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Back catalogue: Leftfield
Juno's full catalogue of Leftfield
Singles
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Review: Described by their label, Dais, as "a stirring new chapter" in their musical story, 'An object of Motion' has its roots in a coastal break main man Deb Demure made back in 2021. It was material recorded there, largely using a vintage, bowl-shaped 12-string guitar, that formed the basis of the four-track mini-album. These recordings were then expanded on with help from collaborators Rachel Goswell (Slowdive), Justin Meldal-Johnsen and Ben Greenberg. It's a decidedly psychedelic set all told, with Demure and company blurring the boundaries between neo-folk, psychedelia, the Cure, shoegaze and the sort of saucer-eyed, turn-of-the-90s bagginess associated with the Stone Roses. Most impressive of all, though, is 'Yield To Force', an undeniably cosmic, layered and effects-laden instrumental that ebbs and flows over 15 magical minutes.
… Read more in stock $13.82
Álbumes
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Review: Fresh from curating a fine compilation marking 25 years of his admirable DiN label, Ian Boddy unleashes the latest in a long-line of collaborative works. He's previously released joint studio works alongside Chris Carter, Erik Wollo and Mark Shreeve, amongst others and here is in cahoots with Parallel Worlds member (and DiN semi-regular) Dave Bessell. In true ambient fashion, Polarity boasts a two-part, near 52-minute title track: an evocative, creepy and slowly shifting fusion of modular electronic bleeps, vintage analogue synthesiser melodies, immersive chords and - for shortish blasts amongst the aural weightlessness - bubbling beats. To round off the album, the pair drifts further into deep space ambient mode via the Pete Namlook-esque 'Confluence'.
… Read more in stock $11.69
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Lost Themes IV: Noir (CD in slipcase)
Cat: SBR 336CD. Rel: 02 May 24
Review: A decade ago, legendary horror movie composer/director John Carpenter joined forces with son Cody and godson Daniel Davies to make Lost Themes, a collection of new musical compositions to "soundtrack the movies in your mind". It kick-started a prolific period of musical activity which included both real soundtracks and music made for imaginary ones. Lost Themes IV sits in the latter camp, with the trio delivering music inspired by the aesthetic of "noir" movies. While Carpenter senior's suspenseful, paired-down drum machine rhythms and clandestine synthesiser sounds are still present, they work in harmony with creepy effects, immersive sound effects and additional instrumentation. For proof, see the growling guitars on 'My name IS Death' and the exotic classical guitars and sitars of 'He Walks. By Night'.
… Read more in stock $13.82
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Review: For the uninitiated, Robin Crutchfield was one of the key early figures in New York's infamous "no wave" music scene, first as part of influential band DNA and then as the leader of his own outfit, Dark Day. This essential three-CD set tells the story of the hard-to-pigeonhole outfit's original incarnation between 1979 and 1989, offering a chronological trip through the pitch-black corners of the unique combo's slim but perfectly formed catalogue. The Dark Day sound was undoubtedly unique, with Gary Numan-ish synth sounds and arty, stylised vocals being underpinned by heavy, loose-limbed rhythms provided by two drummers. The accompanying booklet tells the story of the band in decent detail, too, making it as much an introduction as a celebration.
… Read more in stock $37.86
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Detroit Interpretations (CD limited to 100 copies)
Cat: SCR 384. Rel: 02 May 25
Review: To mark the one-year anniversary of Reveries, Sonic Cathedral drops a new two-tracker that brings a Detroit reimagining to 'Vale' and 'Cadere'. Produced by John Hanson, aka Saltbreaker, the project features live improvisations by saxophonists Yali Rivlin and Thalamus Morris and cellist Jordan Hamilton. Each of them did their thing in a single take with Hanson composing around their performances, and the result is a graceful blend of serene melancholy and rhythmic sophistication. Oodles of warmth and organic textured is added to the originals and these interpretations act as a fine tribute to Detroit's enduring uniqueness.
… Read more in stock $7.19
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Review: Some 24 years into his career, we know exactly what to expect from Scott Monteith AKA Deadbeat - namely trippy, off-kilter techno heavily informed by dub, underpinned by rhythms that frequently eschew the obvious. Inspired dually by the "five stages of grief" and "the act of speaking one's thoughts aloud alone by oneself", Kubler-Ross Soliloquies - his first solo set in five years - has a defined structure and purpose, within which Monteith giddily goes in all manner of different but loosely connected directions. Compare and contrast, for example, the moody, twisted steppers-techno of 'With Grand Trepidation (Acceptance I)', the hypnotic, spoken word-sporting deep dub techno of 'Huey Lewis Voters Dub (Negotiation)', the skittish headiness of 'Tough Love (Anger I)', and the polyrhythmic, Livity Sound-esque 'The Double Bong Cloud (Denial I)'.
… Read more in stock $25.98
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Review: Featuring as it does six discs of live recordings, Music Portrait is veritable feast for Depeche Mode fans. All of the material was originally recorded for radio broadcasts. Discs one and two feature what appears to be an almost complete 1998 concert featuring such perennial favourites as 'Policy of Truth', 'Personal Jesus', 'It's No Good' and 'Just Can't Get Enough' (a triumphant, sing-along conclusion all told), while CD three offers up 11 songs from a set recorded in 2005. The other three discs feature recordings of solo outings from Dave Gahan, with big Depeche Mode hits being joined by personal favourites and deep cuts from the Basildon Band's 40-plus year career.
… Read more in stock $21.56
