trip Vinilo y CD

Review: Bjarki, a new producer hailing from Iceland, makes his debut on Nina Kraviz's Trip with an effective two-piecer aimed at the dancefloor. "I Wanna Go Bang" is straight, hard-hitting and boasting an instantly memorable vocal which you'll probably be hearing around the dances this summer. "Orange Juice Man", however, is the complete antithesis of it's A-side cousin, where Bjarki opts for a deeper, chuggier kinda groove that's more suited to the corner-dwellers than the first-rowers.

Review: Nina Kraviz's wonderful Trip label squeezes out one more bonkers techno trailblazer in 2019 and it comes from core label artist Vladimir Dubyshkin. Right from the get go this one has you in a spin thanks to the manic bird tweets, layered up vocal sounds and hyper speed drums of "Rural Woman." "Grasshopper's Opinion" is another one built on relentless drums with weird samples - this time a grasshopper - and "Customs & Traditions" piles up the kick drums, freaky vocal loops and machine gun synths into a wall of mesmeric techno noise. "Elvis Has Left The Building" brings the trance in fine fashion to end what is one hell of a ride.

Review: Vladimir Dubyshkin is a mainstay of Nina Kraviz's Trip label and for good reason. HIs sounds embody the musical MO of the imprint in perfect fashion. This time out he again mixes up a wild sphere of sound from hardcore to rave to acid. 'No Tell Motel' is a bonkers but brilliant tune with fairground energy, pulling techno beats and characterful spoken word vocals that will get supersized crowds going wild. 'Noodle Soup' is a punchy breakbeat workout, then 'Paranoid Thoughts' sinks into a linear, banging, straight-up techno roller with hits to die for. There is a twisted and textured synth tension to 'Ticket To Childhood' that's offset with innocent melodies. Great stuff.

Review: Vladimir Dubyshkin has released all of his music on Nina Kraviz's trip. There has been just five EPs over five years but in that time he has honed in on a fine signature sound and plenty of them have become underground hits. Now he serve su a fulsome scone statement in the form of this debut album. It is a fine and surreal journey through sound with his deft synth craft front and centre. There is plenty to love here from the Theism the Tank Engine them tune on acid that is 'The Rothschild Party' to the warped dub techno pop of 'Adrenochrome Breakfast' via the thrilling jungle closer 'We're Not In The Wonderland Anymore, Alice'.

Review: Nina Kraviz's trip label is one of the most unique in techno. It's a hotbed for the more experimental producers out there and often drops punchy sounds that draw on trance, IDM, rave, electro and plenty more. Nocow is next up with a double album that unfurls at a high speed and is packed with freshness. 'Eno Ne To' is marbled with trippy melodies and spoken words, 'Hyperloop' is as the name suggests warp speed and hypnotic and 'Redaktor' is another soft and grey blend of supple drums, bass and day-glo synth lines.

Review: We didn't see this coming but we're very much delighted it has: the peerless dub techno don Steve O'Sullivan with a full length of past triumphs and unreleased gems on Nina Kraviz's always adventurous Trip label is always going to be worth hearing. The Brit stretches his legs and pulls out all the stops here to cover plenty of ground while reaming true to his signature sound design excellence: bouncy, minimal but strobe-lit cuts like 'Kesk', twisted 90s techno sounds like 'Grun', barely-there IDM-adjacent sounds like 'Groente' and ice cold dub cuts like 'Botala'. A real masterclass.

Review: Finnish producer Aleksi Perala brings his brand of melodic, high-concept techno to Nina Kraviz's Trip label for the first time. As usual, the ten tracks here were created using Perala's now infamous "Colundi Sequence" - a micro-tuning method that's now almost better known than the former Rephlex man's music. There's naturally much to admire throughout, from restless club tracks blessed with rainbow-rich waves of melody, to strange, acid-fired wig-outs, low-slung, bass-heavy jack-tracks and glistening fusions of club-ready IDM and ultra-violet ambient. As a producer, Perala possesses a rare skill: the ability to create melodious, experimentally minded electronic music that works on club dancefloors. It's this that makes Paradox such an impressive release.

Review: Mind-bogglingly prolific and eternally on the mark, Aleksi Perala has travelled a long way from his roots as Ovuca and Astrobotnia since embarking on his Colundi quest. Here we are with another wonderful set, this time presented on Trip which might well break his stellar sound to an even wider audience. There are theories behind Colundi which you would need to investigate yourself, but it might be simplest to just plunge into this immaculate techno creation and test the effects for yourself. Spine-tingling harmonic interplay, impeccably balanced sequences and a direct rhythmic approach make this so easy to latch on to, but there's something mystical bubbling away under the surface which elevates this beyond your average techno record.

Notes: High quality Trip slipmat.

Review: De Niro Is Concerned is the latest compilation to surface on Nina Kraviz's trip imprint - the Siberian artist's label gaining new momentum in 2015 and diversifying thanks to a selection of fresh artists - and it's an exquisite blend of house, techno and straight-up jack-funk. Among others, you have Iceland's Bjarki with the raw and sparse "Revolution", Millsian Detroit sounds from Deniro on Dumans, and Kraviz herself with Exos on the wavey and hypnotic "No Criminals". All in all, a wildly comprehensive bundle of house-techno hybrids for that 3am slot. Raw and diverse, wild and seductive.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


De Niro Is Concerned is the latest compilation to surface on Nina Kraviz's trip imprint - the Siberian artist's label gaining new momentum in 2015 and diversifying thanks to a selection of fresh artists - and it's an exquisite blend of house, techno and straight-up jack-funk. Among others, you have Iceland's Bjarki with the raw and sparse "Revolution", Millsian Detroit sounds from Deniro on Dumans, and Kraviz herself with Exos on the wavey and hypnotic "No Criminals". All in all, a wildly comprehensive bundle of house-techno hybrids for that 3am slot. Raw and diverse, wild and seductive.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


It was probably inevitable that Nina Kraviz would launch her own label. Even so, the fact that she's chosen to do it with an eight-track compilation featuring previously unheard material from herself and a mix of veterans (Exos, Steve Stoll, Terrence Dixon under the Population One alias) and newcomers (Parrish Smith, Bjarki) is particularly noteworthy. While Kraviz's own contributions have an unsettling, off-kilter tech-house feel, for the most part The Deviant Octopus is as dark and intense as its' fuzzy sleeve art suggests. That means Berlin-friendly late night techno and throbbing, otherworldly jack tracks aplenty, with occasional lapses into distorted analogue acid. The slowed down vocal mix of "Out Of Control" from the recent Population One LP is a real highlight too!