocalist with a rich, creative voice which was nominated for a BAMMY Award in 1997 for Best Vocalist) delivers a soulful cover of Louis Armstrong's seminal 'We Have All The Time in the World,' the theme for George Lazenby's one-time portrayal of James Bond as well as a real karaoke favourite. The B-side features Step Three's 'A Dream,' a funky instrumental track with B. More which became a dance floor favourite following its 1993 release. Pressed on red 7" wax, this one beautifully captures some timeless Brazilian rhythms.
Review: A new song by the acclaimed DJ Mitsu The Beats (a member of Sendai's hip-hop crew Gagle) and rapper Sorane, 'Daily Meets' is a chillaxed, fluid lo-hi-fi hip-hop tonic for those whose ears require polishing, refreshing and/or full-blown aneling in the morning. Getting at a quotidian "everyday life" themes - bleary eyes, coffee shop hissings, cutlery tinkles, long gazes out the window - this jazzy track blends sharp lyricism with repetitious slice-of-life themes, finding joy in those life periods that the less patient among us dare to call groundhog days. Backed up by the instrumental too, you're more than well equipped for both DJ and home system play here.
Review: More quality grooves from Washington DC label specializing in reissuing obscure and unknown 70s and 80s dance music. This time around is Dreamcast who are Davon Bryant in conjunction with Swedish guy Sasac aka King Al. "Liquid Deep" is sexy late night deep funk the way it was always intended and Bryant's smooth as silk vocals are just like... Wow! So with Dreamcast on the vocals and Sasac on the beat, we are hoping there's more things on the way from this trans coastal duo in 2017.
Review: Dreamlogicc and SW are two standouts in the outlier world of leftfield house music, and they find a perfect home on the equally out-there label that is Kimochi. This is the first time they have been on the same bit of wax (though both have been here many times as solo artists) and hopefully, it won't be the last. There is plenty of unusual rhythm work here with wonky grooves that are enriched with a world of superbly futuristic sound designs. All of these hard to define cuts are serious curveballs that bring a great element of WTF to any set, so do not sleep and add them to your arsenal ASAP.
Review: Senking and DYL reunite after their notable collaboration back on 2020's EP Uniformity Of Nature, this time going long on their first full-length, Diving Saucer Attack. This new work spans a total of six tracks, two of which have been produced individually and so highlight their shared passion for dub-heavy and adventurous electronic music while also bringing out the subtle differences in their styles. The album opens with 'Six Doors Down', a track featuring throbbing bass and haunting synths while subsequent cuts like 'A7r380R' explore intricate soundscapes before culminating in the sombre closing piece, 'Not Just Numbers.'
Review: Following a surprisingly extended hiatus of three years, the admirable Earthly Measures imprint is ready to unleash the fourth volume in their Earthly Tapes series. This time round, they've not only chosen to showcase the work of more female artists, but also producers and musicians with "native roots connected to five countries in South America and Europe". Musically, it furthers the label's "electronica plus nature" ethos, flitting between deliciously dubbed-out ambient chuggers (Manu Ela), Latin-tinged slow motion dub disco (Barda), percussion-rich wooziness (Shigara), locked-in low-slung house hypnotism (Sahale & Samarana), tropical house sunshine (Carla Velenti) and chugging Balearic dreaminess (NoN Project).
Review: Andrew 'Emperor Machine' Meecham and French vocalist Severine Moultin enjoyed working on their first collaborative single, 2021's 'Dance Par Amour', so last year reunited in the studio to record a follow-up. 'Your Own Style' follows a similar sonic template, with Mouletin singing in accented English atop a typically analogue-heavy Meecham backing track laden with bubbly bass, delay-laden electric piano motifs, layered percussion and the producer's trademark synth squiggles (a feature of his work since the days he was working with Dean Meredith as Chicken Lips). The song is presented in three variations: the stretched-out and pleasingly loose 'Alternative Mix'; the sparse, effects-laden and mid-80s influenced 'Dub Vocal'; and the warmer, subtly funkier 'Fun Dub'.
