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Back catalogue: Dirty Dubstep/Trap/Grime
Juno's full catalogue of Dirty Dubstep/Trap/Grime
Singles
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out of stock $8.84
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out of stock $8.84
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out of stock $9.94
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Review: Fans of Dave Huismans might know him better by his 2562 alias, but this project is another thing altogether. An opportunity to pursue his interest in all things dubstep, he's previously released albums of songs all composed within one evening. This EP comes more fully formed though, and is right on the money. The infectious shuffle of title tune "Sun Touch" is as fresh as anything out there at the moment. Fans of Joy Orbison, Martyn and Kode 9 should take note.
… Read moreout of stock $9.94
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out of stock $11.00
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out of stock $12.71
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out of stock $11.05
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Mutant Dancefloor EP (12" picture disc)
Cat: RXSTNZ 02. Rel: 05 Dec 16
out of stock $9.67
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out of stock $7.73
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out of stock $8.84
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out of stock $8.84
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out of stock $8.84
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Review: The third artist to arrive on the Skudge Presents series, Aardvarck, should require no introduction to those familiar with the Dutch scene, having released on Rush Hour, Delsin, Eat Concrete and his own Bloom over the course of ten years. Of course you never know quite what you're going to get with the producer, which is what makes his appearance on Skudge Records all the more exciting, and thankfully this EP doesn't disappoint. "Yogwa" opens with brooding strings and a gnarled electro riff before launching into a savage bassline and a hesitant broken rhythm. On the flip, "Brawa" is all booming bass and neon stabs, coming across like a rave track filtered through dubstep's lens, whilst "Tengenan" is a clattering beast lifted out of a gloomy half-stepping funk by its day-glo synth melody.
… Read moreout of stock $9.39
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Review: Following in the footsteps of fellow Russians Bop and Enei, Abstract Elements get freaky on a deep and minimal tip with an EP that gets heavier track by track. We kick off with the eerie muffled pastures of the lead track "Fourth Dimension", a cut so sub-heavy it broke two Juno speakers when we tested it in the office. "Apocalypse" drives deeper into tech territories with precise kicks, spine-shuddering atmospherics and a percussive hook that develops with stealth. "Vortex Field" finishes the set with paranoid urgency. Filmic, dramatic and mechanically funky, it's the perfect EP finale.
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Review: Visionist's Lost Codes label gets rebooted as a new sublabel to PAN, laying down some foundations ahead of the UK artist's long-mooted debut album for the Berlin label. Overseen by both Visionist and PAN founder Bill Kouligas, the first Codes release brings together two artists who have previously excelled on Lost Codes in Acre and Filter Dread. Working together for the first time, the six track Interference suggests this is a deadly partnership that should be given the platform to express itself further. Degraded 8bit sounds permeate opener "Drumz34" which comes across like early Actress played at the wrong speed, whilst sickeningly good sub bass is deployed on "Flash Speed" and "Trashed" is a superb exercise in slack jawed drum programming. Some cavernous bass kicks on this one. "Life" is wonderfully slippery in full flow, whilst "Unknown" is up there with Gramrcy's "Ruffian" in the heavyweight contenders of the year stakes.
… Read moreIntérprete: Juno Recommends Bass
out of stock $10.51
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Review: Honest Jon's present this sonically challenging but quite excellent twelve inch from Actress, allowing us the chance to indulge in his quite singular vision via some long overdue original material ahead of a forthcoming third album slated to appear in the spring of next year on the West London imprint. Always a musician who prefers to keep his captive audience guessing, it would be churlish to presume how that forthcoming album may sound on the basis of "Rainy Dub" and "Faceless", as neither will be present on it. However, there is plenty to admire here, with the lead track described quite presciently by the label as the "alien son of Sleng Teng". Just like that riddim pioneered a new wave of digital dancehall when Wayne Smith joined forces with King Jammy on "Under Me Sleng Teng", "Rainy Dub" seems to signify a concentrated shift in Cunningham's focus towards ever new jagged dissections through the fuzziest extremes of sub bass. Minute attention to detail such as the near indecipherable vocal gurgles trapped far beneath ensure you keep returning to the track, as new sonic elements come to light. "Faceless" creeps towards you like second album highlight "Purple Splazsh" regurgitated through a robotic variant of the human centipede, with the track's hazy melodic elements desperately trying to claw through the claustrophobic rhythms, creeping corroded textures and rising gurgles of stomach acid.
