Sacred Bones US Vinilo y CD

Review: Robin Carolan's latest score for Robert Eggers' Nosferatu is a darkly atmospheric work that fuses gothic elements with a broad range of instruments and sounds. Following their successful collaboration on The Northman, Carolan once again teams up with Eggers to craft a haunting, meticulously composed score that complements the eerie 19th-century setting. British musician Daniel Pioro leads the orchestration, which features 60 string players, a full choir, horns, woodwinds, a harpist and two percussionists. Despite this grandeur, one of the trickiest pieces to perfect was the opening music box which really shows Carolan and Eggers' meticulous attention to detail. Carolan sought to avoid modern influences in the score while embracing contemporary instruments, a balance enhanced by Letty Stott's use of ancient horns and pipes. Carolan's inspirations were diverse, from Bartok and Coil to films like The Innocents and Eyes Wide Shut. He also drew from the Ukrainian film The Eve of Ivan Kupalo to shape the otherworldly tone of the score. Rather than focusing on horror cliches, Carolan emphasised the melancholic and tragic aspects of the story, adding a layer of warped romanticism. The result is an evocative soundtrack that, while perfectly aligned with the film, also stands as a powerful work of art on its own.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


If you're not familiar with Jim Jarmusch and Carter Logan's SQURL project, then it's time to rectify that. Over the past eight years, the two interdisciplinary creatives have been touring some of the most prestigious venues in the world (Art Institute of Chicago, Elizabeth Hall, London, Center Pompidou, Paris), presenting live scores to the experimental films of Dadaist pioneer Man Ray. Can you guess where this is going? As Logan puts it: "It's a journey we want to take the audience on, illuminating themes throughout these films. They are discrete, but there are also recurring echoes throughout the whole programme". Music For Man Ray presents some of those spellbinding ideas-as-soundtracks in an album form. Tunes and noises created and developed to accompany the film Return To Reason, when experienced as standalone audio it emphasises just how captivating the tones are.

Review: If you're not familiar with Jim Jarmusch and Carter Logan's SQURL project, then it's time to rectify that. Over the past eight years, the two interdisciplinary creatives have been touring some of the most prestigious venues in the world (Art Institute of Chicago, Elizabeth Hall, London, Center Pompidou, Paris), presenting live scores to the experimental films of Dadaist pioneer Man Ray. Can you guess where this is going? As Logan puts it: "It's a journey we want to take the audience on, illuminating themes throughout these films. They are discrete, but there are also recurring echoes throughout the whole programme". Music For Man Ray presents some of those spellbinding ideas-as-soundtracks in an album form. Tunes and noises created and developed to accompany the film Return To Reason, when experienced as standalone audio it emphasises just how captivating the tones are.