Review: It's been a while since we last heard from Kinfolk, but the broad-sweeping label with cosmic chuggery in its bones is back with this powerful dose from Ess O Ess and Saulrichards. "Totem" is an epic track that rolls around in the muck somewhere between shoegaze extravagance, post-rock heaviness and psyched-out electronics. The "Swamp Crawl" version of the track keeps the guitars bedded deep within the mix, but there's space for more expressive synth work. Hardway Brothers take the track on a similarly rockist journey, but take their time building up to a climax. Otologic wrap things up with a deadly dub that will have low tempo trippers rubbing their hands with delight.
Review: This collaborative EP brings together two Australian artists, blending their unique takes on progressive house, techno, trance,and chill-out music into a seamless collection that transports listeners back to the laid-back vibes of the early 90s. The result is a stunning journey through balearic and downtempo landscapes, with each track offering a nostalgic yet fresh twist. Side-A opens with 'Zephyr', a gentle, early 90s Balearic track that recalls the atmospheric essence of William Orbit's 'Water From A Vine Leaf'. With its hip beat, soothing piano and urban edge, it immediately sets a reflective tone. 'Liana's Cove' follows with a slow groove, deep bassline and mystical ambiance that invites you to get deeper into the music, evoking the tranquil isolation of a hidden bay. On Side-B, 'Perfect Harmony (feat. Sa+ga)' introduces a chill-out urban style with its downtempo breakbeat and smooth, laid-back flow perfect for winding down. Closing the EP is 'Spindrift', a funky chill-out gem, light and floaty with an aquatic atmosphere that feels like drifting along calm waters. Together, these tracks create a rich, cohesive sound that bridges the past with the present. Bring back the chill out rooms!
Review: Ruvenzori makes the move to vinyl with four artists breaking new ground in the field of organic, spiritual house music. There's a Balearic tint to these harmonious jams, which melt into each other like one extended blend for the terraza of your dreams. 'Uluwatu' features Stan Tone and Izhevski collaborating on a swirling masterpiece with the steady tick of minimal tech house as an undercurrent for ascendant chimes, fluttering guitar licks and vocal murmurations. On 'Ayomi' Talemates joins the pair as they match emotive piano chords with sampled vocal loops, capturing an endearing, eyes-closed vibe in the process.
Review: Dino Sabatini returns to his own Outis Music label with another mesmerising selection of deep electronic sounds that seem to take plenty of influences from dub, downtempo, ambient and trip hop. The open has a creeping melodic sequence that is forever subtly shifting and brings a sense of eeriness to the smooth and unhurried dub rhythms below. 'Inenarrabilis' is then a double quick flurry of tiny synth loops and trippy effects then 'Plena Lunae' allows you to breathe once more and sink into a vast dub soundscape. 'Ego Experior' shuts down with some paranoid baselines bubbling up through a slowly churning groove. Some quality work here for sure.
Review: Sadeira - a trio made up of members based in both Brooklyn and Brazil - previously impressed with a handful of high-grade releases on Let's Play House. Now they've transferred to London-based Leng to showcase their latest colourful, cross-cultural musical fusions. Lead cut 'Luzes Ca Didade' is undeniably brilliant: a swelteringly humid slab of samba-nu disco brilliance rich in fluttering flutes, layered Brazilian percussion, squelchy synth bass, glistening guitars and life-affirming bi-lingual vocals. It's backed with two tidy reworks - a flute-heavy instrumental take, and the band's own sweaty, percussive, and sub0heavy broken house revision, which drags the track further towards peak-time dancefloors. The EP's final track is fab, too: a synth-heavy, early '80s influenced dub reggae rework of previous single 'Deixa Tudo Fluir' that may well be the EP's standout moment.
Review: Barcelona-based producer Sanandreas offers an intriguing take on dreamatic dance music with the 'Lun' EP, indulging emotions few dance music producers dare to tread these days. The title track, for example, opts for a two-tone lilt backed up by breaks and FM bass knocks, which are rapidly and generatively varied across the track's skeleton body. Things crow effortlessly breaksier on follower-uppers 'The Core' and 'Reminiscence (Blunt Mix)', while a full stooping in beatless heaven-ambience is heard on the ensuing 'Sunrise Mix'. An overall impressive EP, Sanandreas succeeds in recalling the astral oeuvre of mid-90s psych-breaks, but with a modern twist.