… Read moreIntérprete: M50, Nick Dunton, Grimes Adhesif, Richard Zepezauer (RZ-1), Honest Jon's, THE EXALTICS, ROUGH FIELDS
out of stock $9.13
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out of stock $9.39
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Review: Werk Discs chief Actress - aka Darren Cunningham - drops the breathtaking Machine & Voice EP ahead of a full album release slated for May. Despite a relative paucity of releases in recent years, 2010 is set to be a watershed for Cunningham. A remix of Joy Orbison’s recent single "The Shrew Would Have Cushioned The Blow" on Will Saul’s Aus Music, kicked things off. Now within a space of a fornight he’s dropped this EP, on Instra:mental's Nonplus imprint, and another on his own label. And of course Splaszh, his second full length album, continues to loom tantilisingly on the horizon.
Machine & Voice sees Actress pulls off his usual trick of drawing on many disparate influences - from dubstep to techno to drum & bass - yet managing to make his sound stand alone. In keeping with the label, these three tracks are of a more experimental/bass-driven bent, although such an ambiguous description hardly does it justice. Whatever you want to call it, the fact is Actress now occupies a space in electronic music that no one else can touch. Do not miss this EP.
… Read moreMachine & Voice sees Actress pulls off his usual trick of drawing on many disparate influences - from dubstep to techno to drum & bass - yet managing to make his sound stand alone. In keeping with the label, these three tracks are of a more experimental/bass-driven bent, although such an ambiguous description hardly does it justice. Whatever you want to call it, the fact is Actress now occupies a space in electronic music that no one else can touch. Do not miss this EP.
out of stock $31.23
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Review: 3024's pilfering of West Country talent continues unabated with the rather busy of late Julio Bashmore being swiftly followed by the equally prolific Addison Groove in releasing essential club tackle for Martyn's imprint. Anyone who has indulged in Mr T Williams' recent output for Swamp81 or Tectonic will have an inkling of the current Addison Groove sonic flex, all tightly wound post circa 130bpm 808 patterns, though "It's Got Me" is truly characterised by the disparate sensation of woozy melodic flourishes being diced by the rhythmic swagger. Flipside you get future funk electro odyssey of "Minutes Of Funk" with swathes of purple textures allowed to breath beneath a perma bouncy bass thrust. The midway drop into a bumping house pattern will grab you every time!
… Read moreout of stock $6.91
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Review: In between brief dalliances with Swamp81 and 3024, Addison Groove shows some hometown support with this essential twelve for Pinch's Tectonic imprint. "This Is It" could only come from the sonic palette of Tony Williams, with steppy juke heavy 808 riddims ripping out of the speaker cones at 138bpm amidst a barrage of expertly spliced vocals and rubbery rave bleeps. Amidst the rowdiness, there's a distinct progression to the track which makes it a worthy successor to last year's triumphant "Footcrab". "Make Um Bounce" slips down the tempo scale a notch or two for a more standard 4x4 flex that's brimming with enough bass and rasping percussion to find a place amidst Jackmaster's forthcoming excellent mix for Fabric. Big tip!
… Read moreout of stock $19.34
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out of stock $8.01
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Housemouth VIP (hand-numbered 12" in hand-stamped sleeve limited to 300 copies)
Cat: BSS 001. Rel: 15 Apr 16
out of stock $14.10
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out of stock $8.29
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Review: Three huge mixes of breakbeat duo Afghan Headspin's 2008 anthem 'MSG' on their own Valium imprint. Australian's Karton throw everything into the mix - breakbeat drums are merged with hoovering dubstep bass stabs for a truly filthy slab of fun. XXSR boss Mars drops some Stalingrad wobble, with some rattlesnake percussion and full fat drums filling out their mix nicely. Yoof (one half of Sons of Mecha) brings the South London vibes on his remix with typically banging results.
… Read moreout of stock $7.19
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Review: A heavenly collaboration between the legendary musical journeyman Mark Pritchard and Steve Spacek, Africa Hitech is a delicious fusion of grime, dancehall and techno that really glistens with energy and has had fans breathlessly waiting for this first release on Warp. Lead tune "Blen" won't disappoint at all, a heavy old-school grime beat with an uptempo but still laid back vocal, it's an absolute joy. As well as a remix of "Blen" and an instrumental, there's also the more plaintive but still riveting "The Sound of Tomorrow". Well worth the hype, check out why fans are getting in a lather for Africa Hitech.
… Read moreout of stock $6.08
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out of stock $8.01
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out of stock $5.52
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Zumpi Central EP (12")
Cat: PSR 003. Rel: 30 Nov 07
Intérprete: Geiom
out of stock $6.62
