Souffle Continu France Vinilo y CD

Review: In 1972, trumpeter Baikida EJ Carroll and his Black Artists Group colleagues moved from Missouri to Paris on the recommendation of their friends in the Chicago Art Ensemble. Two years later, following the release of the Black Artists Group's debut album, Carroll accepted an invitation to record a solo album. Orange Flesh Tears, recorded with guest musicians Oliver Lake (saxophones, flute), Manuel Villardel (piano, electric piano) and Brazilian percussionist Nana Vasconceles, was the result: a triumphant excursion in spiritually enriching free-jazz and heady, ambient-leaning soundscapes. The first two tracks were reportedly intended to take "free jazz back to its African roots" (all bird noises, meandering solos, bells, bamboo flutes, percussion of all types and occasionally dense jazz grooves), with the other two offering sparser, more introspective improvisations where Lake and Caroll's horn solos dominate.

Review: Alongside Gilbert Artman, Guigou Chenevier, Jean-Pierre Grasset and Cyril Lefebvre, Dominique Grimaud's new 1979 adventure along side Monique AlbaVideo is made up of instrumentals that recall Henry Cow, Suicide and John Barry. It is a hugely improvised record that makes use of the AKS synth and was the start of the agitation around the Rock in Opposition and saw Musique Pour Garcons rise to the higher ends of the NEW independent charts. Electronics augmented by lap-steel guitar, tuning pop and more all feature.