Review: Who can deny anything Roy Ayers, really? Japanese pianist and electronic music producer Kan Sano reworks the American soul, funk and jazz legend's infamous hit "Everybody Loves The Sunshine". He breaks down the sugar-dusted original into something freeform, downtempo and acid jazz leaning, while on the flip, "Music Overflow", sounds exactly like a production you would make after being inspired by sunshine, soul, Roy Ayers and a room full of drum machines and synthesisers.
Review: With 'Mirage', French cosmic dance vendors Intervision provide producer Saphilaeum a stellar welcome. The Georgian producer flexes his texturised, rainforested muscles on this new six-tracker, bringing a pellucid, bleary-eyed, temperate, coastal sonic vision to limited aquablue vinyl here. Riffing off the humidities of an imagined jungle found in the middle of pelagic nowhere, the likes of 'Guecko & Koala' and 'Ooga Booga' find a sense of joy and humour in the many effervescings of acoustic ritual dances and amplified synthetic sound; their fantastically primal aura let us seep into the surrounding thicket, as mind and body unrecognisably blur. By the closing off of 'Natural High', we sound to have emerged, rejuvenated, from a full, voracious, aloe vera-soaked vamp-dance.
Review: The enigmatic Downtown Romeo Records returns with its signature blend of melancholy and intensity from Saved My Life. First up, the Chuva de Verao remix of 'Amar' is a lush downtempo track laced with subtle acid elements that draw you into a hypnotic vortex. Meanwhile, the Ilusao Dub on the flip pushes forward with a powerful, massive breakbeat groove. It's a usual mix of sound designs, acoustic elements and club energy that really stands out. True to the label's tradition, the record is presented in a luxurious sleeve, complete with an embossed stamp and insert that elevates the tactile experience.
Review: Schuttle's latest invites you into a simulated realm of post-biological optimism. The voyage begins with 'Splan,' where a divine arp propels you through fractal landscapes and interlocking melodic polygons which splurge joyful machine funk. In 'Melonweed Musick,' there is a descent into swampy marshlands powered by a breakbeat groove while an angel cleanses with serene chords. 'Kitchen Sync' takes things to 120bpm where acid and glimmering keys create a fusion of the known and the otherworldly. Finally, in 'Inspo 2000' a playful percussive edge guides you to a soft landing and ends what is a brilliantly evocative EP.
Review: Mad About Records is back with another essential double dose of Latin funk with this limited edition 7" from Los Sonidos De F.M. and Sola. 'Tema De Los Adolesentes' kicks off on the flip with brilliantly lively samba keys and blasts of big horn energy next to more slinky and seductive lines. It's a true steamy dancer full of sex appeal while Sola take a different approach on the flip with 'Tabu.' This one is low slung and mischievous with its prickly rhythms and wet cymbals. The Spanish vocal is delivered with power and flair and backed by brooding harmonies that add extra weight.
Review: ?aru is a non-profit label from Romania that sits at the sharp edge of the minimal underground. This new double pack of striped back tech gems will see all proceeds donated to dog shelters and NGOs supporting stray pups. Sensek opens with a slithering and groaning groove, 'Machine Morality,' for shadowy afterparties and Gringow brings a haunting melody to 'Towards The Dark & Cold.' Broascka's 'Epitelius' is an abstract affair with microscopic details scattered over a deep, dubby grove and Dragomir closes with two cuts - 'Alone With You' is a woozy late-night roller and 'Illusions feat Adina Oros' is a blissed out downtempo sound for the post-club hours.
