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Review: While compilations of 1980s pop music are ten-a-penny, most tend to focus on the most celebrated hits and biggest singles. Spectrum's latest, Pop Gems: The 80s, takes a different approach, combining familiar numbers (Dexy's 'Celtic Soul Brothers', Roxy Music's 'Same Old Scene' and the Human League's 'Human') with forgotten treats and less-celebrated cuts from big names of the era (Tears For Fears, Ah-Ha, Shakin' Stevens, Adam Ant, ABC, Duran Duran, Boy George, Five Star, Bros etc). There's also a sprinkling of crossover American dancefloor hits too, from the likes of Chaka Khan, Womack & Womack, Sheila E, Cameo and Jakki Graham). It packs in plenty of three discs, as you'd expect, and even finds space for a dash of Fairground Convention!

Review: To mark the one-year anniversary of Reveries, Sonic Cathedral drops a new two-tracker that brings a Detroit reimagining to 'Vale' and 'Cadere'. Produced by John Hanson, aka Saltbreaker, the project features live improvisations by saxophonists Yali Rivlin and Thalamus Morris and cellist Jordan Hamilton. Each of them did their thing in a single take with Hanson composing around their performances, and the result is a graceful blend of serene melancholy and rhythmic sophistication. Oodles of warmth and organic textured is added to the originals and these interpretations act as a fine tribute to Detroit's enduring uniqueness.

Notes: Inside the brand new issue:

aya: New album hexed! explores sobriety and neurodiversity through radical tunings and transformed instruments. By Chal Ravens

Satch Hoyt: The one-time Burnt Sugar member's Un-Muting project opens museum archives of stolen instruments. By Francis Gooding

Ailie Ormston: The Glasgow composer moves away from the conservatoire to conduct the sounds of the city. By Abi Bliss

Joke Lanz: At 60 years old the Swiss improvisor still takes a punk approach to the turntable. By Daniel Spicer

Bios Contrast: Kolkata musician Nilotpal Das cooks up the concept of brahmancore. By Misha Farrant

Laura Cocks: Chamber music is the site of connection for the flautist. By Stewart Smith

MIC: Grime provides the setting for sci-fi storytelling in the hands of the London MC. By Lucy Thraves

John King: The composer playing the blues for Palestine's lost communities. By Kurt Gottschalk

Tran Duy Uc: The Vietnamese multidisciplinary artist curates the self-scape. By Daryl Worthington

Invisible Jukebox: Alvin Curran: Will the Musica Elettronica Viva member read maritime rites over The Wire's mystery record selection? Tested by Julian Cowley

Unlimited Editions: Meticulous design and sonics dovetail in New York new music label Greyfade. By Philip Watson

The Inner Sleeve: Seymour Wright on Anne Gillis's Lxgrin

Against The Grain: VAN magazine Editor Hugh Morris can't stand that jazzy sensation

Epiphanies: Surgeon gets all cut up by William S Burroughs and Brion Gysin

Soundcheck: Actress, Ahmed Ag Kaedy & Will Guthrie, Annie A, Peter Baumann, Lea Bertucci & Olivia Block, Biollante, Daniel Blumberg, Pierre Borel, Brutal Shift, Brutal Shift/Solar Yolk, Florence Cats, CBZK, Circuit Des Yeux, Anla Courtis Ja Lehtisalo, Kara-Lis Coverdale, Holger Czukay, Bryn Davis, Dead Pioneers, Divide And Dissolve, Dromedaries x Alexoteric, Dushume, Eska, Bryan Ferry & Amelia Barratt, The Great Learning Orchestra, Hieroglyphic Being, History Dog, William Hooker, William Hooker with David S Ware & Alan Braufman, HxH, Infinity Knives & Brian Ennals, Chris Jonas, Fergus Jones, Kid Spatula, Kinski, Das Koolies, Ed Kuepper & Jim White, Laibach, The Steve Lehman Trio & Mark Turner, Mclusky, Me, Claudius, Roger Clark Miller, Hedvig Mollestad Trio, Nahja Mora, Natural Information Society & Bitchin Bajas, Neptunian Maximalism, The Orchestra Of Futurist Noise Intoners Directed by Luciano Chessa, Anthony Pateras, Lucy Railton, Lee Ranaldo & Michael Vallera, Gryphon Rue, Laila Sakini, Kim Salmon & Masami Kawaguchi, Klaus Schulze, Slow Reading Club & Charlie Usher, Ches Smith, Sumac & Moor Mother, Neil Tennant/Mark Springer/Sacconi String Quartet, Throwing Muses, Penelope Trappes, William Tyler, Use Knife, Whatever The Weather, Various Soon I'll Run Out Of Air

The Columns: Avant Rock by Antonio Poscic; Critical Beats by Joe Muggs; Dub & Reggae by Steve Barker; Electronics by Leah Kardos; Global by Francis Gooding; Hiphop & R&B by Tim Fish; Jazz & Improv by Phil Freeman; Noise, Industrial & Beyond by Emily Pothast; Size Matters by Byron Coley

The Boomerang: Paul Bley, Paul Bley Trio, Stanley Cowell, The Creation, Q Lazzarus, Kali Malone, Pentangle, Steve Reich, Charlie Rouse, Royal Trux, Pharoah Sanders, Charles Tolliver's Music Inc, Various Strata-East: The Legacy Begins

