Review: To single out a release in catalogue of the 70s famed 'tax scam' label TSG is a hard ask the level of quality remained both consistently and inexplicably high during its two years of operation. Thus calling 1619 Bad Ass Band's 1976 self-titled album a stand-out release doesn't honour the spirit of the catalogue, and yet, by all accounts, everything about this monolithic funk and soul unit is striking.
Prices on the second-hand market for the original LP and 1978 Graham International reissue have priced out virtually everyone for decades. P-Vive is thrilled to be reissuing the album on vinyl fitted with an iconic Japanese obi strip.
Umi No Mieru Machi (Kiki's Delivery Service) (3:42)
Yasashisa Ni Tsutsumaretanara (Kiki's Delivery Service) (2:40)
Kaze No Torimichi (My Neighbor Totoro) (3:34)
Tonari No Totoro (My Neighbor Totoro) (3:28)
Jinsei No Merrygoround (Howl's Moving Castle) (3:18)
County Road (Whisper Of The Heart) (3:45)
The Princess Mononoke (The Princess Mononoke) (2:17)
Nausicaa Of The Valley Of The Wind (Nausicaa Of The Valley Of The Wind) (3:08)
Nausicaa Requiem (Nausicaa Of The Valley Of The Wind) (1:50)
Tokiniwa Mukashino Hanashi Wo (Porco Rosso) (3:43)
Gake No Ue No Ponyo (Ponyo) (2:53)
Review: Ghibli Jazz by All That Jazz took the world by storm upon its release, quickly selling out in Japan and abroad, leading to multiple re-pressings. Now available in a charming new colour edition, this instrumental cover album offers a jazzy reinterpretation of classic Ghibli tunes, beautifully blending drums, bass and piano, with horns and wind instruments adding extra flair. Featuring 12 tracks, the album includes three vocal pieces, 'HELLO!' and 'DEAR!', sung by Yuriko Kuwahara of COSMiC HOME, known for her crystal-clear vocals which bring a fresh dynamic to an otherwise instrumental collection. The simplicity of the arrangements, combined with the familiar melodies of Ghibli soundtracks, creates a soothing yet vibrant atmosphere and continues to charm with its elegant jazz spin on beloved classics.
Review: Made up of Jun Miyake and Ichiko Aoba's live sessions held in Tokyo in November 2016 and the following February 2017, Pneuma consists of valuable recordings that had only been released in high-resolution format for distribution; the record is now finally released in vinyl format here on P-Vine. The first performance in January featured Tatsuhisa Yamamotoon on drums and the second in February made up a quartet formation with the addition of bassist Hitoshi Watanabe. The two ultra-talented musicians provide us a glimpse into how the music of Jun Miyake and Ichiko Aoba is made and this record breathes into their practice a new life.
I Can't See Your Love (For The Tears In My Eyes) (part 1 - bonus track) (2:33)
The Gift Of Love (2:40)
I'm Nothing Without Your Love (2:26)
My Baby Know How To Love Her Man (3:08)
Weakspot (3:01)
Hey Diddle Diddle (2:39)
Goodnight My Love (2:45)
I Love You, Yeah (alternate take - bonus track) (3:01)
Review: The Ballads, an Oakland-based group featuring Nathanial Ramerson, Lesley Palmer, Rico Thompson, and John Palmer, made a notable mark with their single 'God Bless Our Love,' which climbed to #8 on the R&B charts and #65 on the Billboard Pop Hot 100 in 1968. Despite their success with this track on Venture Recordsia label established by MGM and helmed by former Motown A&R director William "Mickey" Stevensonitheir time with the label was brief. The Gift Of Love features a blend of soulful tracks including 'You're The One,' 'I Love You, Yeah,' and 'Goodnight My Love,' showing the group's vocal charm and heartfelt lyrics. Although their commercial success was limited, the compilation offers a glimpse into their potential and includes all eight Venture releases along with some previously unreleased material. For collectors and soul enthusiasts, this vinyl is a monumental collection of 1960s r&b.
Review: Hailing from Yorkshire, Geoff Bastow made music that took people pretty far away from the White Rose county, out to the cosmic discos of Italy and then onwards towards the stratosphere itself. Half a galaxy away from a part of England known for keeping two feet firmly rooted to the ground, calling spades spades and taking no nonsense from nobody. Often producing under the moniker K.I.D. during the 1980s, and making most of his sounds after relocating to Munich, Germany, Bastow's attention to detail, sense of space and spatiality, gauge of groove and understanding of what makes a dancefloor move cannot be understated. Save your words, though, and skip straight to this EP to explain all that to people - six takes on a stone cold classic.
Review: Mongolian hip-hop producer Bodikhuu has never been to Rio but this is his lovely letter to the city he has often dreamt of. He has a love of the great Joao Gilberto and armed with that and a worm out MPC he set to work, laying down tropical beats and sunny melodies. The result became an instant classic and spawned a number of tunes that went on to pick up more than a million streams. It's a record that excites the imagination as well as warming the soul and this version comes with superb original artwork designed by illustrator David Burnett on a lovely splatter-coloured vinyl inspired by its own cover.