Review: Doo crew's latest 12", Smoke Barometer, brings together label regulars DJ Spence and Sentena with local acts Kozz and Sweets of the Night from Tension Nurse and Drainolith. The Doo label's eclectic approach, evident in its willingness to explore different tempos and styles within a single release, has garnered attention from discerning listeners. With a tagline emphasising music designed for any time of day, Doo's releases balance trippy, freewheeling downtempo vibes with certified dancefloor hits. 'Smoke Barometer' continues this tradition with six tracks ranging from beat-down cosmic leanings to inward-looking machine funk and musically playful, balearic cuts. The standout track, 'The McGurk Effect' by Ancient, offers a weird, dubbed-out house tool reminiscent of Maurice Fulton's Syclops project. Overall, Smoke Barometer is a diverse and engaging collection that rewards repeated listens, perfect for a range of settings from radio shows to after parties.
Screen Off (feat Ras Stimulant - acappella) (2:52)
Light The Way (4:38)
Light The Way (Iron Curtis Illuminati mix) (5:25)
Light The Way (Iron Curtis reprise) (1:41)
Review: German duo Session Victim have always been about much more than just club tracks - their music draws on their playing skills and formal backgrounds so comes alive with meaningful melodies and rich instrumentation that elevates each track above the norm. This new EP on their home label Delusions of Grandeur kicks off with 'Screen Off' (feat Ras Stimulant) which is disco house with bubbly basslines and a retro feel. It also comes as an a cappella and on the flip 'Light The Way' is a seductively smooth cut with Balearic synths and floating pads that will levitate you off the floor. An Iron Curtis Illuminati mix brings starry-eyed electro vibes and his reprise closes out a lush EP.
Review: Two years ago, Italy's Balearic Gabba Soundsystem switched from remixing and re-editing their favourite cuts to curating compilation style EPs of similarly minded fare. They're in that mode again here, presenting a trio of cuts that combine the saucer-eyed warmth and loved-up musicality of Balearic music culture with grooves and rhythms firmly focused on the dancefloor. They begin by showcasing Wallace's sublime remix of Sewell & The Gong's 'Better Worlds', a locked-in, hypnotising fusion of semi-organic deep house grooves, new age melodic motifs and the dreamiest of ambient chords. Over on the flip they dip into slo-mo Italo-disco/acid house fusion via SIRS fine revision of My Friend Dario's 'Tell Aro', before treating us to a Pedro Bertho remix of Verdo's 'Belvourdier' in which sparkling Balearic house piano riffs, undulating acid lines and mid-80s "chorus" synth sounds rise above a fluctuating synthesiser bassline and hustling beats.
Review: Shat is a place in Yorkshire (well, the nickname a village called Skelmanthorpe). Shat is something you hope to never do. Shat is also the alias of an artist who makes progressive house with a 90s twist. This outing is a third on the Party Tricks label and it opens with some swirling celestial pads, dream-scape beats and dusty hits that get your head amongst the clouds. 'Dwingeloo' is a faster slice of progressive techno with freewheeling pads and raspy basslines. Two remixes on the flip that things into very different territory but both of them are going to prove effective in the right setting.
Review: Emotional Response facilitate a new, prickly post-punk come dub fascinator by Shelter aka multi-instrumentalist Alan Briand. Helping redefine the term "digidub" to muted but compelling effect, this wry, checkered release themes each of its track titles after chessboard pieces, perhaps reflecting many of the power moves (rook castlings, last-minute pawn queenings) that have defined Briand's career so far: he's already demonstrated a dexterity in straddling several styles, from ambient, Balearic, improv and even acid Indian raga. All recorded live, this new, fuzz-packed release betrays an undying love for a particular dub sound: 'Kings, Knights & Rooks' fleshes hugely cosmic synth swells out of initially wan beginnings, whilst 'The Queen's Sacrifice' goes on to upend minimality entirely for maximal cavern-verb and 'Shutting Out Bishops' stars as the B-side's wackiest mumble-toasting; all tracks pay homage to a long, territorialising and power-hungry digidub tradition, with Prince Jammy, Alpha & Omega, Bush Chemist and Jonah Dan all namechecked as influences.
Afrodelic - "Je N'Aime Pas Les Fetes" (Shkema remix) (6:47)
Review: The super French crew Hard Fist have got a brilliantly twisted new Balearic record on their hands here thanks to the work of Shkema in both original and remix mode. He goes first with the deep, dubby and post-punk moodiness of 'Tas Malonumas' then 'Room Of Men Eaters' is a chugging deep disco cut with a fine vocoder vocal that brings some trippiness. 'Sarka Syrkaza' on the flip is another dark one with twisted metal guitar lines and rooted drum drums, then he remixes Afrodelic's 'Je N'Aime Pas Les Fetes' into a loose-limbed and percussive dub disco delight with filtered and freaky vocals.
