Be With Vinilo y CD

Review: Maurice Fulton has delivered countless killer remixes over the last two and a half decades, including plenty that for one reason or another remain hard-to-find. This remix of LA r&b/indie-pop fusionists Rhye - first released 11 years ago - fits in that category. Fulton's version, showcased on side A, is a typically atmospheric, spaced-out affair rich in trademark crunchy disco drums, fluid and wayward electronic synth-bass reminiscent of his Syclops project, elastic bass guitar, effects aplenty and tactile female lead vocals. As the B-side original mix - a piano-laden downtempo pop number that swims in similar sonic waters to Sebastien Tellier's 'La Ritournelle' - shows, Fulton's mix is a genuinely radical re-build that exemplifies the very best of remix culture.

Review: Cedar Walton's Mobius, originally released in 1975 and now reissued here, remains a compelling testament to the fusion of jazz, funk, and rock. The album exudes a vibrant energy that transcends genres, blending intricate melodies with dynamic rhythms in a seamless cornucopia of sound. Walton's masterful compositions and arrangements take listeners on a journey through a sonic landscape rich with improvisation and groove. Tracks like 'Blue Trane' showcase his prowess as both a pianist and a composer, with its infectious funk-infused rhythms and mesmerizing chord progressions. Throughout the album, Walton's ensemble delivers stellar performances, with each musician contributing to the overall precision and creativity. The fusion of jazz, funk, and rock elements creates a captivating listening experience that is both timeless and innovative.