Back catalogue: Rock (All)

Review: Following on from 2020's exceptional return to form Alphabetland, which saw the first full-length from Los Angeles punk pioneers X in 27 years (35 years with the OG line up), the incomparable four-piece of Exene Cervenka, Billy Zoom, John Doe and DJ Bonebrake finally get to go out on their own terms with the self-proclaimed swan song LP Smoke & Fiction. Between line up changes, differing visions, commercial flops and radio-baiting sonic shifts, the band's tumultuous 90's era would cause many a hiatus and add further blemishes to their early iconic catalogue, ultimately leading to an unsatisfactory conclusion to their life's work that they've managed to reclaim in a manner not many seasoned veterans ever get the chance. Ten bangers infused with their quintessential rockabilly-punk charm and elevated by Cervenka's still ludicrously intense cadence, with a coinciding farewell tour to come, this is the finale for X the band and we dear listeners have always deserved.

Review: Say the words 'pre-teen pop' to most people and they'll make for the hills faster than you can say "be afraid, be very afraid". In the case of X-Cetera, though, the presumption of garbage is inaccurate, albeit the underlying feeling of something being off i perhaps even unsettling i remains. Self-recorded in a very different time and a very different world, on the cusp of a new millennium and all its promises (lol), Jessica Hall, Ayden Mayeri, and sisters Janet and Mary Washburn give a wonderful example of how talented kids can be on Summer 2000. It's also a strange and weirdly i accidentally i trippy ride from beginning to end. Marrying elements of trip hop, r&b, indie, sugarcane pop and acoustic, the sickly sweet and naturally childish lyrics and delivery leave a macabre air lingering. Like the nursery rhyme in a horror movie, sort of. Once filed under chart hopeful, now avant garde.

Review: Radiation Reissues has put plenty of effort into this welcome reissue of X-Ray Spex's seminal gig Live At The Roxy Club. It comes with remastered audio, updated artwork, and exclusive sleeve notes from original saxophonist Lora Logic almost fifty years after it was first recorded on April 2, 1977, at the legendary London venue. It was an early performance by the new wave punk icons ahead of the arrival of their debut single 'Oh Bondage Up Yours!' and their genre-defining Germfree Adolescents album. The setlist includes tunes that went on to become future hits such as 'Let's Submerge,' and 'I Live Off You,' which were both performed months before their official release. As such this record offers a rare glimpse into the band's vital formative days.

Review: One fateful night on September 6, 2008, London's Camden Roundhouse played host to the iconic punk rock/new wave legends X Ray Spex in all of their frenetic glory. Celebrating the 30-year anniversary of their singular classic album Germfree Adolescents, the sold-out show amassed an immensely fortunate 3000 souls in attendance including The Slits bassist Tessa Pollitt, Chrissy Boy of Madness and Eater drummer Dee Generate. With the untimely, tragic passing of punk pioneer frontwoman Poly Styrene in 2011, the show has gone on to become the stuff of London punk mythology, as history proports her beret-sporting swagger was on top form across the evening. Sleeve notes included by Celeste Bell, Pole Styrene's daughter, who also features on the encore of 'Oh Bondage Up Yours!', adding further weight and insight to an already iconic piece of musical history.

Review: Xiu Xiu's latest release, 13" Frank Beltrame Italian Stiletto with Bison Horn Grips, is a striking exploration of sonic chaos and emotional depth, reflecting the band's continual evolution and fearless creativity. The album, which marks a departure from previous aesthetic boundaries, showcases the unique talents of Angela Seo and Jamie Stewart. Recorded with the renowned John Congleton, known for his work with Chelsea Wolfe and Swans, this LP delivers a raw, visceral experience that challenges. The record's nine tracks feature their commitment to pushing musical limits. The name itself evokes a sense of edgy rebellion, mirroring the album's content which embraces randomness and disruption. From the unsettling ambiance of 'Veneficium' to the potent intensity of 'Common Loon,' each song confronts the listener with its own distinctive narrative and sound. This album is an audacious mix of industrial churn and psychedelic textures, wrapped in a framework of democratic, experimental ethos. Xiu Xiu's recent relocation to Berlin has infused the music with an urgency and defiant spirit, underscoring their desire to stay ahead of disaster. In 13" Frank Beltrame Italian Stiletto with Bison Horn Grips, Xiu Xiu offers a profound and unsettling journey, a vivid reminder of their enduring relevance and creative audacity.

