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Review: Laurie Anderson's latest album, Amelia, marks her first release since the well-received Landfall (2018) and is inspired by the tragic final flight of aviator Amelia Earhart, featuring 22 tracks that delve into her much storied legacy. Collaborating with the Czech orchestra Filharmonie Brno, under Dennis Russell Davies, and a roster of notable musicians including Anohni and Marc Ribot, Anderson crafts a deeply evocative narrative, while the album reflects Anderson's distinct style, blending lyrical introspection with innovative soundscapes. Drawing from Earhart's personal diaries and communications, Amelia explores themes of adventure and disappearance, providing a poignant auditory journey. A renowned avant-garde artist, Anderson's career spans music, visual art, and performance, recognised for her boundary-pushing work and poetic storytelling, and this album continues her tradition of merging the beautiful with the bizarre, as well as offering a fresh perspective on an historic figure.

Review: The Black Keys are back with more of that raw, bluesy-soaked rawk they do so well. The duo of Dan Auerbach and Patrick Carney wrote this new album in the studio, laying down initial ideas in Nashville before expanding the sessions to include collaborators such as Billy F. Gibbons, Greg Cartwright and Angelo Petraglia. Everything you love about the 'Keys is right here, and lead single 'Wild Child' has all the hooks and ear-snagging chorus lines you could wish for, with that dirty, overdriven guitar sound that has been their calling card since they first broke through 20 years ago.

Review: It's been a solid five years since the epic sounds of America's best plugged-in rock duo last electrified our ears. And be it a reference to the Rolling Stones or even Scorsese, the album turns it up from the start with "Shine A Little Light". Big time rhodes and bluesy folk mentalities are then wrapped up in a low-slung ballad that is "Walk Across The Water". Some fans may still be yearning for the raw energy that catapulted the duo into the limelight with Magic Potion, however high voltage sounds can still be found on tracks like "Under The Gun" and "Lo/Hi" - with gospel elements in this case edging to the fore. Overall there's a slight dance element protruding from this LP in comparison to previous records, begging the question: Can you dig it!