Print Run: Hating Jazz: A History Of Its Disparagement, Mockery, And Other Forms Of Abuse by Andrew S Berish; Mood Machine: The Rise Of Spotify And The Cost Of The Perfect Playlist by Liz Pelly; Black Mystery School Pianists And Other Writings by Matthew Shipp; Erik Satie Three Piece Suite by Ian Penman; Small Town Joy: From Glam Rock To Hyperpop: How Queer Music Changed The Sound Of Scotland by Carrie Marshall; Alice Coltrane, Monument Eternal edited by Erin Christoval; The Sound Of Utopia: Musicians In The Time Of Stalin by Michel Krielaars (translated by Jonathan Reeder); Dmitry Shostakovich And Music For Stalinist Cinema (1936-1953) by Joan Titus; Blank Forms 10: Alien Roots: Eliane Radigue edited by Lawrence Kumpf & Charles Curtis

On Screen: Dietmar Post Mona Mur In Conversation; Jean-Cosme Delaloye Desire: The Carl Craig Story; Marie Losier Peaches Goes Bananas

On Location: Jules Reidy + Nina Garcia + Adam Soper, Newcastle upon Tyne, UK; Hekla + Dave Welder, London, UK; Sachiko M & Annette Krebs + Chris Pitsiokos & Axel Dorner, Berlin, Germany; Mamboat, Rio de Janeiro, Brazil; Come Back, London, UK; Borealis, Bergen, Norway; Ghais Guevara, London, UK; Sonics 25, Hastings, UK; 160 Unity: RP Boo + DJ Spinn + Kode9 + Big Dope P, London, UK; Experiments in Opera, New York, US; CTM, Berlin, Germany

On Site: Joy Boy, A Tribute To Julius Eastman, Aalst, Belgium; Leigh Bowery!, London, UK; Outlaws: Fashion Renegades Of 80s London, London, UK

Review: Portland's Paul Dickow, the man behind the Strategy alias, is back with a new album that has been created with a 1989 model sampling keyboard. Exploring its limitations, he plays the sampler by hand and abandons sequencers for a more organic approach which apes a guitarist's connection to their instrument. The record delves into glacial, pensive soundscapes where experimental, ambient and dance music elements all come together with deliberate intention. Though Dickow crafts a sound rooted in ambient techno futurism it is one open to serendipitous, experimental outcomes which makes it a gently unpredictable listen and otherworldly charmer.

Review: Constellation Tatsu welcomes US artist Brendan Principato aka Saapato for what is a hugely conceptual new album based around decomposition. It was sparked when Saapato saw a dead fox lying by the side of the road on his way home from a job in a local warehouse. He used that as a jumping-off point to interrogate "transformation, interconnectedness, and renewal" and the five stages of decomposition, namely fresh, bloat, active decay, advanced decay and dry/remains. Several collaborators help him on his way as he sketches out various instrumental textures which variously have occasional shards of light, lingering melancholy and a subtle sense of hope.

Notes: Typost's non-woven cloths are specifically designed to be gentle on your records, are resistant to fluff and fiber scraps and absorb dirt firmly. They are made of environmentally friendly materials and minimizes static electricity generation.

Review: The Extra Soul Perception label held a first ever writing camp in Nairobi in 2019 and Lynda Dawn was one of the pupils. She has already released 'Roses' on the label's New Tangents...Vol. 1 EP with other music from the UK, Kenya and Uganda. But this was the standout track so now it makes its way to its own 7". It is the sort of heart achingly beautiful slow motion disco-soul that will be perfect end of the night send home or early evening warm up for more cosy dance floors. There is a slightly more beefed up version from XL Middleton to complete this tidy 7".

Review: Junior Scaife delivers two ensouled sides, produced and co-written by Penrose mainstay Anthony Masino. One of the most gifted vocalists in the soulscape of today, Scaife infuses every note with a shrill sprechgesang, a longing, heaving intonation heard between the runs. 'Nobody Gets My Love' is an ode to tensions of love and pride, wielding the late-60s Hestor and Wylie Detroit sound as a listless instrument for impudence. On the B, 'Too Much Too Soon', offers a slow-burning ballad laced with wah guitar and a comparatively elegance, marking a standout for the lowrider soul crowd.

Notes: The EBS PCF flat patch cable is an original design by EBS that started the global trend of flat patch cables for pedalboards. Due to the clever space-saving design, the cables have become the patch cable-to-go for musicians all over the world.

If you have ever struggled with limited space on your pedalboard, the super compact and affordable EBS Flat Patch Cables will help end the frustration. They perform excellently on sound and flexibility while reducing the required space between pedals to a minimum with their unique design.

Notes: 2 oz bottle of Groovewasher G2 record cleaning fluid.

Review: West Coast soul outfit Thee Baby Cuffs keep the slow-burning romance alive with 'There Ain't Enough Roses', a tender ballad drenched in harmonised falsettos and vintage charm. Now composed of Joe Narvaez and Reality Jonez, the group channels classic lowrider soul, working once again with Finnish production outfit Cold Diamond & Mink. Their signature downtempo style remains intactilush instrumentation, delicate grooves, and a melody built to sway. Previous Timmion singles like 'My My Baby' and 'You're My Reason' cemented their status as torchbearers of group soul, and this latest offering only deepens that legacy. On the flip, a flute-led instrumental nods to Steve Parks, sealing the track's timeless appeal.

Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.

Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.

Notes: Optional Accessory MIDI cable for WIDI Jack Bluetooth MIDI Interface by CME

Notes: The EBS PCF flat patch cable is an original design by EBS that started the global trend of flat patch cables for pedalboards. Due to the clever space-saving design, the cables have become the patch cable-to-go for musicians all over the world.

If you have ever struggled with limited space on your pedalboard, the super compact and affordable EBS Flat Patch Cables will help end the frustration. They perform excellently on sound and flexibility while reducing the required space between pedals to a minimum with their unique design.