Review: The influential German band Xmal Deutschland are overhead rafters in the great mead hall of goth. Their propulsive successes throughout the 1980s meant the genre likely couldn't've done without them. A large band come music collective, made up of at least eight members at any given time, Xmal's formation in Hamburg and would presell audiences on a stalwart performance rep, thanks to an early tour and gig residency in support of dream pop preeminents Cocteau Twins. Rallied to fame by their goth classics 'Incubus Succubus' and 'Qual', this 2xCD review conjoins two of the earliest and most pivotal albums on which both of said singles were housed - Fetisch and Tocsin - along with tracks from other key releases, such as Incubus Succubus II. Helping blacken an otherwise dreamy time, these LPs highlight the gloomier soils of a superficially bright 1980s soundfield, which otherwise roseated by shoegaze. Photography by Kevin Cummins, Paul Slattery, Sheila Rock and more all capture the spirit.

Review: Xmal Deutschland commemorate their influential 4AD years (1983-1984) with a brand new release, literally presenting us with Gift. The collection celebrates the band's profound impact on British audiences in the early 80s, marked by a unique and half-devised lyrical language, as well as a magnetic feminine mystique commandeered by the women in the group. Their breakthrough support slot with Cocteau Twins accompanied the first two albums to come out via 4AD, which grabbed audiences by the collective ear with a painter's stroke of hard-graded darkwave and goth. Gift brims with a penumbral presence, while the titular "gift" is intended as pharmakon, both a present and a poison; Xmal's music is appropriately contradictory and complex, skating thin ices of beauty and elusivity. This limited-edition 3xLP boxset includes Abbey Road remasters of their albums Fetisch and Tocsin, along with tracks from related releases like Incubus Succubus II and Qual, packaged with striking artwork and a photo booklet. The magic of Xmal Deutschland lingers like radiation and has an indelible half-life.

Review: XTC's 1986 album Skylarking, under the production of Todd Rundgren, is a remarkable example of chamber-pop that traverses a single day through its evocative tracks. The recording process was marked by friction, with Rundgren's dominant style clashing with Andy Partridge's precise vision. Nonetheless, Rundgren's choice to structure the album to reflect the progression of a dayifrom the morning's 'Summer's Cauldron' to the evening's 'Dying' and 'Sacrificial Bonfire'iprovided a unifying narrative arc. With amazing material like 'Dear God', this made for a winning combination in laying out the album as a whole. Songs like 'Grass' and 'The Meeting Place' highlight the band's flair for pastoral storytelling, while "Earn Enough for Us" poignantly explores themes of love and financial struggle. Despite the behind-the-scenes turmoil, the album's lush arrangements and insightful lyrics present a whimsical, profound perspective on the natural world, establishing Skylarking as a standout work in XTC's catalog. Now, reissued by Steven Wilson, this version is perhaps the most ideal one to have.

Review: The reissued and remastered CD of XTC's Skylarking, now with added bonus material including a 5.1 mix, revisits the band's dynamic collaboration with producer Todd Rundgren. Released in 1986, the album showed the band's transformation into a studio-only group after frontman Andy Partridge's decision to stop touring. The album featured the band's breakthrough hit 'Dear God' that helped catapult them to one of the leaders of alternative music . This remastered edition enhances the intricate, lush arrangements of tracks like 'Summer's Cauldron' and 'Season Cycle,' highlighting the album's day-in-the-life concept conceived by Rundgren. Rundgren's influence is evident in the album's seamless transitions and cohesive narrative, despite the behind-the-scenes tension with Partridge. The producer's knack for innovative arrangements and Partridge's introspective lyrics blend into a compelling collection of songs. Colin Moulding's pastoral contributions, such as 'Grass' and 'The Meeting Place,' add depth and charm to the album. The added 5.1 mix and bonus material bring a fresh perspective to this classic, allowing fans to experience Skylarking in a new light. From the upbeat 'Earn Enough for Us' to the reflective 'Dying' and 'Sacrificial Bonfire,' the album remains an important piece in XTC's creative growth and Rundgren's visionary production.