Review: Pont Neuf approaches its quarter of a century of releases with Shore serving up a fresh blend of the old and the new on this Life Is A Blur EP. It kick off in laissez-faire fashion with some heavenly ambient, then 'Constant Motion' is a synth-drenched house kicker with jazzy leads. 'So Low' is more progressive and a little darker, while 'Thinking Out Loud' cuts loose and slows down from some sunset downtempo bliss. 'Ascent' rounds out with kaleidoscopic melodies that have you gazing off to the stars.
Tomoko Kina - "Tie Island" (No Man's Island mix) (5:08)
Review: Japan's Fourth Wave Record Factory sure does know how to serve up brilliantly beguiling sounds that ate you well out of your here and now. Next up is this, 'Dondon Bushi' 7" by Shoukichi Kina, Champloo and Tomoko Kina that explores a mix of Okinawan traditional sounds and modern grooves. The Mbira dance mix of the A-side jam is a bubbly rhythm with worldly percussion and soulful melodies that echo folk majesty and are topped with a wonderful weird vocal from Shoukichi Kina. On the flip, there is a more lazy and downtempo style dub rhythm, 'Tie Island' (No Man's Island mix) which is another worldly trip.
Review: We're not quite sure about the story behind this EP - Bathurst have not made clear whether it's the first in a series, or whether there's a theme - but the music on show is well-worth checking. Zoe Leonard dons the Simmerdown guise on excellent opener 'Legitimacy', a slowly unfurling affair that craftily combines sun-kissed ambient electronics with cut-up, club-ready beats, gargantuan bass and 140 style vocal cut-ups. David Hanke delivers two contrasting cuts: the shuffling, bass-heavy, spacey-but-sleazy excellence of 'Deep Shit Part 3' as Black Soyls, and the cheerier and bouncier 'Mirrorsides' under his given name. Our favourite though is ITO's 'Citylights', a jazzy, slipped instrumental number full of beautiful piano flourishes and languid bass.
Mystery Girl (Merwyn Of Virgo Four dub mix) (3:53)
Review: Originally released early last decade, Simoncino's four-part The Warrior Dance series boasted a mix of inspired original productions and superb remixes. This 12" contains four of the best remixes, all of which first appeared between 2010 and 2012. Ron Trent's EP-opening revision of 'The Warrior Dance' is little less than analogue deep house perfection - all sparse drum machine beats, bittersweet chords, sci-fi synth sounds and the producer's usual emotive piano motifs - while Gene Hunt's take on 'Do It Again' is hypnotic, bass-heavy and reminiscent of Larry Heard's most bittersweet early works. Merwyn of Virgo Four drops two takes on 'Mystery Girl': a raw, analogue-rich deep house main mix, and a sparse, jacking and groove-based Dub.
Review: The cultured creative minds of James Simonson and Blair French reunite for this new Realities Remix EP on MotorCity Wine which was, in original form, recorded by Simonson in hotel rooms across Europe and the Americas while touring with soul legend Bettye LaVette. As such it takes in myriad global influences as well as evocative field recordings which get reworked in style. Blair French adds his touch with three remixes, firstly the anthemic 'Realities (Projector Remix),' then the more dance-driven 'Elektronolux Overture (Sunday Remix)' and the lush and downtempo 'Hannah (Remix)' featuring violinist Sonia Lee. Two originals 'Realities' and 'Elektronolux Overture' also appear on vinyl for the first time and sound superb.
