Dub charts

Review: Although most associated with punk thanks to his now canonical history of the movement, England's Dreaming, Jon Savage has always had far broader taste than most - not to mention an acute sense that the late 1970s were aa genuinely exciting musical free-for-all that paved the way for much of what came next. This excellent double-disc compilation gives a taste of what he was listening to in that period, moving between reggae, dub (the Revolutionaries, Joe Gibbs & The Professionals), throbbing Euro-disco (Space, Giorgio Moroder), American garage-rock (Iggy Pop), spaced-out spoken word eccentricity (John Cooper Clarke), formative new wave synth-pop (The Normal, The Human League), industrial (Cabaret Voltaire), punk (and lots of it), and much more besides.

Review: On 2013's History of The Future, Alex Paterson looked back at The Orb's most productive and critically acclaimed period, between the ever-changing band's formation in 1989 and the end of their 'major label adventure' at the tail end of the '90s. This second instalment - released ahead of a new album in the summer - brings the story bang up to date, gathering together Paterson and company's best productions since the turn of the millennium. For the most part, it's business as usual, with the former Killing Joke roadie and longtime production partner Thomas Fehlman joining the dots between sample-heavy downtempo grooves, dub, melodious techno and '90s style ambient house (the second disc, which focuses mostly on this style, is particularly enjoyable).

Review: Dennis Bovell's Sufferer Sounds compilation highlights a pivotal period in his prolific and diverse career, focusing on his work from 1976 to 1980. Best known for traversing reggae, dub, lovers rock, post-punk and disco, Bovell's production genius is evident throughout the album. Featuring deep cuts and lesser-known versions, the compilation includes works from his time with the Jah Sufferer Sound System, showcasing Bovell's ability to craft dynamic, emotionally resonant music. The CD version offers 15 tracks, including a rare dub mix of Janet Kay's iconic hit 'Silly Games', lovingly restored and remastered at Dubplates & Mastering in Berlin. This version features Bovell's intricate arrangements with a pristine sound, allowing the listener to fully appreciate the depth of his production. Accompanied by track-by-track notes written by Bovell himself, Sufferer Sounds offers fascinating insights into the creation of these tracks, bringing listeners closer to the mind of a reggae pioneer. This carefully sequenced collection showcases Bovell's versatility across reggae, dub, and lovers rock, making it an essential listen.

Review: The Irie Ites label, founded by the French production collective of the same name, has long been one of the international reggae scene's leading lights - an impression only strengthened by the Le Mans-based stable's latest annual compilation. Comprising a mixture of 2024 label highlights and previously unheard cuts, the set offers a range of quality conscious and roots cuts (as well as a few curveballs such as the reggae/hip-hop fusion of Anthony B hook-up 'Rub-A-Dub (Stop That Sound Riddim)') featuring such global stars as Eek-a-Mouse, Sly & Robbie, Linval Thompson, Solo Banton, Screwdriver and Frankie Paul. To top it all off, crew member Jericho d'Irie Ites serves up a quintet of quality dub versions to get soundsystems rattling and dancefloors shaking.

Review: Reggae legend U Brown returns with a powerful new album, a testament to his enduring legacy and unwavering commitment to roots music. The offering showcases U Brown's inimitable voice and socially conscious lyrics, addressing contemporary issues with wisdom and conviction. Backed by a stellar cast of musicians, including the Roots Radics and Irie Ites All Stars, the album delivers a potent dose of classic reggae sounds, reminiscent of 70s roots albums. Guest appearances from reggae luminaries like Eek A Mouse, Cornell Campbell, and Frankie Paul add further depth and excitement to this already impressive collection. With its infectious rhythms, conscious lyrics, and masterful production, 'Still Chanting Rub A Dub' is a must-have for any fan of roots reggae and dub.

Review: Dadawah aka. Lloyd Charmers was one of Jamaica's boldest and most resourceful record producers, testament to which was his standout LP Peace & Love. Originally released as an EP of just four tracks, drawing on the rhythmic hallmarks of the Nyabinghi gatherings of Rastafari, Charmers is heard commanding an ensemble cast of virtuosi, including Willie Lindo on guitar. With its multi-layered, weighty and patriotic breathtakers such as 'Zion Land' and 'Know How You Stand', which blow away with their adept command of space and reverb, the tracks now come backed a whopping 21 dub versions also produced by the man himself - 19 of which have never been before released on CD - the best of his dub output since the mid-1970s.

Review: Timeless Roots is a brilliant collaboration between reggae legend Horace Andy and renowned bassist Jah Wobble. Known for his ethereal vocals, Andy breathes new life into classics like Stevie Wonder's 'Superstition' and The Beatles' 'Come Together', while also revisiting his own iconic tracks like 'Skylarking' and 'Natty Dread A Weh She Want.' Wobble, former PiL bassist, Orb collaborator as well as a solo artist of some renown, blends reggae, modern dub and world music to create a rich sonic landscape that perfectly complements Andy's distinctive voice. The album stands out not only for its reinterpretation of well-known songs but also for its innovative production, which maintains the essence of roots reggae while introducing contemporary elements.
Wobble's deep bass grooves provide a solid foundation, allowing Andy's vocals to soar, particularly on new takes of his classics. This collaboration is a seamless fusion of two musical worlds, making Timeless Roots one of the standout reggae albums of the yearia true match made in musical heaven.