Review: Brand New Heavies have long had their legacy assured. They played a vital role in establishing the Brit-funk sounds of the 80s and 90s and are one of the most enduring acts on Acid Jazz. Now, their standout album Heavy Rhyme Experience Vol. 1 has two of its finest cuts singled out and pressed up to this Bonafied Funk reissue on P-Vine Japan. The tunes are a blend of their signature sounds with some top-level featured guests including hip hop royalty Main Source and the one and only Grand Puba. Timeless dance floor delights, for sure.
Review: A follow-up of sorts to Messengers Incorporated's Soulful Proclamation, LA Will Make You Pay by Burton Inc. featured core members Charles and Barbara Burton of both groups, and is a shining example of the modern soul and disco that pulsed through the Oklahoma underground. Moving away from the psych-infused heavy funk jams of Soulful Proclamation, these eight tracks gave Barbara Burton's vocals the spotlight with heart-tugging soul ballads, sun-soaked horns and bass grooves. Originally released independently in 1976, P-VINE is delighted to reissue the album on limited-edition vinyl with an iconic Japanese obi strip included.
Review: Burton Inc is perhaps not one of the better-known soul bands of the late 1970s. Formed by married couple Charles and Barbara Burton and featuring their son Tire amongst the backing musicians, the band recorded and released one album, 1976's L.A Will Make You Pay $$$, on their own private press imprint. It's from that set that these two tracks are taken. A-side 'Nation Song' is a glossy, slow-motion call for global unity featuring the twin attractions of incredible horn arrangements and spacey synthesizers (not to mention a fine lead vocal from Barbara), while flipside 'Groovin At The Night Club' is a slightly more up-tempo affair rich in jazzy guitar flourishes, fluid bass guitar and more incredible horn sounds.
Review: Led by Kenny Clarke and Francy Boland, the Clarke-Boland Sextet was made up of further musical talents from across Europe and the United States such as Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi. The group played a pivotal role in shaping the European jazz scene of the 60s, never more so than with their timeless Music For The Small Hours record in 1967. It takes in an array of influences and includes standards like Burt Bacharach's 'Wives & Lovers' as well as more Brazilian and Afro-Cuban groovers like Luiz Bonfa's 'Ebony Samba'. The original compositions shine too, with Shihab's 'Please, Don't Leave' showcasing his vocal talents and adding a real depth. Overall this is jazz that radiates sophistication and relaxation and makes for a refined listen.
Little Boy For So Long, Little Boy But Not For Long (10:00)
Arapaho (4:21)
Don't Get Around Much Anymore (12:10)
Review: American saxophone player and composer Clifford Jordan's 1990s Maple Shade Records albums are well thought of for their high-quality ideas. This release features a 1987 live quartet performance from a Baltimore jazz club in which Jordan delivers a mature, lyrical and swinging set encompassing standards like 'Round Midnight' and 'Don't Get Around Much Anymore' alongside his original compositions. The recording was meticulously captured with minimal microphones and high-quality cables so it achieves remarkable realism while blurring the line between live performance and studio recording. This is a definitive glimpse into Jordan's artistry at the height of his career.
Review: Smouldering Secrets was released in 1975 by Copeland Davis and his band and it's a great example of his energetic piano performances. The album opens with the melodic 'No Arms Can Ever Hold You' while tracks like 'Perfidy' and 'So in Love' feature lively instrumentals. Highlights include the soulful 'Jet,' where Davis sings, and the mellow 'Morning Spring,' famously sampled by Nujabes. This reissue also includes the vocal version of 'No Arms Can Ever Hold You' which makes its debut release on vinyl. Davis later gained popularity in Japan during the Free Soul and Rare Groove movements which is why this rich record one is being put out by P-Vine.
Review: Weldon Irvine was a pioneering musician whose innovative style and emotionally powerful melodies earned him admiration across generations and genres, from 1970s jazz and soul to 1990s club and rare groove scenes. Known for his versatility, Irvine left behind a legacy of timeless tracks and this best-of album, curated from his extensive catalogue, features eight standout songs that showcase his genius. The always-sensitive P-VINE presents this special collection in style and offers a comprehensive glimpse into the depth and breadth of Irvine's musical contributions, all of which highlight his lasting impact on the music world.
Review: Tilt your shades down and settle into some of the smoothest songs money can buy courtesy of Ned Doheny on this reissue of his 1988 album Life After Romance. He might be best known for 'Give It Up For Love', but Doheny has a catalogue overflowing with silken cuts and this, his fourth long player, gathers together some of the finest. From the slinky 'Whatcha Gonna Do For Me?' to soft rock masterclass 'Follow Your Heart' this is a sophisticated listen for those who value true song craft, and it sounds better than ever on this reissue courtesy of the good folk at P-Vine.
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