Quantize Vinilo y CD

Review: Inner Life's 'I'm Caught Up (In A One Night Love Affair)' released in 1979 is a quintessential disco anthem that captures the exuberance and allure of the era. Jocelyn Brown's powerful vocals deliver a story of fleeting romance, seamlessly intertwining with lush orchestrations and a driving rhythm section that still get people up and dancing all these decades on. The track's infectious groove, memorable hooks, and lavish production epitomise the magic of late-70s dancefloors which is it why it is such a staple in both nostalgic disco sets and modern dance compilations. This reissue offers up four different versions by the great remix king John Morales.

Review: Quantize's second offering is another irresistibly lovely house EP with funky and soulful vibes to spare. It's a varied bag of artists at the controls with Michele Chiavarini going first with the throwback vocals and piano-laced house grooves of 'Let Me See You Clap Your Hands'. Emmaculate's 'Konga Madness' has stomping Afro vibes and big horn energy making for a big carnival vibe and then things get impossibly smooth and seductive on the flip with Terry Hunter, DJ Spen & Reelsoul combining to great effect on 'Warning' (feat Rona Ray. Last of all is a sunny take on Michael Jackson's 'Rock With You' that has been all re-sung and reworked by Reelsoul, Tasha LaRae & DJ Spen.

Review: Evelyn 'Champagne' King's 1982 boogie jam 'Love Comes Down' is one of the most familiar and much-loved club anthems of the era. Ezel and DJ Spen are clearly fans, because they've decided not to remix or re-edit it, but 're-produce' it, adding her iconic vocals to their own fresh backing tracks. As the EP-leading full vocal 'Reproduction' vocal shows, they've done a terrific good job too, re-creating many of the original 1982 elements while re-framing the track as a piano, horns and guitar-rich slab of soulful disco-house joy. As well as an instrumental of that version, we also get vocal and instrumental 'R&B' takes. These are closer in tone and feel to King's 1982 original while feeling as fat, warm and groovy as you'd expect from a 21st century Ezel and Spen production. In a word: classy!

Review: John Morales is pretty universally credited with inventing the 12" when he decided he needed more run time for his remixes than could be found on a small 7" 45rpm. Those remixes were often done on the studio floor when he would cut up and splice analogue tape to insert new breaks and extended instrumentals. He remains as good as anyone at that and these new versions of Curtis Harrison's 'I Want Your Lovin' and 'I Want You All Tonight' show why. They are steamy and loved-up disco gems that have everything needed to set the floor alight- big vocals, big drums, lush synths.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


John Morales is pretty universally credited with inventing the 12" when he decided he needed more run time for his remixes than could be found on a small 7" 45rpm. Those remixes were often done on the studio floor when he would cut up and splice analogue tape to insert new breaks and extended instrumentals. He remains as good as anyone at that and these new versions of Curtis Harrison's 'I Want Your Lovin' and 'I Want You All Tonight' show why. They are steamy and loved-up disco gems that have everything needed to set the floor alight- big vocals, big drums, lush synths.

Review: Spencer Morales taps into the most lavish and soulful end of the house spectrum here with a glorious new single 'What Cha Gonna Do With My Lovin.' The glossy and sophisticated production oozes charm and high end touches while the vocals are as pure as they come - soaring, full of soul and nicely in sync with the rolling beats and golden chords, sumptuous strings and loose percussion. On the flip, 'You Gonna Make Me Love Somebody Else' is a rework of a disco classic with another catchy vocal and more infectious soulful house grooves.