Review: The newly unearthed 1970 Kongsberg Jazz Festival recording showcases Bill Evans' trio in a vibrant live setting. Featuring bassist Eddie Gomez and drummer Marty Morell, this performance highlights the trio's evolving synergy. Recorded during Evans' methadone transition, the set reveals a newfound energy in his playing, marked by dynamic tempos and a percussive vigor distinct from the introspection of his earlier live recordings. The tracklist balances brisk renditions of standards like 'So What' and 'Autumn Leaves' with contemplative pieces such as 'Quiet Now' and 'Some Other Time'. Highlights include the mid-tempo elegance of 'Turn Out the Stars' and the emotive 'What Are You Doing the Rest of Your Life?' Gomez's bass solos feature prominently, particularly on 'Come Rain or Come Shine' and 'Nardis', where his virtuosity shines. Morell's nuanced brushwork complements Evans' shifts in mood, particularly during the tender ballads. The setlist, reportedly tailored on the spot, reflects Evans' knack for adapting to his audience. The interplay among the trio is masterful, underscoring their tight rapport. This release is both a historical document and a compelling listen for fans of Evans' artistry.
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