Bass - The Final Frontier (David Holmes remix) (7:08)
Bass - The Final Frontier (3:23)
Demons Of Dance (6:02)
Mumbo Jumbo (3:44)
Review: Last year, Pamela Records launched with a fantastic EP of cosmic club music from the late, great Andrew Weatherall and his long-time production partner Nina Walsh. For release number two, they've turned to another long-serving London producer, former Aloof collaborator Jo Sims. Lead cut 'Bass - The Final Frontier' (track two on the A-side) is definitely one that Weatherall would have played: a psychedelic, mid-tempo chugger with trance-inducing electronics, twinkling synthesiser lead lines and a throbbing groove. David Holmes remixes, slowing it down further while adding undulating TB-303 'acid' lines and plenty of cinematic textures. Elsewhere, 'Demons of Dance' is a moody dark disco throb-job (Richard Sen would approve), while 'Mumbo Jumbo' is a deep Balearic breaks number tailor made for sunsets and sunrises.
Review: Benny Sings' eighth studio album, Music, is a breezy and charming collection that showcases his knack for crafting catchy pop-soul tunes. Collaborations with artists like Mac Demarco and Emily King add depth to the album, highlighting Benny's songwriting strengths, while the album's sound gravitates towards blue-eyed soul and yacht rock, characterised by sunny melodies and hip-hop-infused beats. While Benny's songs exude a feelgood vibe, their lyrical content is special when particularly he is exploring themes of love. Standout tracks like 'Rolled Up' and 'Miracles' benefit from the infusion of personality brought by guest artists like Mac Demarco and Emily King, who add depth and dimension to Benny's compositions. The album's collaborations and Benny's signature style make for an enjoyable listening experience.
The Hypnotist (Expanded From Seven To Twelve Inches) (6:43)
The Hypnotist (Atlantis) (4:52)
The Hypnotist (Ok Mr Mogul) (6:32)
The Hypnotist (Subliminal Suggestion) (3:11)
Review: A classic track on many Cafe Del Mar compilations in the early 90s, The Hypnotist by Sisterlove finally gets a proper reissue. Thank you to Sound Migration for keeping all four original versions complete on this homage to the 1993 release. For those who enjoy the chill-out sound of the 90s where ambient, electronic and house music took on a spiritual and psychedelic overview, you will fall in love with this one. We can't say enough great things about what sound this track represents. Old skool heads and new fans of the sound, snap this up quickly!
Review: One of the more surprising trends of the early 1990s was the fusion of contemporary club culture - or at least the slow-motion end of it - with what would have once been considered 'church music'. While it was made famous by Enigma's global hit 'Sadness', Sloopey G's 'Domine' EP was reportedly recorded and released first. Certainly 'This Is The Day (Notre Dame Remix)', which naturally heads this THANK YOU reissue, sounds like a prototype of the Enigma sound - think British street soul beats, dreamy ambient pads, sampled monk chants, tactile bass and spoken word vocals. The EP also includes both similarly formed original bonus cuts, 'Victime' and the house-influenced 'Cathederal Dance', as well as previously unheard bonus cut 'Love In Heaven', a deliciously, shuffling and saucer-eyed affair.
Review: The Nunorthern Soul label heads into its second decade of operation and does so by welcoming back label regular Benjamin J Smith. He's a multi-instrumentalist, songwriter, and producer whose sound tick all of the textbook Balearic boxes but with a little extra magic. He shows that again here with 'Marina Del Rey', a gloriously sunny sound with lavish and lush strings and gently swaying grooves with a mix of 60s and Library vibes. On the flip is the even more horizontal 'Big Sur' with its romantic melodic breeze and intoxicating instrumental leads all backed by rich vocals.
Review: Second time around for Sneaker Pimps' Six Underground, the lesser-celebrated follow-up to the duo's renowned 'Spin Spin Sugar' single (famous, of course, because of Armand Van Helden's influential 'Dark Garage' remix). While the revisions included here - all initially released in 1996 - did not make as big an impression, all four have stood the test of time impressively. The headline attraction is a pair of Two Lone Swordsmen rubs, which are amongst the earliest reworks Weatherall and Tenniswood laid down under the alias. The vocal and instrumental takes are low slung trip-hop tracks overlaid with heady electronic elements. Elsewhere, Nellee Hooper channels the spirit (and sound) of his work with Massive Attack, and Hull boys Fila Brazillia lay down a typically deep, dubby and slowly evolving downtempo workout.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.